The most comprehensive collection in English of the founder of modern Italian poetry Giovanni Pascoli (1855-1912)-the founder of modern Italian poetry and one of Italy's most beloved poets-has been compared to Robert Frost for his evocation of natural speech, his bucolic settings, and the way he bridges poetic tradition and the beginnings of modernism. Featuring verse from throughout his career, and with the original Italian on facing pages, Selected Poems of Giovanni Pascoli is a comprehensive and authoritative collection of a fascinating and major literary figure. Reading this poet of nature, grief, and small-town life is like traveling through Italy's landscapes in his footsteps-from Romagna and Bologna to Rome, Sicily, and Tuscany-as the country transformed from an agrarian society into an industrial one. Mixing the elevated diction of Virgil with local slang and the sounds of the natural world, these poems capture sense-laden moments: a train's departure, a wren's winter foraging, and the lit windows of a town at dusk. Incorporating revolutionary language into classical scenes, Pascoli's poems describe ancient rural dramas-both large and small-that remain contemporary. Framed by an introduction, annotations, and a substantial chronology, Taije Silverman and Marina Della Putta Johnston's translations render the variety, precision, and beauty of Pascoli's poetry with a profoundly current vision.

The most comprehensive collection in English of the founder of modern Italian poetry Giovanni Pascoli (1855-1912)-the founder of modern Italian poetry and one of Italy's most beloved poets-has been compared to Robert Frost for his evocation of natural speech, his bucolic settings, and the way he bridges poetic tradition and the beginnings of modernism. Featuring verse from throughout his career, and with the original Italian on facing pages, Selected Poems of Giovanni Pascoli is a comprehensive and authoritative collection of a fascinating and major literary figure. Reading this poet of nature, grief, and small-town life is like traveling through Italy's landscapes in his footsteps-from Romagna and Bologna to Rome, Sicily, and Tuscany-as the country transformed from an agrarian society into an industrial one. Mixing the elevated diction of Virgil with local slang and the sounds of the natural world, these poems capture sense-laden moments: a train's departure, a wren's winter foraging, and the lit windows of a town at dusk. Incorporating revolutionary language into classical scenes, Pascoli's poems describe ancient rural dramas-both large and small-that remain contemporary. Framed by an introduction, annotations, and a substantial chronology, Taije Silverman and Marina Della Putta Johnston's translations render the variety, precision, and beauty of Pascoli's poetry with a profoundly current vision.

Now You Can Join the Others, the second collection of poetry by Taije Silverman, traces the absurdities of desire, the shifting nature of grief, and the concentric circles of history and myth that ripple around motherhood and marriage. Set in cities around the world and on real and metaphorical islands, narratives slip between centuries and spaces: a Philadelphia bedroom and Berlin's Jewish Museum, a castle in Naples and a Chuck E. Cheese. Scenes of sexual and racial violence force an interrogation of words through a multiplicity of voices, and the othering of self becomes a shared, even reassuring alienation. From a sixteenth-century philosopher to a lecherous innkeeper in Modena, from the founding of Athens to the hatching of cicadas, this book investigates human, geological, and cyclical forms of time, suggesting that they are as material and evasive as language. Intricate, unexpected, and probing, Now You Can Join the Others is a radically candid, revelatory collection.

Taije Silverman's debut collection chronicles her family's devotion and dissolution through the death of her mother. Ranging in style from measured narratives to fragmented lyrics that convey the ambiguity of loss, these poems both arc into the past and question the possibility of the future, exploring the ways in which memory at once sustains and fails love. Ultimately the poems are elegies not only to one beloved mother, but to the large and diffusive presences of Keats, Mandelstam, a concentration camp near Prague, a coming-of-age on a Greek island, and the nearly traceless particles of neutrinos that--as with each detail toward which the poet lends her attention -- become precious as the mother departs from her position at the center of the world. Furious, redemptive, and deeply immediate, Houses are Fields is a beautifully moving first book.