New Mobilities Regimes analyses how global mobilities are changing the world of today and the role of political and economic power. Bringing together essays by leading scholars and social scientists, including Mimi Sheller and BA1/4lent Diken with the work of well-known artists and art theorists such as Jordan Crandall, Ursula Bieman, GA1/4lsA1/4n Karamustafa and Dan Perjovschi this book is a unique document of the cross-disciplinary mobility and power discourse. The specific design, integrating the text and art elements to create a singular dialogue makes for an exciting intellectual and aesthetic experience. Illustrated by a range of studies which examine the regulation and structure of mobility, such as the daily routines of teleworkers, Ukrainian cleaners in Western Europe, the mobility policies of global corporations, and the impact of bicycle policies on public space, New Mobilities Regimes emphasizes the routes and crossroads of migration flows as well as at the interaction of mobility and new spatial concepts. The contributors are concerned with both the positive outcomes and the disappointments of the global mobilizations in modern lives. This book is ground-breaking in that it calls for the reassessment of the figurative arts in providing independent and insightful knowledge-generating research on the nature of mobility and highlights the new appreciation of visual representations in sociology, cultural geography and anthropology.

New Mobilities Regimes analyses how global mobilities are changing the world of today and the role of political and economic power. Bringing together essays by leading scholars and social scientists, including Mimi Sheller and BA1/4lent Diken with the work of well-known artists and art theorists such as Jordan Crandall, Ursula Bieman, GA1/4lsA1/4n Karamustafa and Dan Perjovschi this book is a unique document of the cross-disciplinary mobility and power discourse. The specific design, integrating the text and art elements to create a singular dialogue makes for an exciting intellectual and aesthetic experience. Illustrated by a range of studies which examine the regulation and structure of mobility, such as the daily routines of teleworkers, Ukrainian cleaners in Western Europe, the mobility policies of global corporations, and the impact of bicycle policies on public space, New Mobilities Regimes emphasizes the routes and crossroads of migration flows as well as at the interaction of mobility and new spatial concepts. The contributors are concerned with both the positive outcomes and the disappointments of the global mobilizations in modern lives. This book is ground-breaking in that it calls for the reassessment of the figurative arts in providing independent and insightful knowledge-generating research on the nature of mobility and highlights the new appreciation of visual representations in sociology, cultural geography and anthropology.

A new approach to the notion of ecology emphasizing its relevance for art and design. The notion of ecology not only figures centrally in current debates around climate change, but also traverses contemporary discourses in the arts, the humanities, and the social and techno sciences. In this present form, ecology refers to the multilayered and multidimensional nexus of living processes and technological and media practices-that is, to the complex relations of human and nonhuman agents. Hybrid Ecologies understands ecology as an ambivalent notion, whose very broadness simultaneously opens up new fields of action and raises provocative questions, not least concerning its genealogy. This interdisciplinary volume explores the political and social effects of rethinking community in ecological terms, with a particular emphasis on what the contemporary notion of ecology might mean for artistic and design practices. The result of the fifth annual program of the cx centre for interdisciplinary studies, which was conceived in cooperation with the Chair of Philosophy | Aesthetic Theory at the Academy of Fine Arts in Munich, Hybrid Ecologies is a timely and thought-provoking study of one of the most important themes of our time.

As the world teeters on the brink of crisis and potentially catastrophic change, outlooks for the future have come to be characterized by anxiety. The skepticism that meets utopian visions of the future has given rise to collective nostalgia for seemingly reliable ideas. But rather than stagnate in idealism, how can artists and scholars create the potential for real change? The result of a lecture series held at the cx centre for interdisciplinary studies at the Academy of Fine Arts, Munich, The Present of the Future explores our current relationship to the future and considers strategies for artists and scholars to establish effective action for shaping alternative futures. Contributors to the book approach this problem from the perspective of diverse disciplines, including art, design, architecture, and philosophy.

The sciences have always provided a fount of inspiration for artists. "Say it isn't so" traces this phenomenon and shows that contemporary art is by no means increasingly converging with science, but is rather standing beside it with a coolly appraising eye. Special guests include Marcel Duchamp, Nikolaus Lang, and Bruce Nauman.

This volume explores the many applications of irony in art, from matters of gender to depictions of nature and self-reflexivity. The contributing artists are John Bock, Shannon Bool, Thorsten Brinkmann, Mark Dion, Anton Henning, Brigitte Kowanz, Ragnar Kjartansson, Peter Land, Patrick Mimran, Ahmet Ogut, Sener Ozmen and Claude Wall.