***Winner of the Arthur C. Clarke Award*** Winner of the inaugural Nommo Award for Best Novel, Africa's first award for speculative fiction Shortlisted for the Kitschie Award for Best Novel John W. Campbell Award finalist for Best Science Fiction Novel 'A magnificent tour de force' Adrian Tchaikovsky 'Mind-expanding and utterly addictive' Mark Haddon 'Smart. Gripping. Fabulous!' Ann Leckie 'Mesmerising' M. R. Carey 'An astonishing book. I wish I'd written it' Lauren Beukes Rosewater is a town on the edge. A community formed around the edges of a mysterious alien biodome, its residents comprise the hopeful, the hungry and the helpless - people eager for a glimpse inside the dome or a taste of its rumoured healing powers. Kaaro is a government agent with a criminal past. He has seen inside the biodome, and doesn't care to again - but when something begins killing off others like himself, Kaaro must defy his masters to search for an answer, facing his dark history and coming to a realisation about a horrifying future. Rosewater is the start of a vibrant and compellingly told trilogy by one of science fiction's most engaging new voices - perfect for fans of N. K. Jemisin's The Fifth Season, Ann Leckie's Ancillary Justice and Jeff Vandermeer's Southern Reach trilogy.

The year is 2067. The city of Rosewater is chaotic, vibrant and full of life - some of it extra-terrestrial. The charismatic mayor, Jack Jacques, has declared Rosewater a free state, independent to Nigeria. But the city's alien dome is dying. Government forces await its demise, ready to destroy Rosewater's independence before it has even begun. And in the city's quiet suburbs, a woman wakes with no memory of who she is - with memories belonging to something much older and much more alien. Praise and accolades for Rosewater: Winner of the inaugural Nommo Award for Best Novel, Africa's first award for speculative fiction Shortlisted for the Kitschie Award for Best Novel 2019 John W. Campbell Award finalist for Best Science Fiction Novel 'A magnificent tour de force' Adrian Tchaikovsky 'Smart. Gripping. Fabulous!' Ann Leckie 'Mesmerising' M. R. Carey 'An astonishing book. I wish I'd written it' Lauren Beukes The Wormwood Trilogy begins with Rosewater, continues with The Rosewater Insurrection and ends in The Rosewater Redemption.

'They didn't see the house until they were practically on top of it. A single building emerging fromthe dark. It didn't look welcoming. But the front door was open. The door was wide open.' Irongrove Lodge - a building with history; the very bricks and grounds imbued with the stories of those who have walked these corridors, lived in these rooms. These are the tales of an extraordinary house, a place that straddles our world and whatever lies beyond; a place that some are desperate to discover, and others to flee. At one time an asylum, at another a care home, sometimes simply a home. The residents of Irongrove Lodge will learn that this house will change them, that the stories told here never go away. Of all who enter, only some will leave. Multi-award-winning editor Jonathan Oliver has brought together five extraordinary writers to open the doors, revealing ghosts both past and present in a collection as intriguing as it is terrifying. Along with a linking narrative, this collection features five novellas by Nina Allan, Tade Thompson, K. J. Parker, Robert Shearman and Sarah Lotz.

Life in the newly independent city state of Rosewater isn't everything its citizens were expecting . . . Mayor Jacques finds that debts incurred during the insurrection are coming back to haunt him. Nigeria isn't willing to let Rosewater go without a fight . . . And among the city's alien inhabitants, a group has emerged who murder humans to provide bodies for their takeover . . . Operating across spacetime, the xenosphere and international borders, it is up to a small group of hackers and criminals to prevent the extraterrestrial advance. The fugitive known as Bicycle Girl, Kaaro and his old handler Femi, may be humanity's last line of defence. The Rosewater Redemption is the powerful conclusion to Tade Thompson's award-winning Wormwood trilogy.

'Gripping and skilfully told, with an economy and freshness of approach that is all Tade Thompson's own. The setting is interstellar, but it feels as real, immediate and lethal as today's headlines' Alastair Reynolds Arthur C. Clarke Award winner Tade Thompson makes a triumphant return to science fiction with this unforgettable vision of humanity's future in the chilling emptiness of space. The colony ship Ragtime docks in the Lagos system, having travelled light years from home to bring one thousand sleeping souls to safety among the stars. Some of the sleepers, however, will never wake - and a profound and sinister mystery unfolds aboard the gigantic vessel. Its skeleton crew are forced to make decisions that will have repercussions for all of humanity's settlements - from the scheming politicians of Lagos station, to the colony planet of Bloodroot, to other far flung systems and indeed Earth itself. 'A gripping space opera with characters fighting for their lives aboard a dying starship. I enjoyed it so much and can't wait to see what Thompson does next' Martha Wells, author of the Murderbot Diaries 'Simultaneously brutally grounded and wildly imaginative' Adrian Tchaikovsky, author of Children of Time 'Perfectly balances inspired universe building with both high-octane action and emotional depth' Big Issue 'Readers looking for a smart sci-fi mystery should snap this up' Publishers Weekly 'First-rate space opera from one of the genre's most exciting voices' Gareth L. Powell 'Tade Thompson is a writer of enormous heart and talent. Just brilliant' Dave Hutchinson

'A wild, darkly comic nightmare set on the borderlines of creativity, imagination and madness.' Guardian 'Thompson's prose, contaminated by Bacon's unflinching view of the human animal, makes for vital, unsettling reading' - Will Maclean, author of The Apparition Phase In this shocking, and at times darkly comic, novel, a psychiatrist hired to write a short piece on Francis Bacon becomes obsessed with the artist, his life, and the characters who surrounded him. As he becomes consumed with the need to understand Bacon, and to create his own art, his grip on reality becomes increasingly tenuous, and he is haunted by disturbing figures. This short, bold piece of fiction, explores how the passion needed to create art can also destroy the artist.

The rule is simple: don't bleed. For as long as Molly Southbourne can remember, she's been watching herself die. Whenever she bleeds, another molly is born, identical to her in every way and intent on her destruction. Molly's parents trained her well. She knows every way to kill herself, she knows how to butcher mollys for easy disposal, but she also knows that as long as she survives she'll be hunted. No matter how well she follows the rules, eventually the mollys will find her. Can Molly find a way to stop the tide of blood, or will she meet her end at the hand of a girl who looks just like her?

'Shocking and perceptive' Guardian 'It was easy to stay up well past lights out to read just one more chapter - and then one more...' James Oswald 'Engaging' Sunday Times LONGLISTED FOR THE CWA GOLD DAGGER Meet Weston Kogi, a London supermarket store detective. He returns home to his West African home country for his aunt's funeral. He sees his family, his ex-girlfriend Nana, his old school mate Church. Food is good, beer is plentiful, and telling people he works as a homicide detective seems like harmless hyperbole, until he wakes up in hell. He is kidnapped and forced by two separate rebel factions to investigate the murder of a local hero, Papa Busi. The solution may tip a country on the brink into civil war. Making Wolf is the outrageous, frightening, violent and sometimes surreal homecoming experience of a lifetime. Praise for Tade Thompson: 'Breathtaking landscapes and intoxicating food and drink . . . endemic corruption, sultry sexuality and casual, slapdash violence . . . A rock-and-roll edge' The Financial Times 'Brutal, uncompromising and thought-provoking . . . superb' M. W. Craven 'A magnificent tour de force' Adrian Tchaikovsky 'Smart. Gripping. Fabulous!' Ann Leckie 'Mesmerising' M. R. Carey