How to Read (and Write About) Poetry invites students and others curious about poetry to join the critical conversation about a genre many find a little mystifying, even intimidating. In an accessible, engaging manner, this book introduces the productive questions, reading strategies, literary terms, and secondary research tips that will empower readers to participate in literary analysis. Holbrook explicates a number of poems, initiating readers into critical discourse while highlighting key poetic terms. These useful terms are fully defined in a glossary at the back of the book. The explications are followed by selections of related works, so the book thus offers what amounts to a brief anthology, ideal for a poetry unit or introductory class on poetry and poetics. Readers can bring some of the new skills they've acquired to these selections, which range across periods and styles. A chapter on meter illuminates the rhythmic dimension of poetry and guides readers through methods of scansion. The second edition includes a fresh selection of poems, including works by Langston Hughes, Anne Sexton, Valerie Martinez, and others, and updated MLA citation guidance for 2021.

Gertrude Stein and Virgil Thomson are known as much for their formidable egos as for their contributions to twentieth-century arts. That either could collaborate intimately with anyone is surprising. Yet Stein and Thomson did work together, magnificently so, most notably on the landmark opera Four Saints in Three Acts and the fanciful The Mother of Us All. This annotated collection of correspondence reveals the spark that existed between the two American masters over the course of their sometimes rocky friendship. The roughly 400 letters written between 1926 and 1946 record the fascinating nature of their partnership-their mutual excitement over evolving projects and their process for bringing together two often radical aesthetic sensibilities. The style of the letters is careful and forceful when the relationship is strained, but most often it is relaxed and affectionate. As a record of friendship the letters are particularly compelling, replete with love, support, and mutual fascination. Not surprisingly, the correspondence is stylistically remarkable-Stein being arguably the most innovative literary modernist and Thomson the author of crisp, insightful, irreverent music criticism, the most quoted of his century. In addition to their artistic partnership, the letters provide a revealing glimpse into their individual careers in the realms of literature and music, as they document a web of mutual friendships and the vibrant artistic community of the early twentieth century. The editors' notes contextualize this valuable exchange and add a layer of richness and accessibility. The volume will interest readers, critics, and scholars in music, literature, avant garde arts and modern culture more generally.

Shortlisted for the ReLit 2022 Poetry Award ink earl takes the popular subgenre of erasure poetry to its illogical conclusion. Starting with ad copy that extols the iconic Pink Pearl eraser, Holbrook erases and erases, revealing more and more. Rubbing out different words from this decidedly non-literary, noncanonical source text, she was left with the promise of "100 essays" and set about to find them. Among her discoveries are queer love poems, art projects, political commentary, lunch, songs, and entire extended families. The absurdity of the constraint lends itself to plenty of fun and funny, while reminding us of truths assiduously erased by normative forces. ink earl's variations are testament in micro to the act of poiesis as not so much a building as an intrepid series of effacements; we rub away at the walls of language we've lived within in order to release both what's been written over, and what we want to say now.

The Papers of James Madison project, housed at the University of Virginia, was established in 1956 to publish annotated volumes of the correspondence and writings of James Madison, the Virginia statesman most often remembered for his public service as "Father of the Constitution" and as fourth president of the United States.

The published volumes provide accurate texts of Madison's incoming and outgoing correspondence, informative notes on textual and subject matters, and comprehensive indexes. They are incomparably rich sources for students of Madison's life and valuable research tools for those interested in the general history of the period in which Madison lived (1751-1836).

The project has collected more than 27,000 copies of documents related to Madison's life, including letters, essays, notes, diaries, account books, ledgers, wills, legal papers, and inventories. The project serves the public by translating into print these decaying and often nearly illegible manuscripts, thereby preserving them for future generations and making them easier to use. The published volumes also make the contents of Madison-related documents--the originals of which are housed in some 250 archives worldwide--easily accessible to libraries and interested individuals anywhere books travel.

The "Secretary of State Series" documents Madison's diplomatic and political career in the two administrations of Thomas Jefferson, 1801-9, during which he oversaw the negotiations for the Louisiana Purchase and the integration of those territories into the United States and attempted to maintain a viable neutrality for the United States vis-a-vis warring France and Great Britain. As secretary of state, Madison presided over one of the busiest offices in Washington. He was responsible for the Patent Office, issued all federal commissions, saw that the public laws were put into print, and served as the official liaison between the president and the governors of states and territories. Most important for these volumes, Madison was the addressee of diplomatic pouches and letters from five ministers and over fifty consuls worldwide, as well as about a dozen commissioners.