Do less. Connect more. This beautiful 40-day devotional for the Lenten and Easter season offers biblical reflections and full-color springtime photography to take you from burnout to burning a little brighter as you celebrate new life, fresh starts, and everyday redemptions. It's a distracted world out there. Maybe you find yourself scrolling more than savoring, texting more than resting, and rushing instead of taking a deep breath. The things you thought would bring connection make you feel more disconnected than ever, with a good dose of exhaustion thrown in. It's time for a reset. A Savior Is Risen is a 40-day journey from Ash Wednesday to Easter morning, a call for you to quiet your mind and soul as you focus on Jesus and His resurrection. In this gorgeous devotional, you are invited to: Experience the Easter season with fresh eyes and an expectant heart Practice a modern-day fast from the things distracting you from God Reflect on Jesus' life and Resurrection Draw closer to God through silence and reflection Let go of stress and embrace grace   Each day's entry includes: A word that embodies the spirit of Easter A brief reflection on integrating that word into your life A Scripture passage for meditation A prayer to bring peace to your mind Bright springtime photography that captures the beauty of new life   A Savior Is Risen is ideal for anyone wanting permission to slow down, as a gift for someone looking for spiritual renewal, or as a beautiful book to display as a reminder of God's promises. So grab your morning coffee or afternoon chai, and feel your spirit settle as you immerse yourself the ultimate new beginning God has given us all.

Part of a series which is intended for class use and for GCSE examination and coursework and also provides material for wider reading programmes. It aims to offer varied and stimulating material for reflecting male and female interests and a real awareness of our multicultural world. The literature is chosen for its accessibility to young readers and the pupils are encouraged to consider alternative ways of looking at the play or story and to express their own view using supporting evidence from the text. There are also suggestions for writing which give pupils a chance to respond to what they have read through imaginative writing and dramatic reconstructions as well as through tradtional critical essays. "The Woman in Black" tells haunting testimony of a young solicitor, Arther Kipps, who records in detail the nightmarish events of his stay in a house on a marsh in northern England, and the terrible events that were to alter his life forever. The author who is a writer, playwright, literary critic and broadcaster has also written "I'm the King of the Castle" amd "Strange Meeting".

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When I was young, I knew God loved me. I followed Him. Being His child was natural and easy. Then I hit puberty, and my world changed. There were things I saw that I wanted, things that I thought He might not want me to have. I started to wander. Still, I was not stupid. I knew I still needed Him as Savior; it was His Lordship that gave me pause. Eventually I stripped Him of His Lordship and went to live in the "fallen world." I kept Him as my Savior, but I made no effort to follow Him. I loved my life in the fallen world. Still, it had its challenges. There were times I would find myself in the dreaded "Valley of the Shadow of Death." I knew somehow He was responsible. It was in the "Valley" that I would find myself needing Him. Eventually I would have to call on Him. And rescue me He would, but I refused anything but temporary rescue. I would be thankful for a few days, but the desire for my old life in the fallen world would soon reclaim me, and I would put Him back on the shelf. There was so much out there to grab for, and the fallen world did push and encourage me to go for happy. There was a problem with that: I was created to be filled with joy, His joy. "Happy" was just a temporary, dim simulation. I finally had to face the questions. Does He really love me? Is He really to be trusted? Is He really the God of the Bible? If the answer to these questions was yes, could I really have enough confidence in Him to make Him my center and follow Him?

For fans of Kate DiCamillo and Sharon Creech comes this "both raw and warm in its compassionate telling" (Publishers Weekly) middle grade novel about a young girl, her pet bearded dragon, and the friends who make her summer one to remember.Georgia Weathers's worry machine has been on full blast since her mom, Blythe, took off in Lyle Lenczycki's blue sedan. Earlier that same day, Blythe gave Georgia a bearded dragon named Freddy. Georgia is convinced that if she loves Freddy enough, Blythe will come home. Georgia isn't the only one with family predicaments. Her friend Maria Garcia's parents have merrily moved out of the house and into a camper in the yard. Roland Park is the new boy in town. As a kid in the foster care system staying with the Farley family, he's sure his stay is temporary. When the three friends discover an abandoned glass house in the forest, it becomes their secret hideout: a place all their own, free of parents and problems. But glass can be broken. When everything around them feels out of their control, the question becomes what can they hold on to? And what do they have to let go? It turns out, there are some things--and lizards--they can count on.

