taken specially for Conran Octopus by Si mon lee: 28 below, 29 below, 37 above, 44 I: TElEPHONES above, 45, 46 below, 53 below, 65 below. AND PENS 23 We would like to thank the following for their cooperation: The Conran Shop Cousins Design, New York Design Museum Environment Bridget Kinally Lisa Krohn and Tucker 2: DESK Veimeister, Smart Design, New York ACCESSORIES 3S Lefax Plus Corporatlon, Tokyo SCP Seccose, Milanfldeas for Llving, London Every effort has been made to trace the copyright holders and we apologize in advance for any 3:0FFICE unintentional omission and would be pleased to insert the MACHINES 49 appropriate acknowledgment in any subsequent edition of this publication. AUTHORS' ACKNOWLEDGMENTS The authors wish to thank all those manufacturers and designers who answered queries and 4: FURNITURE AND searched through their archives, the supportive and professional lIGHTING 61 staff at Conran Octopus and Sir Terence Conran for his personal mterest and guidance. NOTE TO READER Names of objects and designers printed in roman or bold type BIOGRAPHIES 72 denote that a photograph of the object or a biography of the designer can be found elsewhere In the book. INDEX 80 6 HOME OFFICE WORK/NG FROM HOMf Working from home is on the increase in Europe and North Americo. A convergence of new technologies, economic changes and social demands is dramaticolly reshaping the living patterns which have dominated much of the twentieth centu

taken specially for Conran Octopus by S, mon Lee: 5 top. 22-23. 29 below. 30-31. 43 I: CHINA 23 above. 53 left. 58. 71 We would like to thank the following for their cooperation: The Conran Shop Design Museum Rosenthal Sasaki Every effort has been made to trace the copyright holders and we apologize In advance for any 2: METALWARE 37 unintentional omission and would be pleased to Insert the appropriate acknowledgment In any subsequent edition of thIS publication. AUTHORS' ACKNOWLEDGMENTS The authors wish to thank all those manufacturers and designers 3: GLASS 49 who answered queries and searched through their archives. the supportive and professional staff at Conran Octopus and Sir Terence Conran for his personal interest and guidance. NOTE TO READER Names of objects and deSigners printed In roman or bold type denote that a photograph of the 4: CUTLERY AND object or a biography of the designer can be found elsewhere in PLASTICS 61 the book. BIOGRAPHIES 72 INDEX 80 6 TABLEWARE THE SIGNIFICANCE OF TABLEWARE DESIGN The way we eat and entertain, and the objects we put on our tables relate to the most fundamental cultural rituals of our society. Over centuries the rite of dining has evolved into a complex social activity in which rules are obeyed and customs observed. Table manners and table objects say a lot about us - the cultures to which we belong, the economic systems to which we adhere and our sense of our own style and status."

trace the copyright holders and we apologize in advance for any unintentional omission and would be pleased to insert the I:TABLE LAMPS 23 appropriate acknowledgment In any subsequent edition of this publ,cat Ion. AUTHORS' ACKNOWLEDGMENTS The authors wish to thank all those manufacturers and designers who answered queries and searched through their archives. 2:CEILING LAMPS 35 the supportive and professional staff at Conran Octopus and Sir Terence Conran for his personal interest and guidance. NOTE TO READER Names of objects and designers printed In roman or bold type denote that a photograph of the object or a bography i of the designer can be found elsewhere in 3:DESK LAMPS 47 the book. 4:WALL AND FLOOR LAMPS 59 BIOGRAPHIES 72 INDEX 80 6 LAMPS AND LIGHTING THE IMPORTANCE Of LIGHTING DESIGN Light fascinated artists, architects and engineers long before the invention of modern electric lighting gave them a new, unrivalled technological palette to explore in the twentieth century. Awe-struck appreciation of light's ability to define colour, texture and form, and its capacity to shape emotional response can be found in the great art, and literature, of even the earliest civilizations. From shooting stars, volcanoes and lighting to fireworks, wax candles and gas lamps - the central role of light in visual perception can be traced through the culture of centuries.