This book represents the longest single-volume work on modern Welsh literature ever published, and proceeds from two broad perspectives. First, avoiding the traditional intrinsic and extrinsic approaches to literary history as the story of literary forms, authors, other literatures, or events, it places readers, where possible, at its centre. The definition of readers adopted here is broad: fictional and non-fictional, derived from letters, reviews, and criticism, as well as audiences addressed in prefaces, those mediated through authors' consciousness, or implied, assumed, postulated, created, idealized, chided, encouraged, and reviled, and treated as experts or pupils, arbiters, or dupes. Welsh literature is approached not as the sequential product of authors writing under particular circumstances but as material interpreted and reinterpreted, discovered, and rediscovered, by reading communities across time. Second, it seeks to interpret Welsh literature as shaped in turn by a series of concerns and preconceptions that have governed production and reception through most of the period covered in this book. These include, for instance, the fact that Welsh literature has been read as a crisis of cultural communicability between writers and readers; that writers in a largely amateur literary culture have been regarded as benefactors; that there is a lack of material to read; that, in a bilingual milieu, there is an inescapable relationship between Welsh and English literature; that a language with widely differing spoken and written registers is preoccupied with notions of correctness and appropriateness.

When Ben Bowen died, aged twenty-five, in 1903, the Welsh literary establishment predicted his immortality. This book looks at the Bowen phenomenon as a product both of his own view of himself as a great poet and a Wales that fed that assumption. It traces his escape from a miner's life in the Rhondda, his stay in South Africa during the Boer War, his talent for controversy and his growing awareness of his early death. This is the first extended, dispassionate account of the life, work and death of the Treorci-born poet Ben Bowen (1878-1903). Published on the centenary of his death, the work seeks to explain Bowen's short-lived fame and subsequent obscurity. It considers his precocious sense of himself as a poet, the literary, social and religious milieu in which he operated, his desire to use poetry as an escape from humble beginnings, and his awareness from his late teens of his impending death. Through a consideration of the life of this compelling character, Robin Chapman also enhances our understanding of Welsh culture in late-Victorian and early-Edwardian Wales.

A collection of essays inspired by Professor Emeritus Gruffydd Aled Williams' research, in recognition of his outstanding contribution to Welsh academic life. -- Cyngor Llyfrau Cymru

The first full examination in English of the career and works of the most popular Welsh author of the twentieth century. Elis laid solid foundations for the contemporary novel in Welsh on which other writers were able to build in the 1960s and 1970s. In Cysgod y Cryman (1953) he demonstrated not only a mastery of his medium but also a gift for story-telling and the ability to create memorable characters. His novels have been adapted and extended as a television series broadcast in the early 90s. In a popular vote organised by the Western Mail his Cysgod y Cryman was voted Welsh Book of the Century. Some of his novels have been published in English, for example Shadow of the Sickle (1998), and Return to Lleifor (1999).

A scholarly discussion of the images found in late 19th century/early 20th century lyrical poetry in Wales, at a time of far-reaching social change.