In 1878 a young man named William Pryer was sent to North Borneo (now Sabah) to 'establish' the British North Borneo Company there. In 1894 his wife Ada published her account of his early years as an administrator along with some sketches of their life together. The memoir has unique value both as a travel narrative in its own right and for understanding the international politics of the British takeover of North Borneo. The new edition will reproduce the text of the original 1894 edition, including an introductory essay as well as annotations to explain and contextualize references of historical and biographical significance.

Asking why the 19th-century British novel features heroines, and how and why it features "feminine heroism," Susan Morgan traces the relationship between fictional depictions of gender and Victorian ideas of history and progress. Morgan approaches gender in selected 19th-century British novels as an imaginative category, accessible to authors and characters of either sex. Arguing that conventional definitions of heroism offer a fixed and history-denying perspective on life, the book traces a literary tradition that represents social progress as a process of feminization. The capacities for flexibility, mercy, and self-doubt, conventionally devalued as feminine, can make it possible for characters to enter history. She shows that Austen and Scott offer revolutionary definitions of feminine heroism, and the tradition is elaborated and transformed by Gaskell, Eliot, Meredith, and James (partly through one of his last "heroines," the aging hero of The Ambassadors.) Throughout the study, Morgan considers how gender functions both in individual novels and more extensively as a means of tracing larger patterns and interests, especially those concerned with the redemptive possibilities of a temporal and historical perspective.

This invaluable resource guides readers through the process of creating scholarly, publishable prose from the results of quantitative experiments and investigations. It delves into the issues commonly encountered when reporting the results of statistical experiments and investigations, and provides instruction re the representation of these results in text and visual formats. This unique research companion serves as a must-have reference for advanced students doing quantitative research and working with statistics, with the goal of writing up and publishing their findings; it also serves as a useful refresher for experienced researchers.

This invaluable resource guides readers through the process of creating scholarly, publishable prose from the results of quantitative experiments and investigations. It delves into the issues commonly encountered when reporting the results of statistical experiments and investigations, and provides instruction re the representation of these results in text and visual formats. This unique research companion serves as a must-have reference for advanced students doing quantitative research and working with statistics, with the goal of writing up and publishing their findings; it also serves as a useful refresher for experienced researchers.

An illustrated study of performance and video artist Joan Jonas's 1974 video, an elliptical narrative that moves between the countryside of Nova Scotia and the artists's New York City studio. Joan Jonas approaches video as a drawing tool, a mirror, and a framing device. Since 1968, she has used video and performance to explore ways of seeing, the rhythms of ritual, and the archetypal authority of objects and gestures. With her influential 1976 work, I Want to Live in the Country (And Other Romances) Jonas nimbly structures an elliptical narrative that unmistakably establishes her voice and visual lexicon. I Want to Live in the Country features two locations-the untamed landscape of Nova Scotia and an artist's studio in New York City-as it examines themes of loss, displacement, time, and memory through still life compositions and Super-8 footage. Jonas creates a meditation of frames within frames, monitors within monitors, overlaid with poetic musings-a murmured story of the unconscious. Jonas's influences have included the writing of Samuel Beckett, the films of Yasujiro Ozu, Japanese Noh theater, and the work of John Cage. Stripped down to intimate, indelible gestures, I Want to Live in the Country (And Other Romances) explores a Beckettian dilemma: "I am both the observer and the object that I observe. Which of the two is the real 'I'?" In this richly illustrated Afterall book, Susan Morgan examines the emergence of Jonas's original work from this synthesis of influences and ideas.

Confluence is the story of a woman's struggle with fidelity after meeting her soul mate on an adventurous backpacking trip in the Utah desert. She tries to return to her life in Montana, but can she? A refreshing story that speaks realistically about the nature of commitment in love and marriage, Confluence is more than a tale of contemporary love. It's about self discovery, difficult choices, and having the courage to be the architect of your own fate. Read reviews and the 1st chapter at www.readconfluence.com

From setting foot in Asia in 1849 (or was it 1845?) as Anna Crawford (or was it Anna Edwards?) to waltzing with Yul Brynner in glorious technicolor, Anna Leonowens and her romanticized experiences as the only Westerner behind the walls of Nang Harm (the walled harem of the king of Siam) have had a long, colourful, and often controversial existence.

If you thought you knew the story of Anna in "The King and I, "think again. As this riveting biography shows, the real life of Anna Leonowens was far more fascinating than the beloved story of the Victorian governess who went to work for the King of Siam. To write this definitive account, Susan Morgan traveled around the globe and discovered new information that has eluded researchers for years. Anna was born a poor, mixed-race army brat in India, and what followed is an extraordinary nineteenth-century story of savvy self-invention, wild adventure, and far-reaching influence. At a time when most women stayed at home, Anna Leonowens traveled all over the world, witnessed some of the most fascinating events of the Age of Empire, and became a well-known travel writer, journalist, teacher, and lecturer. She remains the one and only foreigner to have spent significant time inside the royal harem of Siam. She emigrated to the United States, crossed all of Russia on her own just before the revolution, and moved to Canada, where she publicly defended the rights of women and the working class. The book also gives an engrossing account of how and why Anna became an icon of American culture in "The King and I "and its many adaptations.