Volume 2 of The Genes of Culture continues Christine Nystrom’s exploration into the ecology of symbol systems and the evolution of media, mind and culture. Part One, Human Symbolic Evolution, delivers nothing less than a grand unified theory of humankind. For Nystrom, the prehistoric creative explosion that gave rise to language -- a metaphorical Big Bang -- explains our species’ survival. A felicitous if somewhat ignoble story, it begins with "The Incompetent Ape" who would never have made the evolutionary cut without developing the social capabilities made possible through symbolic language. And human communication, an inevitable source of problems, is the driving force behind this most peculiar of adventures: the birth of self-consciousness, tools and technologies, pratfalls of memory, awareness of our own mortality, art, knowledge, civilization, discontent, and so on. And so on, that is, if we don’t bring our story to an end. In Part Two, a series of astute and provokingly prescient lectures, Tales, Tools, Technopoly, Nystrom addresses our social and moral responsibility in cultivating the narrative of our future. Straightforward and ruthlessly critical of contemporary notions of "growth" and "progress," it concludes this volume with an alternative that is also a challenge -- an appeal to our better nature to do right by our species and the planet. A seminal text for students of media and communication, The Genes of Culture, Vol. 2 is at once readable and profound, comprehensive in its erudition and bold in its conclusions. In the spirit of Media Ecology, it invites argument, and merits acclaim.

Volume 2 of The Genes of Culture continues Christine Nystrom’s exploration into the ecology of symbol systems and the evolution of media, mind and culture. Part One, Human Symbolic Evolution, delivers nothing less than a grand unified theory of humankind. For Nystrom, the prehistoric creative explosion that gave rise to language -- a metaphorical Big Bang -- explains our species’ survival. A felicitous if somewhat ignoble story, it begins with "The Incompetent Ape" who would never have made the evolutionary cut without developing the social capabilities made possible through symbolic language. And human communication, an inevitable source of problems, is the driving force behind this most peculiar of adventures: the birth of self-consciousness, tools and technologies, pratfalls of memory, awareness of our own mortality, art, knowledge, civilization, discontent, and so on. And so on, that is, if we don’t bring our story to an end. In Part Two, a series of astute and provokingly prescient lectures, Tales, Tools, Technopoly, Nystrom addresses our social and moral responsibility in cultivating the narrative of our future. Straightforward and ruthlessly critical of contemporary notions of "growth" and "progress," it concludes this volume with an alternative that is also a challenge -- an appeal to our better nature to do right by our species and the planet. A seminal text for students of media and communication, The Genes of Culture, Vol. 2 is at once readable and profound, comprehensive in its erudition and bold in its conclusions. In the spirit of Media Ecology, it invites argument, and merits acclaim.

Christine L. Nystrom's provocative work offers up a fresh approach to ongoing-and increasingly urgent-questions about the role of symbols and technology in shaping human experience. In lucid, lively, and always-accessible prose, she examines an eclectic range of topics-from Hopi grammar to the etiquette of beach-going to the primal allure of the horror film-to uncover the principles that structure the way we make meaning of our world. A cross-disciplinary tour de force, The Genes of Culture integrates insights from philosophy, the physical sciences, social psychology, and cultural criticism to pose challenging questions for today's students of media. This book is an exemplary foundation reader for graduates or undergraduates in communication and media studies.

Christine L. Nystrom's provocative work offers up a fresh approach to ongoing-and increasingly urgent-questions about the role of symbols and technology in shaping human experience. In lucid, lively, and always-accessible prose, she examines an eclectic range of topics-from Hopi grammar to the etiquette of beach-going to the primal allure of the horror film-to uncover the principles that structure the way we make meaning of our world. A cross-disciplinary tour de force, The Genes of Culture integrates insights from philosophy, the physical sciences, social psychology, and cultural criticism to pose challenging questions for today's students of media. This book is an exemplary foundation reader for graduates or undergraduates in communication and media studies.

Men get one thing from marriage that women never do: They get wives.
Wifework is a fiercely argued, in-depth look at the inequitable division of labor between husbands and wives. Bolstering her own personal experience as a twice-married mother of three with substantial research and broad statistical evidence, Susan Maushart explores the theoretical and evolutionary reasons behind marriage inequality. She forces us to consider why 50 per cent of marriages end in divorce, and why women are responsible for initiating three-quarters of them. If family life is worth saving, and Maushart passionately believes it is, the job description for wives will have to be rewritten.

Becoming a mother is filled with the extremes of emotion --the highest highs and the lowest lows. But women are often reluctant to talk honestly about the experience for fear they'll be seen as bad mothers. With wit and candor, The Mask of Motherhood takes on the myths and the misinformation, helping women to prepare and deal with the depth of feeling that comes with the experience and perhaps most important, it lets them know that many, if not most, new mothers are feeling the same way. Susan Maushart, sociologist and mother of three, explores how motherhood affects our marriages and friendships, our relationships with parents, our sex lives, and our self-esteem. In The Mask of Motherhood, mothers will find the comfort and reassurance they are looking for, and confirmation that, indeed, motherhood is the toughest job in the world, but can also be the most rewarding.

Becoming a wife will erode your mental health, reduce your leisure, decimate your libido, and increase the odds that you will be physically assaulted or murdered in your own home.

Husbands and wives may say that they aer committed to equality, but statistics show that wives still perform an astounding share of the labour in a marriage, everything from housework to sex work. In this funny, lucid, provactive and inspirational study, Susan Maushart argues that wifework, the restless routine of husband maintenance, lies at the core of women's disillusionment. If family life is worth saving, the job description for wives will need to be rewritten.

'Fast, funny and angry' —Mail on Sunday

'Maushart draws some disturbing conclusions ... Wifework is littered with highly revealing nuggets of information —Independent

'Citing research and opinion from a broad spectrum of disciplines, Maushart draws a spirited, funny, intellectually engaging portrait of contemporary wedlock. But it could, apparently, be worse: anyone who thinks marriage is murder 'really needs to try serial monogamy' ' —Daily Telegraph

'An exposé of the unfair division of work in marriage ... almost every word rang true' —Irish Times