It is evident that modernity is a popular mountain for analysis and
reflection of a largely controversial nature. Numerous theories
have also been written about the beginning as well as the end of
modernity. The aim of Modernologies is to achieve an account of the
state of artistic research and to discuss selected contributions to
the subject matter that appears central after two to three decades
of an ever intensely blazing conflict over the legacy of modernity
and modernism.
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