This retrospective on the career of Academy Award-winning production designer Richard Sylbert takes readers behind the scenes of some of the most influential films of the past fifty years. The Manchurian Candidate, Who's Afraid of Virginia Woolf, The Graduate, Rosemary's Baby, Chinatown, Dick Tracy. The common factor behind these diverse, visually ground-breaking cinematic masterpieces is the work of legendary production designer Richard Sylbert. Basing the book in part on the late designer's Hollywood memoirs, writer Sylvia Townsend, with the participation of Sylbert's widow, screenwriter Sharmagne Sylbert, has enhanced the production designer's original manuscript with candid interviews from some of his most famous collaborators, including Warren Beatty, Roman Polanski, and Francis Ford Coppola. The result is a book that takes readers behind the scenes of some of the most influential and highly acclaimed films of the past fifty years. This is a portrait of a highly driven, sometimes tempestuous visionary who wasn't afraid to fight for the artistic integrity of the worlds he created on screen. Movie lovers will find in-depth discussions of the making of such modern classics as Reds, Carnal Knowledge, Shampoo, and The Cotton Club. More than thirty illustrations capture Sylbert's creative process from early sketches to completed sets and locations.

Bumpy Road: The Making, Flop, and Revival of ""Two-Lane Blacktop"" chronicles the genesis, production, box-office debacle, resurrection, near-canonization, and lasting influence of director Monte Hellman's 1971 existentialist car-racing movie. Hellman's unconventional choices for the film included casting three nonactors-musicians James Taylor and Dennis Wilson, as well as his girlfriend, Laurie Bird-in lead roles; shooting the movie in sequence from west to east on Route 66; and refusing to show the actors the full script, instead giving each his or her lines for the day. Before its release, Esquire put the film on its cover as the magazine's choice for movie of the year and printed the entire screenplay, leading moviegoers to expect a crowd-pleaser. Audiences anticipated that Two-Lane Blacktop would be an action-packed car-racing movie and were disappointed when nobody won or even finished the race, no one got the girl, the two leading men barely spoke, and the leading lady was foul-mouthed and promiscuous. Universal Studios Chairman Lew Wasserman found the film subversive and refused to release it on video. Years after it flopped, however, the movie soared in stature, and it is now revered by such contemporary directors as Quentin Tarantino and Richard Linklater, was honored with inclusion in the National Film Registry and was released on DVD and Blu-ray by the prestigious Criterion Collection and the highly regarded Masters of Cinema series. Author Sylvia Townsend conducts a comprehensive examination of the film, its reception, and the resurgence of interest it has more recently generated. Interviewing individuals involved in and influenced by the film, including James Taylor, Richard Linklater, Gary Kurtz, and scriptwriter Rudy Wurlitzer, Townsend provides an inside look at the cult classic.

This Christmas, 'hand yourself over to be enchanted' (Guardian) by the English genius behind witchcraft classic Lolly Willowes. 'Worth GBP9.99 for the book jacket alone (trust Faber) ... It's exquisite and shivery, just like the stories within ... By turns creepy, melancholy, horrifying, tragic and beltingly romantic.' Sunday Times 'One of our finest writers.' Neil Gaiman 'One of the most shamefully under-read great British authors of the past 100 years.' Sarah Waters 'Diminutive masterpieces ... Hand yourself over to be enchanted.' Guardian 'Extraordinary, lucid wildness.' Helen MacDonald 'Glinting perfection' The Times Decades after her divorce, a lady returns to the village of her tumultuous marriage. A railway carriage hosts a charged schoolboy encounter. A murder raises fears of blackmail. A woman waits anxiously in a cafe before eloping to Paris. Another steals a friend's kitchen knife. In these bittersweet tales, the author of Lolly Willowes reveals her mastery of the short story, celebrated by the New Yorker for decades. Sylvia Townsend Warner is a tragicomic chronicler of the heart's entanglements, from marriages and affairs to widowhood; and a champion of outsiders, whether single women, the elderly or wartime refugees. Witty and subversive, her stories meld tradition and transgression, with secret sins and fetishes as much a feature of English life as eccentric aunts, country houses and parish churches.

