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Books > Fiction > General & literary fiction > 19th century fiction
Written in epistolary form and drawn from actual events, Brown’s The Power of Sympathy (1789) and Foster’s The Coquette (1797) were two of the earliest novels published in the United States. Both novels reflect the eighteenth-century preoccupation with the role of women as safekeepers of the young country’s morality.
An indispensable and provocative compilation of witty essays
dealing with Biblical stories and their inconsistencies from
America's master satirist, Mark Twain.
Set against a vividly depicted background of fin de siécle New York, this novel centers on the conflict between a self-made millionaire and a fervent social revolutionary-a conflict in which a man of goodwill futilely attempts to act as a mediator, only to be forced himself into a crisis of conscience. Here we see William Dean Howells's grasp of the realities of the American experience in an age of emerging social struggle. His absolute determination to fairly represent every point of view is evident throughout this multifaceted work. Both a memorable portrait of an era and a profoundly moving study of human relationships, A Hazard of New Fortunes fully justifies Alfred Kazin's ranking of Howells as "the first great domestic novelist of American life."
For almost 150 years, the writings of Branwell Bronte, the tragically self-destructive brother of Charlotte, Emily, and Anne, have remained largely inaccessible, scattered in incomplete manuscript form across the world's libraries and private collections. This is the first publication of two of the longest of Branwell's surviving manuscripts, The Life of...Northangerland and Real Life in Verdopolis. A prolific writer, Branwell's work took the form of chronicles detailing the activities of his central character, Alexander Percy, revolutionary leader and ruthless statesman. These two Angrian Chronicles, newly transcribed, reconstructed, and annotated under the editorship of Robert G. Collins, reveal the dramatic world of the Brontes' Angria, not from the more sentimentalized viewpoint of Charlotte, but focusing instead on the lawless and brutal society of Branwell's robber-king, statesman and self-proclaimed Lucifer. The stories suggest a detailed psychological description of Branwell's own tragic life, and indicate a significant influence on the work of his more celebrated sisters. Read for its own narrative interest, its biographical relevance, and for the many ways in which it reflects significant aspects of the novels his sisters later wrote, The Hand of the Arch-Sinner reveals an astonishing and neglected talent in the fourth Bronte."
Anne Bronte's novel "Agnes Grey", was first published in 1847. This edition incorporates the author's unpublished manuscript revisions to the first edition, together with a textual history and explanatory notes.;Anne Bronte drew heavily on her own experiences as a governess and the novel reflects her sense of the isolation and social ambivalence of the governess's position. Her strongly held religious views are also much in evidence.;Hilda Marsden is also co-editor, with Ian Jack, of "Wuthering Heights" in the same series.
George Eliot's first work of fiction, Scenes of Clerical Life, appeared serially in Blackwood's Edinburgh Magazine in 1857. It was immediately recognized as, in the words of the Saturday Review, "the production of a peculiar and remarkable writer whose style showed little or no family resemblances with that of any living author." Using the first edition of 1858 as copy text, this edition records all substantive variants in the manuscript and subsequent editions of the book over which the author had control. The editor's introduction gives a detailed history of the writing and publication of the work, as well as a description of the manuscript and lists of emandations and variant spellings.
From the author of Uncle Tom’s Cabin, a domestic comedy that examines slavery, Protestant theology, and gender differences in early America. First published in 1859, Harriet Beecher Stowe’s third novel is set in eighteenth-century Newport, Rhode Island, a community known for its engagement in both religious piety and the slave trade. Mary Scudder lives in a modest farmhouse with her widowed mother an their boarder, Samuel Hopkins, a famous Calvinist theologian who preaches against slavery. Mary is in love with the passionate James Marvyn, but Mary is devout and James is a skeptic, and Mary’s mother opposes the union. James goes to sea, and when he is reportedly drowned, Mary is persuaded to become engaged to Dr. Hopkins. With colorful characters, including many based on real figures, and a plot that hinges on romance, The Minister’s Wooing combines comedy with regional history to show the convergence of daily life, slavery, and religion in post-Revolutionary New England
Set in seventeenth-century New England in the aftermath of the Pequod War, Hope Leslie not only chronicles the role of women in building the republic but also refocuses the emergent national literature on the lives, domestic mores, and values of American women.
Dit is 1950 en Pasgatyd in Oudtshoorn. Leah Abrams, ’n jong
entoesiastiese navorser in antieke tale, kuier by haar Joodse rabbi pa
en sy tweede vrou, Daniela. Hulle is albei navorsers oor, onder andere,
die geskiedenis van Israel. Maar daar heers konflik in die huis want
Leah wil gesels oor die Messias wie sy leer ken het in haar studies, en
haar Joodse gesin is nie ontvanklik daarvoor nie.
This, the fourth of Cooper's celebrated Leatherstocking Tales, continues the adventures of Natty Bumppo, noble woodsman, champion of the Indians, and hero of the American frontier. In The Pathfinder Cooper undertook the hazardous experiment of resurrecting one of his most popular characters, for he had killed off Bumppo in his previous incarnation, the Trapper, in The Prairie (1827). But in 1839, at his English publisher's instigation, Cooper began work on a romance, setting the story of his hero's unsuccessful courtship on the mist-shrouded shores of Lake Ontario during the French and Indian Wars.
