In the twenty-first century, there has been a seismic shift in Indian political, religious and social life. The country's guiding spirit was formerly a fusion of the anti-caste worldview of B.R. Ambedkar; the inclusive Hinduism of Mahatma Gandhi; and the agnostic secularism of Jawaharlal Nehru. Today, that fusion has given way to Hindutva. This now-dominant version of Hinduism blends the militant nationalism of V.D. Savarkar; the Brahmanical anti-minorityism of M.S. Golwalkar; and the global Islamophobia of India's ruling regime. It requires deep cultural analysis and historical understanding, as only the sharpest and most profoundly informed historian can provide. For two decades, Tanika Sarkar has forged a path through the alleys and byways of Hindutva. She has trawled through the writing and iconography of its organisations and institutions, including RSS schools and VHP temples. She has visited the offices and homes of Hindutva's votaries, interviewing men and women who believe fervently in their mission of Hinduising India. And she has contextualised this new ferment on the ground with her formidable archival knowledge of Hindutva's origins and development over 150 years, from Bankimchandra to the Babri mosque and beyond. This riveting book connects Hindu religious nationalism with the cultural politics of everyday India.

Politics and culture are organically related in the city of Calcutta. The period (1940s to 1950s), was chaotic and turbulent, yet, this was also a time of significant creativity in literature, art, films and music in the city. This is an unusual feature of any city but is interestingly characteristic of Calcutta. The originality of the work lies in blending poetry with historical writing, retaining the essence of both forms against the backdrop of the tumultuous events of the critical decades, as against the entire historical period of a city. This historical method together with twenty-one papers give the reader a sense of the pulse of this complex city 'emerging creatively and chaotically from its colonial past'.

This book reflects the changing modalities of Hindu nationalist organizing among women and youth. It provides unique insights into how this immensely powerful political formation has been able to preside over a massive network of grassroots organisations among most segments of Indian society and capture national power. Chapters explore the techniques the RSS, VHP and BJP employ and the messages they convey about masculinity, femininity, and LGBTQ communities, and analyze contrasting forms of women's activism in defending and opposing Hindu nationalism. This book contributes to the global literature on the gender dimensions of rightwing politics. By exploring why women advance the agenda of the Hindu Right despite its conservative views on gender and sexuality, the book makes an important intervention in feminist and women's studies scholarship.

What is the relationship between secularization and tolerance? Critically analyzing the empirical and theoretical foundations of a putatively linear relationship between the two, this volume argues for moving past both romanticised readings of pre-modern tolerance and the unthinking belief that secularization will inevitably lead to tolerance. The essays collected in this volume include contributions from across South Asia that suggest that democratic politics have added a layer of complexity to questions of peaceful co-existence. Modern transformations in religious thought and practice have had contradictory implications for tolerance, which offer rich insights into contemporary debates in the region. This multi-disciplinary volume, which spans history, sociology, anthropology and political theory, questions the uncritical acceptance of tolerance as the best framework for engaging with difference, and probes the complications created by and through democratic politics.

The first full-length autobiography in Bengali, Amar Jiban (My Life) was written in the early nineteenth century by an upper-caste rural housewife named Rashundari Debi. Published in 1868 when she was eighty-eight years old, the book is a fascinating snapshot of life for women in the nineteenth century. Debi, who gave birth to eleven children - her first was born when she was eighteen years old, the last when she was forty-one - ruminates on her very individual understanding of bhakti beliefs as well as the new times that were unfolding around her. Offering a translation of major sections of this remarkable autobiography, Words to Win is a portrait of a woman who wants to compose a life of her own, wishes to present it in the public sphere, and eventually accomplishes just that. The words, in the end, win out. First published in 1999, the book is a must-read for anyone interested in nineteenth-century Indian history. The classic text is reissued here in a new paperback format.

Social reforms aimed at changing the social, political, or economic status of women in India were important both to British colonial rule and to nascent nationalist movements. Debates over practices such as widow immolation, widow remarriage, and child marriage, as well as those governing marriage and property within different religious communities, continued to exert profound influence on Indian society and politics throughout the 20th century. In this collection, eminent historians Sumit Sarkar and Tanika Sarkar bring together some of the most important scholarly articles and primary source documents from the 19th and early 20th centuries.

In "Rebels, Wives, Saints," acclaimed scholar Tanika Sarkar continues her revolutionary scholarship on women, religion, and nationhood in colonial Bengal. The colonial universe Sarkar describes in "Rebels, Wives, Saints" centers around symbols of women as both defiled and deified, exemplified in the idea of woman as widow and woman as goddess. The nation, Sarkar explains, is imagined as a woman-goddess within a country comprising plural cultural traditions. Sarkar also broadens the discussion to consider male reformers who battle Hindu conservatives, a Hindu novelist who idealizes nationalism as a means for overcoming Muslim influence, male-dominant social norms, and theatre and censorship.

Throughout the book, Sarkar deploys her trademark focus on small, specific, emotional defining moments in order to arrive at a larger, compelling picture that reveals how people actually feel and experience life in Bengal.