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London's West End has a rich and unique collection of theatres,
ranging in date from early the early 19th century to the end of the
20th;more than fifty are located within an area of two square
miles. This book celebrates the working buildings at the heart of
the British theatrical industry. Focusing on the theatres in the
West End, it looks at their architecture and history as well as
examining what it is that constitutes a West End Theatre. The
exquisite photographs in the book lead the reader on a tour -
taking in the front -of -house areas, the auditoria and the
backstage spaces - of some of London's most famous theatres. From
the Palladium to the Lyceum, it offers glimpses of those areas not
normally seen by the public, Such as rehearsal spaces, dressing
rooms, backstage areas and even a Royal reception room. In doing
so, it enters the private realms of the theatre technicians and
actors, and brings to light the theatre's hidden world.
How do you find out about historic buildings and places? A good
place to start is with visual evidence. Original drawings,
topographical views, surveys, maps, photographs and other historic
visual sources help to build up an understanding of how a building
or location appears the way it does today. Interpreting such
material requires knowledge of historic design and mapping
conventions, the place of the drawings in the construction process,
the methods and techniques used to create engraved or topographical
views, and the equipment and processes used in photography at
particular times. In Historical Visual Sources: a guide to
understanding the historic built environment the authors -
professional architectural and art historians - explain the
provenance, purpose and terminology of a range of visual sources
from the 16th to the 20th centuries, and how they can help - or
sometimes hinder - an understanding of the original form and
subsequent changes to a building, site or landscape. In addition,
they list the most widely used archives, such as the Royal
Institute of British Architects Drawings Collection, and online and
published databases of historic visual sources. This book will be
of particular interest to historic buildings professionals,
archaeologists, conservation architects, students of architectural
history, and those involved in the preparation of conservation
plans. More widely, it is hoped that the visual sources discussed
and listed here may open a new and rich vein of material to
different kinds of historians, genealogists, educators, students
and authors.
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