'One of the great British novels of the twentieth century: a narrative of extraordinary reach, power and beauty' Sarah Waters The nuns who enter a medieval Norfolk convent are told to renounce the world, but the world still finds ways to trouble them, whether it is through fire, floods, pestilence, a collapsing spire, jealous rivalries, a priest with a secret or a plague of caterpillars. As we follow their daily lives over three centuries, this masterpiece of historical fiction re-creates a world run by women. 'As an act of imagined history this novel has few rivals. Also, as it happens, a work of high, frequent comedy' George Steiner, The Times Literary Supplement 'Spellbinding . . . One starts rereading as soon as one has reached the last page' Sunday Times 'Magnificent' Philip Hensher, Daily Telegraph

'A great shout of life and individuality ... an act of defiance that gladdens the soul' Guardian Lolly Willowes, so gentle and accommodating, has depths no one suspects. When she suddenly announces that she is leaving London and moving, alone, to the depths of the countryside, her overbearing relatives are horrified. But Lolly has a greater, far darker calling than family: witchcraft. 'The book I'll be pressing into people's hands forever . . . It tells the story of a woman who rejects the life that society has fixed for her in favour of freedom ... tips suddenly into extraordinary, lucid wildness' Helen Macdonald 'Witty, eerie, tender ... her prose, in its simple, abrupt evocations, has something preternatural about it' John Updike

In the course of her brilliant career Sylvia Townsend Warner wrote superbly in many and diverse forms but never penned a memoir, properly speaking. However, from the 1930s to the 1970s she did contribute a series of short reminiscences to the "New Yorker." "Scenes of Childhood" collects and orders those reminiscences, thus forming a volume that reads as a joyous, wry and moving testament to the experience of being alive. The collection evokes a recognisably English world of nannies, butlers, pet podles, public schools, 'good works' and country churches, but the resonances of these stories are universal - funny and touching by turns.

'A novel of love, war and death; brilliantly entertaining and far ahead of its time' Guardian 'She is my husband's mistress - and here am I, taking her out to dinner' Sophia Willoughby of Blandamer House, upstanding Victorian matriarch, has packed her errant husband off to Paris with his mistress Minna. But when tragedy throws her life off balance Sophia goes to seek him out, and instead finds herself intensely attracted to the charismatic, bohemian Minna, who leads her on a wild, chaotic adventure through a city in the throes of revolution. 'One of the great under-read British novelists of the twentieth century. This is my favourite of her novels' Sarah Waters 'Every page contains something brilliant, arresting or amusing, and one comes away from it staggered' Claire Harman

Introducing Little Clothbound Classics: irresistible, mini editions of short stories, novellas and essays from the world's greatest writers, designed by the award-winning Coralie Bickford-Smith. Celebrating the range and diversity of Penguin Classics, they take us from snowy Japan to springtime Vienna, from haunted New England to a sun-drenched Mediterranean island, and from a game of chess on the ocean to a love story on the moon. Beautifully designed and printed, these collectible editions are bound in colourful, tactile cloth and stamped with foil. Lolly Willowes, so gentle and accommodating, has depths no one suspects. When she suddenly announces that she is leaving London and moving, alone, to the depths of the countryside, her overbearing relatives are horrified. But Lolly has a greater, far darker calling than family: witchcraft. 'The book I'll be pressing into people's hands forever is Lolly Willowes . . . Starting as a straightforward, albeit beautifully written family saga, it tips suddenly into extraordinary, lucid wildness' Helen Macdonald

The first "Collected Poems" of Sylvia Townsend Warner (1893-1978) was published by Carcanet in 1982. Since then, more of her work has come to light, including some of the most moving and personal poems she ever wrote. Claire Harman, the original editor and author of the prize-winning biography of the poet, has substantially revised the earlier edition, including over ninety previously uncollected and unpublished poems, with expanded notes, a chronology and an authoritative new introduction. When Harman's Life was published, it restored Warner, one critic said, to her real place as 'second only to Virginia Woolf among the women writers of our century'. With this collection, the extent of Warner's achievement as a poet can be appreciated.

