From setting foot in Asia in 1849 (or was it 1845?) as Anna
Crawford (or was it Anna Edwards?) to waltzing with Yul Brynner in
glorious technicolor, Anna Leonowens and her romanticized
experiences as the only Westerner behind the walls of Nang Harm
(the walled harem of the king of Siam) have had a long, colourful,
and often controversial existence.
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