A beautiful hardback edition of one of the scariest and most ingenious novels ever written. Arthur Kipps, a junior solicitor, is summoned to attend the funeral of Mrs Alice Drablow, the sole inhabitant of Eel Marsh House. The house stands at the end of a causeway, wreathed in fog and mystery, but it is not until he glimpses a wasted young woman, dressed all in black, at the funeral, that a creeping sense of unease begins to take hold, a feeling deepened by the reluctance of the locals to talk of the woman in black - and her terrible purpose. This edition also includes four of Susan Hill's scariest ghost stories: Dolly, The Man in the Picture, Printer's Devil Court and The Small Hand 'Heartstoppingly chilling' Daily Express 'No one chills the heart like Susan Hill' Daily Telegraph VINTAGE QUARTERBOUND CLASSICS: Beautiful editions of great books to last a lifetime

Winner of the Somerset Maugham Award, this tale is linked in its poignancy and humour to Lord the the Flies. This edition is part of a series of pre- and post-1914 works chosen especially for 14-18 year olds. The series features fiction, anthologies, poetry, plays and non-fiction.

Fat Religion: Protestant Christianity and the Construction of the Fat Body explores how Protestant Christianity contributes to the moralization of fat bodies and the proliferation of practices to conform fat bodies to thin ideals. Focusing primarily on Protestant Christianity and evangelicalism, this book brings together essays that emphasize the role of religion in the ways that we imagine, talk about, and moralize fat bodies. Contributors explore how ideas about indulgence and restraint, sin and obedience are used to create and maintain fear of, and animosity towards, fat bodies. They also examine how religious ideology and language shape attitudes towards bodily control that not only permeate Christian weight-loss programs, but are fundamental to secular diet culture as well. Furthermore, the contributors investigate how religious institutions themselves attempt to define and control the proper religious body. This volume contributes to the burgeoning field of critical fat studies by underscoring the significance of religion in the formation of historical and contemporary meanings and perceptions of fat bodies, including its moralizing role in justifying weight bias, prejudice, and privilege. The chapters in this book were originally published as a special issue of Fat Studies: An Interdisciplinary Journal of Body Weight and Society.

Proud and solitary, El Marsh House surveys the windswept reaches of the salt marshes beyond Nine Lives Causeway. Arther Kipps, a junior solicitor,is summoned to attend the funeral of Mrs Alice Drablow, the house's sole inhabitant,unaware of the tragic secrets which lie hidden behind the shuttered windows. It is not until he glimpses a wasted young woman,dressed all in black,at the funeral that a creepingsense of unease begins to take hold,a feeling deepened by the reluctance of the locals to talk of the woman in black - and her terrible purpose.

Fat Religion: Protestant Christianity and the Construction of the Fat Body explores how Protestant Christianity contributes to the moralization of fat bodies and the proliferation of practices to conform fat bodies to thin ideals. Focusing primarily on Protestant Christianity and evangelicalism, this book brings together essays that emphasize the role of religion in the ways that we imagine, talk about, and moralize fat bodies. Contributors explore how ideas about indulgence and restraint, sin and obedience are used to create and maintain fear of, and animosity towards, fat bodies. They also examine how religious ideology and language shape attitudes towards bodily control that not only permeate Christian weight-loss programs, but are fundamental to secular diet culture as well. Furthermore, the contributors investigate how religious institutions themselves attempt to define and control the proper religious body. This volume contributes to the burgeoning field of critical fat studies by underscoring the significance of religion in the formation of historical and contemporary meanings and perceptions of fat bodies, including its moralizing role in justifying weight bias, prejudice, and privilege. The chapters in this book were originally published as a special issue of Fat Studies: An Interdisciplinary Journal of Body Weight and Society.

