"Secrets of the Charles" was a first-place winner of the 2010 Royal Palm Literary Awards. How do three women solve a murder when the witnesses and suspects are most likely dead themselves? Drawn by flashing police lights, a teenage Jack O'Shea stands among the on-lookers as the Boston police pull his mother's body from the Charles River. More than fifty years later, his high school sweetheart, Kate, daughter Lilith, and granddaughter Alexa team with two police detectives to uncover the truth. Following the few clues left in a dusty evidence box and Kate's recollection of her life with Jack, they discover the secrets, lies and dreams intertwining the victim's family with her lover and his wife.

While poverty persists as a major social problem, Canadians are increasingly framing their concerns over poverty and its consequences as issues of human rights and citizenship. This timely volume examines the ideas and practices of human rights, citizenship, legislation, and institution-building that are crucial to addressing poverty in this country. Poverty: Rights, Social Citizenship, and Legal Activism makes a major contribution to the advancement of knowledge in the area of social rights and Charter advocacy and analysis. This book is unique to Canadian legal scholarship and will be important to scholars and researchers studying poverty; it will also be of considerable value to advocates and policy makers.

This cutting-edge edited collection brings together 17 scholarly essays on two of cinema and television's most enduring and powerful themes: law and crime. With contributions by many of the most prominent scholars in law, sociology, criminology, and film, Framing Law and Crime offers a critical survey of a variety of genres and media, integrating descriptions of technique with critical analysis, and incorporating historical and socio-political critique. The first set of essays brings together accounts of the history of the Law and Cinema Movement; the groundbreaking genre of "post-apocalyptic fiction;" and the policy-setting genesis of a Canadian documentary. The second section of the book turns to the examination of a range of international or global films, with an eye to assessing the strengths, frailties, and possible functions of law, as depicted in fictional cinema. After an international focus in the second section, the third section focuses on law and crime in American film and television, inclusive of both fictional and documentary modes of narration. This section's expansion beyond film narratives to include television series attempts to broaden the scope of the edited collection, in terms of media discussed; it is also a nod to how the big screen, although still a dominant force in American popular culture, now has to compete, to some extent, with the small screen, for influence over the collective American popular cultural imaginary. The fourth section, titled brings together various chapters that attempt to instantiate how a "Gothic Criminology" could be useful, as an interpretative framework in analyzing depictions of law and crime in film and television. The fifth and final section covers issues of pedagogy, epistemology, and ethics in relation to moving images of law and crime. Merging wide-ranging analyses with nuanced scholarly interpretations, Framing Law and Crime examines key concepts and showcases original research reflecting the latest interdisciplinary trends in the scholarship of the moving image. It addresses, not only scholars, but also fans, and will heighten the appreciation of connoisseurs and newcomers to these topics alike.

This cutting-edge edited collection brings together 17 scholarly essays on two of cinema and television's most enduring and powerful themes: law and crime. With contributions by many of the most prominent scholars in law, sociology, criminology, and film, Framing Law and Crime offers a critical survey of a variety of genres and media, integrating descriptions of technique with critical analysis, and incorporating historical and socio-political critique. The first set of essays brings together accounts of the history of the Law and Cinema Movement; the groundbreaking genre of "post-apocalyptic fiction;" and the policy-setting genesis of a Canadian documentary. The second section of the book turns to the examination of a range of international or global films, with an eye to assessing the strengths, frailties, and possible functions of law, as depicted in fictional cinema. After an international focus in the second section, the third section focuses on law and crime in American film and television, inclusive of both fictional and documentary modes of narration. This section's expansion beyond film narratives to include television series attempts to broaden the scope of the edited collection, in terms of media discussed; it is also a nod to how the big screen, although still a dominant force in American popular culture, now has to compete, to some extent, with the small screen, for influence over the collective American popular cultural imaginary. The fourth section, titled brings together various chapters that attempt to instantiate how a "Gothic Criminology" could be useful, as an interpretative framework in analyzing depictions of law and crime in film and television. The fifth and final section covers issues of pedagogy, epistemology, and ethics in relation to moving images of law and crime. Merging wide-ranging analyses with nuanced scholarly interpretations, Framing Law and Crime examines key concepts and showcases original research reflecting the latest interdisciplinary trends in the scholarship of the moving image. It addresses, not only scholars, but also fans, and will heighten the appreciation of connoisseurs and newcomers to these topics alike.

Revealing a social justice movement that culminated through community activism in Vancouver's downtown east side, this account documents the opening of the first official safe injection site. Told from the point of view of drug users--those most affected by drug policy, political decisions, and policing--this narrative is conveyed through a montage of poetry and photos of early Vancouver Area Network of Drug Users meetings, journal entries from the Back Alley--the unofficial safe injection site--and excerpts from significant health and media reports. Chronicling the harms of prohibition and emphasizing the concepts of kindness, awakening, and collective action, this recollection spotlights a community of prophets who rebuked the system, bringing hope into situations of apparent impossibility.

In this timely volume, contributors from various disciplines analyze reaction and resistance to feminism in several areas of law and policy - child custody, child poverty, sexual harassment, and sexual assault - and in a number of institutional sites, such as courts, legislatures, families, the mainstream media, and the academy. Collectively, their studies paint a complicated, often contradictory, picture of feminism, law, and social change, offering feminists and activists empirically grounded knowledge to develop legal and political strategies for change.

In this timely volume, contributors from various disciplines analyze reaction and resistance to feminism in several areas of law and policy - child custody, child poverty, sexual harassment, and sexual assault - and in a number of institutional sites, such as courts, legislatures, families, the mainstream media, and the academy. Collectively, their studies paint a complicated, often contradictory, picture of feminism, law, and social change, offering feminists and activists empirically grounded knowledge to develop legal and political strategies for change.