The appreciation of Zen philosophy and art has become universal, and Zen poetry, with its simple expression of direct, intuitive insight and sudden enlightenment, appeals to lovers of poetry, spirituality, and beauty everywhere. This collection of translations of the classical Zen poets of China, Japan and Korea includes the work of Zen practioners and monks as well as scholars, artists, travellers and recluses, and covers fifteen centuries of Oriental literature with poets ranging from Xie Lingyun (5th century) through Wang Wei and Hanshan (8th century) and Yang Wan-li (12th century) to Shinkei (15th) Basho (17th) and Ryokan (19th).
New translation of Machado's famous novel is for the most part faithful and readable. However, work has occasional odd errors and omissions, and fails to give sufficient attention to Machado's rhythm and syntax. Given Rabassa's vast experience as a translator, it is hard not to suspect that carelessness and haste explain the mistakes and lapses. Also poorly edited and inadequately proofread"--Handbook of Latin American Studies, v. 58.
Praise for the Clarendon Edition of the Novels of George Eliot "It is the best available edition....The Clarendon format...establishes the history of the text with impeccable research."--Journal of English and Germanic Philology. "Clarendon editions of nineteenth-century novels are almost invariably without parallel."--Nineteenth-Century Literature Often considered George Eliot's finest novel, Middlemarch is a masterpiece of literary realism. This is the first edition of the novel to be published with full critical apparatus since it appeared in 1871-2. It records all the variants in the main edition as well as many of the deletions in the manuscript. The introduction traces the history of composition, publication, and revision.
‘I'm a fearful, frightful flirt! Did you ever hear of a nice girl that was not? Travelling in Europe with her family, Daisy Miller, an exquisitely beautiful young American woman, presents her fellow-countryman Winterbourne with a dilemma he cannot resolve. Is she deliberately flouting social convention in the outspoken way she talks and acts, or is she simply ignorant of those conventions? When she strikes up an intimate friendship with an urbane young Italian, her flat refusal to observe the codes of respectable behaviour leave her perilously exposed. In Daisy Miller James created his first great portrait of the enigmatic and dangerously independent American woman, a figure who would come to dominate his later masterpieces. This edition has a fascinating introduction by Geoffrey Moore in which he explores the themes of innocence and experience in the novel, and notes by Patricia Crick.
A desperate young man plans the perfect crime -- the murder of a despicable pawnbroker, an old women no one loves and no one will mourn. Is it not just, he reasons, for a man of genius to commit such a crime, to transgress moral law -- if it will ultimately benefit humanity? So begins one of the greatest novels ever written: a powerful psychological study, a terrifying murder mystery, a fascinating detective thriller infused with philosophical, religious and social commentary. Raskolnikov, an impoverished student living in a garret in the gloomy slums of St. Petersburg, carries out his grotesque scheme and plunges into a hell of persecution, madness and terror. Crime And Punishment takes the reader on a journey into the darkest recesses of the criminal and depraved mind, and exposes the soul of a man possessed by both good and evil ... a man who cannot escape his own conscience.
Little Women is one of the best loved books of all time. Lovely Meg, talented Jo, frail Beth, spoiled Amy: these are hard lessons of poverty and of growing up in New England during the Civil War. Through their dreams, plays, pranks, letters, illnesses, and courtships, women of all ages have become a part of this remarkable family and have felt the deep sadness when Meg leaves the circle of sisters to be married at the end of Part I. Part II, chronicles Meg's joys and mishaps as a young wife and mother, Jo's struggle to become a writer, Beth's tragedy, and Amy's artistic pursuits and unexpected romance. Based on Louise May Alcott's childhood, this lively portrait of nineteenth-century family life possesses a lasting vitality that has endeared it to generations of readers.
This title is part of an inexpensive range of classics in the Penguin Popular Classics series.
A daring novel of a woman's sexual and spiritual rebirth. When it was published in 1899, charges of sordidness and immorality consigned this classic into initial obscurity and irreparably damaged its author's literary and social reputation. Through careful, subtle changes of style, Chopin shows the transformation of Edna Pontellier, a young wife and mother who - with tragic consequences - refuses to be caged by married and domestic life and claims for herself moral and erotic freedom. In her introduction, Sandra M. Gilbert considers the issues explored in the novel and the stories collected here - from their growth out of the feminist literary tradition of the nineteenth century, to their place among other concerns of fin de siècle writers in America and Europe, to their impact on contemporary feminist writing.
"The story of the monster man whose horrible deformities cause fear and terror, his search for love and acceptance, and his haunting of the opera house in Paris is told in very simple language. Beautifully adapted, the story flows along so easily that readers will be immediately caught up in the tangle of events and emotions. McMullan conveys all of the anger, grief, joy, and love that make the phantom a truly believable character. Will attract reluctant readers."--School Library Journal. |
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