Rin Tin Tin was born on a battlefield in France towards the end of WW1. He died in 1932, supposedly in the arms of Jean Harlow, the original 'blonde bombshell', epic in death as he was in life. In his prime, he was one of Hollywood's the biggest stars. He received two thousand fan letters a month, had jewels, furs and a private driver, had his paw-print set for posterity on Hollywood Boulevard and was credited with saving Warner Brothers from bankruptcy - twice. His owner, Lee Duncan, was so completely devoted to him that when his wife sued for divorce she cited Rin Tin Tin as co-respondent. Rin Tin Tin's story is a great yarn with a big heart and, in Susan Orlean's hands, it is also very funny. But at its core lies a profound and moving meditation on the idea of heroism: of what it means to dream of a figure who is brave and bold and strong, and why those ideals hold such power over our imagination. This book is set to become an eccentric classic.

'Every essay in this book is magnificent... Mesmerizing.' New York Times 'How we interact with animals has preoccupied philosophers, poets, and naturalists for ages,' writes Susan Orlean. Since the age of six, when Orlean wrote and illustrated a book called Herbert the Near-Sighted Pigeon, she's been drawn to stories about how we live with animals, and how they abide by us. Now, in On Animals, she examines animal-human relationships through the compelling tales she has written over the course of her celebrated career. These stories consider a range of creatures - the household pets we dote on, the animals we raise to end up as meat on our plates, the creatures who could eat us for dinner, the various tamed and untamed animals we share our planet with who are central to human life. In her own backyard, Orlean discovers the delights of keeping chickens. In a different backyard, in New Jersey, she meets a woman who has twenty-three pet tigers - something none of her neighbours knew about until one of the tigers escapes. In Iceland, the world's most famous whale resists the efforts to set him free; in Morocco, the world's hardest-working donkeys find respite at a special clinic. We meet a show dog and a lost dog and a pigeon who knows exactly how to get home. Equal parts delightful and profound, enriched by Orlean's stylish prose and precise research, these stories celebrate the meaningful cross-species connections that grace our collective existence.

"He believed the dog was immortal." So begins Susan Orlean's sweeping, powerfully moving account of Rin Tin Tin's journey from abandoned puppy to movie star and international icon. Spanning almost one hundred years of history, from the dog's improbable discovery on a battlefield in 1918 to his tumultuous rise through Hollywood and beyond, Rin Tin Tin is a love story about "the mutual devotion between one man and one dog" ("The Wall Street Journal") that is also a quintessentially American story of reinvention, a captivating exploration of our spiritual bond with animals, and a stirring meditation on mortality and immortality.

A New York Times Book of the Year, 2018 A REESE WITHERSPOON x HELLO SUNSHINE BOOK CLUB PICK A dazzling love letter to a beloved institution - our libraries. After moving to Los Angeles, Susan Orlean became fascinated by a mysterious local crime that has gone unsolved since it was carried out on the morning of 29 April 1986: who set fire to the Los Angeles Public Library, ultimately destroying more than 400,000 books, and perhaps even more perplexing, why? With her characteristic humour, insight and compassion, Orlean uses this terrible event as a lens through which to tell the story of all libraries - their history, their meaning and their uncertain future as they adapt and redefine themselves in a digital world. Filled with heart, passion and extraordinary characters, The Library Book discusses the larger, crucial role that libraries play in our lives.

In Susan Orlean's mesmerizing true story of beauty and obsession is John Laroche, a renegade plant dealer and sharply handsome guy, in spite of the fact that he is missing his front teeth and has the posture of al dente spaghetti. In 1994, Laroche and three Seminole Indians were arrested with rare orchids they had stolen from a wild swamp in south Florida that is filled with some of the world's most extraordinary plants and trees. Laroche had planned to clone the orchids and then sell them for a small fortune to impassioned collectors. After he was caught in the act, Laroche set off one of the oddest legal controversies in recent memory, which brought together environmentalists, Native Amer-ican activists, and devoted orchid collectors. The result is a tale that is strange, compelling, and hilarious.
        
New Yorker writer Susan Orlean followed Laroche through swamps and into the eccentric world of Florida's orchid collectors, a subculture of aristocrats, fanatics, and smugglers whose obsession with plants is all-consuming. Along the way, Orlean learned the history of orchid collecting, discovered an odd pattern of plant crimes in Florida, and spent time with Laroche's partners, a tribe of Seminole Indians who are still at war with the United States.
        