'A comic masterpiece' Patrick Gale, Guardian Pillar of society and stern upholder of Victorian values, god-fearing Norfolk merchant John Barnard presides over a large and largely unhappy family. This is their story - his brandy-swilling wife, their hapless offspring and their changing fortunes - over the decades. Sylvia Townsend Warner's last novel, The Flint Anchor gloriously overturns our ideas of history, family and storytelling itself. 'A novel created with solidity and subtlety of feeling, a fusion of warmth, wit and quietly biting shrewdness that are reminiscent of Jane Austen' Atlantic Review 'As a sustained work of historical imagination, it has few rivals ... one of the most acute and intelligent writers of her age' Claire Harman

'She has a talent amounting to genius' John Updike Don Juan, that notorious libertine, has disappeared. Has he been dragged down to hell by demons, as rumoured - or has he escaped? Dona Ana, the woman he tried to seduce, will stop at nothing to discover the truth. Set in a rural eighteenth-century Spain rife with suspicion and cruelty, and featuring a glorious cast of peasants, aristocrats and vengeful ghosts, this moving, surprising tragicomedy is also Sylvia Townsend Warner's response to the dark days of the Spanish Civil War. 'The kind of novelist who inspires an intense sense of ownership in her fans' Sarah Waters

In "Lolly Willowes," Sylvia Townsend Warner tells of an aging spinster's struggle to break way from her controlling family--a classic story that she treats with cool feminist intelligence, while adding a dimension of the supernatural and strange. Warner is one of the outstanding and indispensable mavericks of twentieth-century literature, a writer to set beside Djuna Barnes and Jane Bowles, with a subversive genius that anticipates the fantastic flights of such contemporaries as Angela Carter and Jeanette Winterson.

'The kind of novelist who inspires an intense sense of ownership in her fans ... her sympathies tended naturally to the marginal, the vulnerable, the exploited, the obscure' Sarah Waters Sukey Bond, a sixteen-year-old orphan, is sent to work as a servant at a farm on the remote Essex Marshes. There she falls in love with gentle, unworldly Eric, the son of the rector's wife, only for them to be separated when their relationship is discovered. But nothing will deter Sukey in her quest to be reunited with her true love, even if it means seeking the help of Queen Victoria herself. 'One of our most idiosyncratic, courageous and versatile writers' Hermione Lee 'One can't be too thankful that Miss Townsend Warner has lived to discover the alchemist's secret of transmuting the past into pure gold' Hilary Spurling

This is a new release of the original 1926 edition.

1926. Sylvia Townsend Warner's first novel is an enduring, subversive, and lyrical portrait of spinsterhood in post-World War I Britain. Lolly is a single woman and after her father dies, she is moved, as a matter of course, to her brother's house, where she meekly obliges to play caregiver to his children and housemaid to his wife. After 20 years of this life she moves to the rural village of Great Mop. She feels an affinity for the town, the countryside, and her new neighbors. She blossoms emotionally and spiritually, and as she does so, she discovers an important secret: She is a witch, as is everybody else who lives in Great Mop. A graceful read in the tradition of women's fiction and magic realism.

1926. Sylvia Townsend Warner's first novel is an enduring, subversive, and lyrical portrait of spinsterhood in post-World War I Britain. Lolly is a single woman and after her father dies, she is moved, as a matter of course, to her brother's house, where she meekly obliges to play caregiver to his children and housemaid to his wife. After 20 years of this life she moves to the rural village of Great Mop. She feels an affinity for the town, the countryside, and her new neighbors. She blossoms emotionally and spiritually, and as she does so, she discovers an important secret: She is a witch, as is everybody else who lives in Great Mop. A graceful read in the tradition of women's fiction and magic realism.

1926. Sylvia Townsend Warner's first novel is an enduring, subversive, and lyrical portrait of spinsterhood in post-World War I Britain. Lolly is a single woman and after her father dies, she is moved, as a matter of course, to her brother's house, where she meekly obliges to play caregiver to his children and housemaid to his wife. After 20 years of this life she moves to the rural village of Great Mop. She feels an affinity for the town, the countryside, and her new neighbors. She blossoms emotionally and spiritually, and as she does so, she discovers an important secret: She is a witch, as is everybody else who lives in Great Mop. A graceful read in the tradition of women's fiction and magic realism.