When we spend so much of our time immersed in books, who's to say where reading ends and living begins? The two are impossibly and gloriously wedded, as Hill shows in Jacob's Room Is Full of Books.

Considering everything from Edith Wharton's novels through to Alan Bennett's diaries, Virginia Woolf and the writings of twelfth century monk Aelred of Rievaulx, Susan Hill charts a year of her life through the books she has read, reread or returned to the shelf. From beneath a shady tree in a hot French summer, or the warmth of a kitchen during an English winter, Hill reflects on what her reading throws up, from writing and writers to politics and religion, as well as the joy of dandies or the pleasure of watching a line of geese cross a meadow.

Full of wry observations and warm humour, as well as strong opinions freely aired, this is a rare and wonderful insight into the rich world of reading from one of the nation's most accomplished authors.

I'm the King of the Castle by Susan Hill is a chilling novel that explores the extremes of childhood cruelty, now published as a Penguin Essential for the first time. 'Some people are coming here today, now you will have a companion.' But young Edmund Hooper doesn't want anyone else in Warings, the large and rambling Victorian house he shares with his widowed father. Nevertheless Charles Kingshaw and his mother are soon installed and Hooper sets about subtly persecuting the fearful new arrival. In the woods, Charles fights back but he knows that his rival will always win the affections of the adults - and that worse is still to come . . .

Horror sequel directed by Tom Harper. 40 years after the events of 'The Woman in Black' (2011), a group of schoolchildren in London are evacuated from the city during the blitz, accompanied by their young teacher Eve Parkins (Phoebe Fox). When the group arrives in the idyllic English countryside, little do they know that a dark spirit that has long lain dormant in the Eel Marsh House awaits. One by one the children begin to demonstrate strange behaviour and unexplainable happenings occur in their isolated home. Will Eve, with the help of the military, be strong enough to repel the ghostly woman bent on destruction and revenge for the loss of her son?

OVER ONE MILLION COPIES SOLD Innocent or guilty. It's a matter of which lines you cross. It's mid-winter and a body is discovered in a flat just outside Lafferton. It's a drugs overdose but something doesn't feel right. The place is entirely empty. Damp walls, bare floorboards. Not even a bed. And then there's the man known as Fats. Preying on young children to run errands for him. Burner phones with instructions messaged through. Bribes followed by threats. Can Serrailler finally break the drugs network that's spreading through the area or is it just too powerful for him? 'Keeps the reader guessing until the last page' Sunday Express

Early one autumn afternoon in pursuit of an elusive book on her shelves, Susan Hill encountered dozens of others that she had never read, or forgotten she owned, or wanted to read for a second time. The discovery inspired her to embark on a year-long voyage through her books, forsaking new purchases in order to get to know her own collection again. A book which is left on a shelf for a decade is a dead thing, but it is also a chrysalis, packed with the potential to burst into new life. Wandering through her house that day, Hill's eyes were opened to how much of that life was stored in her home, neglected for years. Howards End is on the Landing charts the journey of one of the nation's most accomplished authors as she revisits the conversations, libraries and bookshelves of the past that have informed a lifetime of reading and writing.

Sustainable Development Goal 4 seeks to 'Ensure inclusive and equitable quality education for all and promote lifelong learning opportunities for all.' It acknowledges that quality education is a foundational necessity for sustainable development and an enhanced quality of life. SDG4 - Quality Education: Inclusivity, Equity and Lifelong Learning For All explores the multifaceted and complex nature of the concepts of inclusivity and quality education. Drawing examples from two different country contexts (Latvia and Jamaica), the book explores how and why inclusive and quality education is critical to sustainable development. It considers the indicators of inclusive and quality education, how the concept of education for sustainable development is evolving, and the ways in which these indicators are being pursued. The book pays specific attention to the roles of teachers, teacher educators, and the curriculum in the attainment of inclusive and quality education and 21st Century skills for a sustainable society. Concise Guides to the United Nations Sustainable Development Goals comprises 17 short books, each examining one of the UN Sustainable Development Goals. The series provides an integrated assessment of the SDGs from economic, legal, social, environmental and cultural perspectives.