There is something fascinating or funny or truly bizarre on every page of The Orchid Thief: the story of how the head of a famous Seminole chief came to be displayed in the front window of a local pharmacy; or how seven hundred iguanas were smuggled into Florida; or the case of the only known extraterrestrial plant crime. Ultimately, however, Susan Orlean's book is about passion itself, and the amazing lengths to which people will go to gratify it. That passion is captured with singular vision in The Orchid Thief, a once-in-a-lifetime story by one of our most original journalists.


From the Hardcover edition.

Since its founding in 2011, The Atavist Magazine has garnered an unprecedented eight National Magazine Award nominations and was the first all-digital publication to win in feature writing. This collection presents the finest examples of a new kind of non-fiction storytelling. The collection includes Leslie Jamison's landmark portrait of a lonely whale named "52 Blue", Matthew Shaer's harrowing account of a shipwreck during Hurricane Sandy, and James Verini's prize-winning tale of romance and courage in Afghanistan. The fascinating and original writing in Love and Ruin demonstrates why The Atavist has become the leader in publishing "remarkable... can't look away pieces of multimedia journalism" (The New York Times).

The Fakahatchee Strand, Florida, once a vast swamp awash with indiginous orchids, was plundered during the orchid boom of the 1890s. Its remaining plants, now fiercely protected by law, still attract the unwelcome attentions of thieves. John Laroche is one such self-confessed and convicted thief.

Intrigued by newspaper reports of his trial, Susan Orlean followed Laroche on an enthralling exploration into the eccentric world of the obsessive orchid collectors; a subculture of aristocrats, enthusiasts and smugglers whose passion for plants is all-consuming.

This Side of Paradise is the book that established F. Scott Fitzgerald as the prophet and golden boy of the newly dawned Jazz Age. Published in 1920, when he was just twenty-three, the novel catapulted him to instant fame and financial success. The story of Amory Blaine, a privileged, aimless, and self-absorbed Princeton student, This Side of Paradise closely reflects Fitzgerald's own experiences as an undergraduate. Amory Blaine's journey from prep school to college to the First World War is an account of "the lost generation." The young "romantic egotist" symbolizes what Fitzgerald so memorably described as "a new generation grown up to find all Gods dead, all wars fought, all faiths in man shaken." A pastiche of literary styles, this dazzling chronicle of youth remains bitingly relevant decades later.

"This Side of Paradise commits almost every sin that a novel can possibly commit," wrote Edmund Wilson. "But it does not commit the unpardonable sin: it does not fail to live. The whole preposterous farrago is animated with life."

Twenty years ago, before she wrote "The Orchid Thief "or was hailed as "a national treasure" by "The Washington Post," Susan Orlean was a journalist with a question: What makes Saturday night so special? To answer it, she embarked on a remarkable journey across the country and spent the evening with all sorts of people in all sorts of places--hipsters in Los Angeles, car cruisers in small-town Indiana, coeds in Boston, the homeless in New York, a lounge band in Portland, quinceanera revelers in Phoenix, and more--to chronicle the one night of the week when we do the things we want to do rather than the things we need to do. The result is an irresistible portrait of how Saturday night in America is lived that remains.

"Travel is not about finding something. It's about getting lost -- that is, it is about losing yourself in a place and a moment. The little things that tether you to what's familiar are gone, and you become a conduit through which the sensation of the place is felt." -- from the introduction by Susan Orlean
The twenty pieces in this year's collection showcase the best travel writing from 2006. George Saunders travels to India to witness firsthand a fifteen-year-old boy who has been meditating motionless under a tree for months without food or water, and who many followers believe is the reincarnation of the Buddha. Matthew Power reveals trickle-down economics at work in a Philippine garbage dump. Jason Anthony describes the challenges of everyday life in Vostok, the coldest place on earth, where temperatures dip as low as minus-129 degrees and where, in midsummer, minus-20 degrees is considered a heat wave.
David Halberstam, in one of his last published essays, recalls how an inauspicious Saigon restaurant changed the way he and other reporters in Vietnam saw the world. Ian Frazier analyzes why we get sick when traveling in out-of-the-way places. And Kevin Fedarko embarks on a drug-fueled journey in Djibouti, chewing psychotropic foliage in "the worst place on earth."
Closer to home, Steve Friedman profiles a 410-pound man who set out to walk cross-country to lose weight and find happiness. Rick Bass chases the elusive concept of the West in America, and Jonathan Stern takes a hilarious Lonely Planet approach to his small Manhattan apartment.

