Originally published in 1994, This Working-Day World is lively collection of essays presenting a social, political and cultural view of British women's lives in the period 1914-45. The volume describes women's activities in many different areas, ranging from the weekly wash to the rescue of child refugees. Each essay, from an international list of contributors, is based on new research which will complement existing studies in a range of disciplines by adding information on, among other topics, women's teacher training colleges, and women in the BBC, in medical laboratories and in Art schools. The book does not, however, idealise women: the militarism and racism of the period infected women too, and this is revealed in the account of women in the British Union of Fascists, and the analysis of the Pankhursts' merging of patriotism and gender issues. Through studies and personal accounts, This Working-Day World reveals past issues that are still pertinent to debates in today's society. As we read the chapter on the recently discovered Diary of Doreen Bates which outlines possibly the first female civil servant campaign for rights as a single mother, we hear echoes of issues being discussed today. Indeed, as we approach the end of the century it is a good moment to look back and re-evaluate areas and degrees of progress - or the reverse - in society, and in British women's lives in particular. With its unusual photographs, this accessible and informative collection provides a rich resource for students in twentieth century social and cultural history, and women's studies courses, and an enlightening volume for general readers.

'Thoroughly researched and fascinating' Observer 'Wondrous ... a formidable piece of scholarship' Bookanista In 1939, the Gestapo created a list of names: the Britons whose removal would be the Nazis' first priority in the event of a successful invasion. Who were they? What had they done to provoke Germany? For the first time, the historian Sybil Oldfield uncovers their stories and reveals why the Nazis feared their influence. Those on the hitlist - more than half of them naturalised refugees - were many of Britain's most gifted and humane inhabitants. Among their numbers we find the writers E. M. Forster and Virginia Woolf, humanitarians and religious leaders, scientists and artists, the social reformers Margery Fry and Eleanor Rathbone MP, the artists Jacob Epstein and Oscar Kokoschka. By examining these targets of Nazi hatred, Oldfield not only sheds light on the Gestapo worldview; she also movingly reveals a network of truly exemplary Britons: mavericks, moral visionaries and unsung heroes.

'Oldfield's thoroughly researched and fascinating historical biography explores the lives of many of the 2,600 citizens who attracted Hitler's ire, ranging from high-profile entertainers and writers to those naturalised refugees who doggedly resisted the Nazis from afar' - Observer In 1939, the Gestapo created a list of names: the Britons whose removal would be the Nazis' priority in the event of a successful invasion. Who were they? What had they done to provoke Germany? For the first time, the historian Sybil Oldfield uncovers their stories and reveals why the Nazis feared their influence. Those on the hitlist - many of them naturalised refugees - were some of Britain's most gifted and humane inhabitants. They included writers, humanitarians, religious leaders, scientists, artists, and social reformers. By examining these targets of Nazi hatred, Oldfield not only sheds light on the Gestapo worldview but also movingly reveals a network of truly exemplary Britons: mavericks, moral visionaries and unsung heroes.

This collection of literary/historical essays, written 1970-2010, covers political subjects as diverse as 17th Century Quaker persecution history, the social impact of Malthus, the self-emancipation of English women, Eleanor Rathbone on the human rights of girls and German women's resistance to Hitler. The more literary subjects include the social thinking of the English Romantics, Dickens' Great Expectations, Simone Weil's great essays attacking militarism and Virginia Woolf's opposition to the State -- as well as contemporary American women poets on the problem of war. But despite all its diversity, this collection has one unifying theme -- the necessity for resistance, for 'thinking against the current', as Virginia Woolf wrote in "Thoughts on Peace in an Air-raid". The torch of resistance to oppression and militarism is shown to have been continuously handed on through the generations from the seventeenth century to our own day by men and women who had the courage, at whatever personal cost, to 'fight with the mind'. This book of passionate, lively essays is not merely a treasure trove for biographical researchers; it is also strengthening medicine, introducing us to unfamiliar forebears who can help us in our current struggle for a better world. As Simone Weil said: "We can find something better than ourselves in the past".

This collection of literary/historical essays, written 1970-2010, covers political subjects as diverse as 17th Century Quaker persecution history, the social impact of Malthus, the self-emancipation of English women, Eleanor Rathbone on the human rights of girls and German women's resistance to Hitler. The more literary subjects include the social thinking of the English Romantics, Dickens' Great Expectations, Simone Weil's great essays attacking militarism and Virginia Woolf's opposition to the State -- as well as contemporary American women poets on the problem of war. But despite all its diversity, this collection has one unifying theme -- the necessity for resistance, for thinking against the current', as Virginia Woolf wrote in Thoughts on Peace in an Air-raid'. The torch of resistance to oppression and militarism is shown to have been continuously handed on through the generations from the seventeenth century to our own day by men and women who had the courage, at whatever personal cost, to 'fight with the mind'. This book of passionate, lively essays is not merely a treasure trove for biographical researchers; it is also strengthening medicine, introducing us to unfamiliar forebears who can help us in our current struggle for a better world. As Simone Weil said: "We can find something better than ourselves in the past".

This first full biography of Mrs. Nassau Senior, 1822-1877, tells how an extraordinary woman escaped from the constraints of Victorian domesticity to become the first woman in Whitehall and one of Britain's great social reformers. An ardent Christian Socialist radical, like her brother Thomas Hughes (author of Tom Brown's Schooldays), Jeanie Senior pioneered social work with Octavia Hill, co-founded the British Red Cross in the Franco-Prussian war and battled as 'Government Inspector' on behalf of exploited Workhouse girls. She was ferociously attacked for advocating the fostering of all pauper orphans rather than their incarceration and for indicting Workhouse 'Barrack' schools for producing prostitution fodder. Her fight to defend her findings against male hostility politicised her and she became an icon for the late 19th century women's movement. Jeanie Senior was also a significant figure in the worlds of art, music and literature, even being, it is argued here, the vital inspiration for her friend George Eliot in creating Dorothea, heroine of Middlemarch. Her life was a great 'human story' as she struggled in the teeth of multiple bereavement, an unhappy marriage and cancer in order to rescue others more desperate and vulnerable still. Florence Nightingale told her she had been 'a noble Army of one' and later grieved that her 'premature death was a national and irreparable loss'.

Copublished with Pace University Press, this book is a valuable addition to scholarship on Bloomsbury, the history of women in Britain, and the work of Leonard and Virginia Woolf. It portrays an era and illuminates the work of a number of famous writers by examining less well-known lives and works that were part of the adaptive complex, or milieu. Several essays and appendices contribute significantly to our understanding of the extent that the Woolfs collaborated with each other and with others. Beside the literary histories of S.P. Rosenbaum, this collection of original essays will be essential reading for students of Bloomsbury and women's history. Illustrated.