Discover the most popular of Woolf's books during her lifetime - a powerful portrait of a family coping with changes wrought by the new twentieth century. The Years follows the lives of the Pargiters, a large middle-class London family, from an uncertain spring in 1880 to a party on a summer evening in the 1930s. We see them each endure and remember heart-break, loss, radical change and stifling conformity, marriage and regret. Written in 1937, this was the most popular of Virginia Woolf's novels during her lifetime, and is a powerful indictment of 'Victorianism' and its values. WITH AN INTRODUCTION BY SUSAN HILL

'I did not believe in ghosts' Few attend Mrs Alice Drablow's funeral, and not one blood relative amongst them. There are undertakers with shovels, of course, a local official who would rather be anywhere else, and one Mr Arthur Kipps, solicitor from London. He is to spend the night in Eel Marsh House, the place where the old recluse died amidst a sinking swamp, a blinding fog and a baleful mystery about which the townsfolk refuse to speak. Young Mr Kipps expects a boring evening alone sorting out paperwork and searching for Mrs Drablow's will. But when the high tide pens him in, what he finds - or rather what finds him - is something else entirely. In the 'Backstory' discover more classic ghost stories and some real-life ones too... Vintage Children's Classics is a twenty-first century classics list aimed at 8-12 year olds and the adults in their lives. Discover timeless favourites from The Jungle Book and Alice's Adventures in Wonderland to modern classics such as The Boy in the Striped Pyjamas and The Curious Incident of the Dog in the Night-Time.

Collecting five stories of suspense, mystery and slow, creeping horror, Daphne Du Maurier's Don't Look Now and Other Stories includes an introduction by Susan Hill, author of The Woman in Black, in Penguin Modern Classics. John and Laura have come to Venice to try and escape the pain of their young daughter's death. But when they encounter two old women who claim to have second sight, they find that instead of laying their ghosts to rest they become caught up in a train of increasingly strange and violent events. The four other haunting, evocative stories in this volume also explore deep fears and longings, secrets and desires: 'Not After Midnight', in which a lonely teacher investigates a mysterious American couple; 'A Border Line Case', in which a young woman confronts her father's past and his associations with the IRA; 'The Way of the Cross', in which a party of pilgrims to Jerusalem encounter strange phenomena in the Garden of Gethsemane; and 'The Breakthrough', in which a scientist claims to be able to trap the soul at the point of death ... Daphne du Maurier (1907-89) - English novelist, biographer, and playwright, who published romantic suspense novels, mostly set on the coast of Cornwall. Du Maurier is best known for and Jamaica Inn (1936), filmed by Alfred Hitchcock in 1939, Rebecca (1938), filmed by Hitchcock in 1940, and The Birds (1952), filmed by Hitchcock in 1963. If you enjoyed Don't Look Now and Other Stories, you might like Shirley Jackson's The Haunting of Hill House, also available in Penguin Modern Classics. 'Daphne du Maurier has no equal' Sunday Telegraph 'Du Maurier created a scale by which modern women can measure their feelings' Stephen King

Stephen Malatratt

Based on the novel by Susan Hill.

Drama/Thriller

Characters: 2 male, 1 extra

Bare stage

The framework of this spine tingler is unusual: a lawyer hires an actor to tutor him in recounting to family and friends a story that has long troubled him concerning events that transpired when he attended the funeral of an elderly recluse. There he caught sight of the woman in black, the mere mention of whom terrifies the locals, for she is a specter who haunts the neighborhood where her illegitimate child was accidentally killed. Anyone who sees her dies The lawyer has invited some friends to watch as he and the actor recreate the events of that dark and stormy night. A classic of the genre.

"A real theatrical spine chiller. . . . A truly nerve shredding experience."- The Daily Mail

"Provides a pleasurable ripple of fear down one's spine and an uncomfortable lurch in the pit of one's stomach."-Time Out New York

"A brilliantly effective spine chiller.... The narrative is gripping."- The Guardian .

"A gripping tale, grippingly told."- The Financial Times