Basic Guide to Dental Radiography provides an essential introduction to radiography in the dental practice. Illustrated throughout, this guide outlines and explains each topic in a clear and accessible style. * Comprehensive coverage includes general physics, principles of image formation, digital image recording, equipment, biological effects of x-rays and legislation * Suitable for the whole dental team * Illustrated in full colour throughout * Ideal for those completing mandatory CPD in radiography * Useful study guide for the NEBDN Certificate in Dental Radiography, the National Certificate in Radiography or the Level 3 Diploma in Dental Nursing

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This book presents an overview of that theoretical framework known as symbolic interactionism. It details the major intellectual and philosophical antecedents of the interactionist perspective, i.e., evolutionism, Scottish moral philosophy, German idealism, pragmatism, and functional psychology. Under the heading evolutionism, the Darwinian notion of the mutually determinative relationship existing between environments and organisms is discussed, as are Henri Bergson's conceptions of the nature of radical, abrupt departures from earlier life forms and of the emergence of novel events. Scottish moral philosophers are dealt with in terms of their contribution to the conceptual inventory of symbolic interactionism. Of particular relevance here are concepts such as the impartial spectator 'sympathy', the 'I', the 'Me', 'role taking', 'generalized other', and 'looking-glass self.' Those German idealists exerting an impact on George Herbert Mead and symbolic interactionism, namely, Fichte, Von Schelling, Kant, and Hegel receive mention. American pragmatic philosophy is then summarized, and special attention is given to the writings of Charles S. Pierce, William James, and John Dewey. The second chapter discusses the major early interactionists, i.e., Charles Horton Cooley, William Isaac Thomas, and George Herbert Mead. Part two discusses the principal varieties of contemporary symbolic interactionism. Major 'schools' receiving attention are the 'Chicago School', the 'Iowa School', the 'Dramaturgical Genre', and 'Ethnomethodology.' A unique feature of this section is that it ends with an attempt to provide a single sentence description of the symbolic interactionist viewpoint. Mead's writings are dealt with in terms of his utilization of such pivotal concepts as symbols, role taking, self, society, and mind. A listing of the primary characteristics of the early interactionism closes out this section of the book. The third section provides a representative set of criticisms of interactionism. They are provided by interactionists and also by those who favor other sociological orientations. Both early and contemporary interactionism come under fire, and the criticisms range from the mild to the sharp. The perspective stands accused, by friend and foe alike, of being quaint, ahistorical, noneconomic, imprecise, and apolitical. It has also ignored the unconscious and emotive components in human behavior, and it manifests a rather strong astructural bias. Interactionists may now be in the process of correcting these defects.

This book presents an overview of that theoretical framework known as symbolic interactionism. It details the major intellectual and philosophical antecedents of the interactionist perspective, i.e., evolutionism, Scottish moral philosophy, German idealism, pragmatism, and functional psychology. Under the heading evolutionism, the Darwinian notion of the mutually determinative relationship existing between environments and organisms is discussed, as are Henri Bergson's conceptions of the nature of radical, abrupt departures from earlier life forms and of the emergence of novel events. Scottish moral philosophers are dealt with in terms of their contribution to the conceptual inventory of symbolic interactionism. Of particular relevance here are concepts such as the impartial spectator "sympathy," the "I," the "Me," "role taking," "generalized other," and "looking-glass self." Those German idealists exerting an impact on George Herbert Mead and symbolic interactionism, namely, Fichte, Von Schelling, Kant, and Hegel receive mention. American pragmatic philosophy is then summarized, and special attention is given to the writings of Charles S. Pierce, William James, and John Dewey. The second chapter discusses the major early interactionists, i.e., Charles Horton Cooley, William Isaac Thomas, and George Herbert Mead. Part two discusses the principal varieties of contemporary symbolic interactionism. Major "schools" receiving attention are the "Chicago School," the "Iowa School," the "Dramaturgical Genre," and "Ethnomethodology." A unique feature of this section is that it ends with an attempt to provide a single sentence description of the symbolic interactionist viewpoint. Mead's writings are dealt with in terms of his utilization of such pivotal concepts as symbols, role taking, self, society, and mind. A listing of the primary characteristics of the early interactionism closes out this section of the book. The third section provides a representative set of criticisms of interactionism. They are provid

Sovereignty and Struggle: Africa and Africans in the Era of the Cold War, 1945-1994 provides students with a deeper insight into African history during the period of decolonization and the Cold War. Examining Africa and Africans in the context of the global themes of liberation, economic development, and popular culture, author Jonathan T. Reynolds illustrates how Africans sought to define their own lives on a global stage. The first three chapters of Sovereignty and Struggle offer a thematic approach, covering the politics of early liberation struggles, economics, and global Cold War complexities. They provide students with insight into the motivations and aspirations of Africans from around the continent during the Cold War period. The last two chapters focus on pop culture-music, nation building, and identity-and specifically on popular representations of mobility, modernity, and sovereignty in Ghana during the 1950s and 1960s.

Gustave Roud, perhaps the most beloved poet of Swiss Romandy, is widely considered the founder of modern francophone Swiss literature, along with Charles-Ferdinand Ramuz. Roud lived at his grandfather's farm in Carrouge, Canton Vaud, for his entire life. In Air of Solitude, the first section of this two-part book, he stalks the structures and fields of his youth, composing memories out of his landscape. The narrator appears homegrown, expressing nostalgia for what is already in front of him. Yet, like an outsider, he remains distinctly elsewhere, unable to participate in the workday rituals of the men around him--a stalking shadow of unfulfilled yearning for affection and belonging. Air of Solitude explores the rural bodies and lives of the Vaudois, returning again and again to the desired male laborer Aime. Between each section of Air of Solitude, Roud inserts short vignettes that provide fleeting and lyrical images that resemble allusions to half-forgotten memories. However, Roud leaves the relationship between the titled sections and the interludes ambiguous. As the book concludes with Requiem, the remnants of narrative shatter, leaving behind only the spectral tatters of memory as Roud confronts the enigma of loss in peerless, jewel-studded elegiac prose. With these two tales, Roud revives the pastoral tradition and injects it with distinctly modernist anxiety and disillusionment.

You probably know, or think you know, quite a bit about what happened in the 20th century – chances are, if you’re reading this, you lived through at least some of it – and you may have referenced the Cuban Missile Crisis, the double helix, or the Wall Street Crash in conversation. But even for people who were there, it was the fastest-moving hundred years in history, so refresh your memory with these pacey profiles on everything from Sputnik to Stonewall.

30-Second Twentieth Century presents a unique approach to modern history, condensing 100 years of innovation and art, politics and conflict, triumph and disaster, into 50 graphic snapshots that offer an instant appreciation of the way the world revolves and evolves.

Consider which events define a period of history and why. From the Red Army to Black Monday, from Woodstock to the World Wide Web, this is the fastest way to travel in time.

You probably know, or think you know, quite a bit about what happened in the 20th century - chances are, if you're reading this, you lived through at least some of it - and you may have referenced the Cuban Missile Crisis, the double helix, or the Wall Street Crash in conversation. But even for people who were there, it was the fastest-moving hundred years in history, so refresh your memory with these pacey profiles on everything from Sputnik to Stonewall. Twentieth Century presents a unique approach to modern history, condensing 100 years of innovation and art, politics and conflict, triumph and disaster, into 50 graphic snapshots that offer an instant appreciation of the way the world revolves and evolves. Consider which events define a period of history and why. From the Red Army to Black Monday, from Woodstock to the World Wide Web, this is the fastest way to travel in time.