Cooper Gillespie, an extremely intelligent and handsome Welsh springer spaniel, is a dog of discriminating taste and strong opinions. Now Cooper, with the assistance of cookbook author Sally Sampson and the transcription services of his favorite human, Susan Orlean, has put together 50 delectable recipes for snacks, meals, and treats for your canine companion.
Maybe you're cooking everything because your collie has colitis or your Akita has a wheat allergy or your older dog just isn't thriving on commercial kibble. Maybe you're mixing up the occasional biscuit or treat to help your best fur-bearing friend over that I-just-ate-a-tennis- ball-and-don't-feel-so-good episode. Whatever the reason, the recipes in this book (which have been approved by dog trainer and nutritional consultant Stacy Alldredge) will satisfy the most discerning doggie palate. Many of them, in fact, can be shared with a favorite human (though preferably not from the same dish).
Illustrated with more than 50 endearing black-and-white photographs of Cooper and friends by Cami Johnson, and liberally seasoned with stories, quotes, and nutrition tips, "Throw Me a Bone" makes a dog's dinner something to look forward to.

The Best American series has been the premier annual showcase for the country's finest short fiction and nonfiction since 1915. Each volume's series editor selects notable works from hundreds of periodicals. A special guest editor, a leading writer in the field, then chooses the very best twenty or so pieces to publish. This unique system has made the Best American series the most respected--and most popular--of its kind.
The Best American Essays 2005 includes
Roger Angell - Andrea Barrett - Jonathan Franzen - Ian Frazier - Edward Hoagland - Ted Kooser - Jonathan Lethem - Danielle Ofri - Oliver Sacks - Cathleen Schine - David Sedaris - Robert Stone - David Foster Wallace - and others
Susan Orlean, guest editor, is the author of My Kind of Place, The Orchid Thief, The Bullfighter Checks Her Makeup, and Saturday Night. A staff writer for The New Yorker since 1982, she has also written for Outside, Esquire, Rolling Stone, and Vogue.

The bestselling author of The Orchid Thief is back with this delightfully entertaining collection of her best and brightest profiles. Acclaimed New Yorker writer Susan Orlean brings her wry sensibility, exuberant voice, and peculiar curiosities to a fascinating range of subjects—from the well known (Bill Blass) to the unknown (a typical ten-year-old boy) to the formerly known (the 1960s girl group the Shaggs).

Passionate people. Famous people. Short people. And one championship show dog named Biff, who from a certain angle looks a lot like Bill Clinton. Orlean transports us into the lives of eccentric and extraordinary characters—like Cristina Sánchez, the eponymous bullfighter, the first female matador of Spain—and writes with such insight and candor that readers will feel as if they’ve met each and every one of them.

The result is a luminous and joyful tour of the human condition as seen through the eyes of the writer heralded by the Chicago Tribune as a “journalist dynamo.”

Susan Orlean has been called "a national treasure" by "The Washington Post" and "a kind of latter-day Tocqueville" by "The New York Times Book Review." In addition to having written classic articles for "The New Yorker," she was played, with some creative liberties, by Meryl Streep in her Golden Globe Award--winning performance in the film "Adaptation."
Now, in "My Kind of Place," the real Susan Orlean takes readers on a series of remarkable journeys in this uniquely witty, sophisticated, and far-flung travel book. In this irresistible collection of adventures far and near, Orlean conducts a tour of the world via its subcultures, from the heart of the African music scene in Paris to the World Taxidermy Championships in Springfield, Illinois-and even into her own apartment, where she imagines a very famous houseguest taking advantage of her hospitality.
With Orlean as guide, lucky readers partake in all manner of armchair activity. They will climb Mt. Fuji and experience a hike most intrepid Japanese have never attempted; play ball with Cuba's Little Leaguers, promising young athletes born in a country where baseball and politics are inextricably intertwined; trawl Icelandic waters with Keiko, everyone's favorite whale as he tries to make it on his own; stay awhile in Midland, Texas, hometown of George W. Bush, a place where oil time is the only time that matters; explore the halls of a New York City school so troubled it's known as "Horror High"; and stalk caged tigers in Jackson, New Jersey, a suburban town with one of the highest concentrations of tigers per square mile anywhere in the world.
Vivid, humorous, unconventional, and incomparably entertaining, Susan Orlean's writings for "The New Yorker" have delighted readers for over a decade. "My Kind of Place" is an inimitable treat by one of America's premier literary journalists.

"From the Hardcover edition."