Atheism Revisited is a collection of essays that explore the multifaceted nature of atheism. Starting from the notion that today's atheism is shaped by the defining processes of Modernity-such as secularization and the breakup of science, philosophy, and theology-the first part of the book undertakes a thorough scrutiny of Modern atheisms, from Spinoza and Hobbes to Marx and Nietzsche. The second part of the book seeks to draw practical conclusions from this scrutiny and answer the questions: what is the state of atheism today? What is the role of an atheist in a world affected by religious fundamentalisms? What should the relationship between atheists and religious people look like? The wide scope of the book allows readers to see atheism as a central concern of many intellectual movements, from Marxism and French Theory to post-secularism and the reevaluation of Modernity, and to understand atheism as a focal point of the most important contemporary philosophical debates.

Atheism Revisited is a collection of essays that explore the multifaceted nature of atheism. Starting from the notion that today's atheism is shaped by the defining processes of Modernity-such as secularization and the breakup of science, philosophy, and theology-the first part of the book undertakes a thorough scrutiny of Modern atheisms, from Spinoza and Hobbes to Marx and Nietzsche. The second part of the book seeks to draw practical conclusions from this scrutiny and answer the questions: what is the state of atheism today? What is the role of an atheist in a world affected by religious fundamentalisms? What should the relationship between atheists and religious people look like? The wide scope of the book allows readers to see atheism as a central concern of many intellectual movements, from Marxism and French Theory to post-secularism and the reevaluation of Modernity, and to understand atheism as a focal point of the most important contemporary philosophical debates.

In art and literature, animals appear not only as an allegoric representation but as a reference which troubles the border between humanity and animality. The aim of this book is to challenge traditional ways of confronting animality with humanity and to consider how the Darwinian turn has modified this relationship in postmodern narratives. The subject of animality in culture, ethics, philosophy, art and literature is explored and reevaluated, and a host of questions regarding the conditions of co-existence of humans and animals is asked: Should discourse ethics now include entities that initially seemed mute and were excluded from discussions? Does the modern animal rights movement need a theology, and vice versa, is there a theology that needs animals? Are animals in literature just metaphors of human characters, or do they reveal something more profound, a direction of human desires, or a fantasy of transgressing humanity? This book provides answers and thus gives a new impetus to a so far largely overlooked field.

This book is a collection of essays, weaving together cognitive psychology, psycho-linguistics, developmental psychology, modern philosophy and behavioural sciences. It raises the question: how does grammar relate to our remarkable ability to cooperate for future needs? The author investigates the interconnections between the mechanisms governing cooperation and reciprocal altruism on the one hand and the capacity to generate an infinite range of expressions from a finite set of syntactically structured elements on the other. Based on these premises, the specific character of cognitive explanations, possible architectures of mind, non-formal grammar and tacit knowledge are explored. Furthermore the author deals with the role of conceptual representations in explaining grammar, the modular structure of mind and the evolutionary origins of human language ability and moral authority.

This book is a result of studies on psychoanalysis, politics, and art. The topics in this book range from populism, the limits of the political, identity, melancholy, the peculiarity of psychoanalytical interpretation to the connection of theatre and politics. Psychoanalysis is a form of practicing personal truth, which needs to be one's own and which is not a result of anonymous discourse. Politics is the practice of being with others; it is the cultivation of antagonistic relations with others. Art is the practice aiming at giving one's life the mark of something unique, it is the very practice of life.