Join Ann on a journey with mystery, romance and illusions through nineteenth century Britain. Ann has to go through many conflicts with friends and family, however, what she goes through next will change her life forever. Ann meets many different love interests most of which she falls in love with, yet only one will be her `true love'. If the Joker has anything to do with this, she will never be with him and the whole world will be destroyed.

First published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.

'Transition has not been something linear for me, my joy has come in seasons.' Now, more than ever, trans people deserve to hear stories of joy and hope, where being trans doesn't have to be defined by fear and dysphoria, but can be experienced through courage, freedom, and the love and acceptance of their chosen families. Through a series of uplifting, generous and beautifully crafted vignettes, T. C. Oakes-Monger gently leads you through the cycle of the seasons - beginning in Autumn and the shedding of leaves and identity, moving through the darkness of Winter, its cold days, and the reality of daily life, into Spring, newness, and change, and ending with the joy of long Summer days and being out and proud - and invites you to find similar moments of joy in your life. Celebratory and empowering, these stories are a reminder of the power joy can bring.

First published in 1998. This is Volume XI of the twelve in the Sociology of Youth and Adolescence series which outlines the problem, approach, and method around a the report of an enquiry into the ways and means of contacting and working with unattached young people in an inner London Borough. The importance of this book, is in the definition of unattachment, and in the perhaps unexpectedly wide range of implications for youth work and the Youth Service that might follow from it. Un attachment is defined as a conflict in expectations between those who offer the service (clubs, youth centres and others in the Youth Service) and those-the young people-who want and need it but who are unable or unwilling to accept it on the conditions on which it is offered. In describing the work that gave rise to this definition, the authors help us to see that the conflict in expectations has its roots in a much wider context than we had been able to see before.

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A murderer's confession - devastating, unblinking, poignant, unforgettable - which reveals a story of class, education and the inescapable workings of destiny. Ah Hock is an ordinary, uneducated man born in a Malaysian fishing village and now trying to make his way in a country that promises riches and security to everyone, but delivers them only to a chosen few. With Asian society changing around him, like many he remains trapped in a world of poorly paid jobs that just about allow him to keep his head above water but ultimately lead him to murder a migrant worker from Bangladesh. In the tradition of Camus and Houellebecq, Ah Hock's vivid and compelling description of the years building up to this appalling act of violence - told over several days to a local journalist whose life has taken a different course - is a portrait of an outsider like no other, an anti-nostalgic view of human life and the ravages of hope. It is the work of a writer at the peak of his powers.

Édouard Louis is one of the most important literary voices of his generation' Guardian One day, Édouard Louis finds a photograph of his mother from twenty years ago: a happy young woman, full of hopes and dreams. But growing up, Édouard only knew his mother's sadness - what happened in those years since the photo was taken? Then, at the age of forty-five, Édouard's mother frees herself from this life of oppression, to start a new one in Paris. A Woman's Battles and Transformations reckons with the cruel systems that govern our lives - and with the possibility of escape. It is a tender portrait of a mother, and an honouring of her self-discovery as she chooses to live on her own terms. 'Tash Aw's sensitive translation captures the vividness of Louis's voice... Movingly, the book demonstrates the pain that moving from one social class to another entails' Times Literary Supplement 'A tenderness of observation' New York Times 'Incandescent...Louis's most hopeful book to date' Los Angeles Times Translated from the French by Tash Aw

'A sweet, genuinely funny, banter-filled delight of a rom-com. I absolutely loved this modern day You've Got Mail' Kerry Winfrey, author of Waiting for Tom Hanks Love can happen when you least expect it . . . Dumped by his fiancee, Miles is reduced to couch-surfing across Manhattan and using a local cafe as his office. Also, he no longer believes in love - not exactly a good look in his line of work. Zoey's eccentric L.A. boss sent her to New York to 'grow'. But beneath her chill Cali exterior, Zoey's terrified to venture beyond the cafe across the street. Miles and Zoey have absolutely nothing in common. The only thing they share is their daily battle for the cafe's day-old biscotti. They don't know they're both ghost-writing 'authentic' profiles for rival online dating services. Until they meet online, pretending to be other people . . . As their clients head for dating disaster, Miles and Zoey spend their virtual time falling for one another, but will their online connection turn into a perfect match when they realise who they are IRL? The perfect love letter to Nora Ephron, Carrie Fisher and all the wonderful rom-coms that act as a pick-me-up when we most need it. 'Skilton puts a multicultural millennial spin on You've Got Mail in this laugh-out-loud romance. Rom-com fans will find this one well worth their time' Publishers Weekly 'For those feeling the lack of romantic comedies on the screen, this book will undoubtedly scratch that itch with its excellent banter, secret personas, and slow-burn attraction . . . An energetic romance that would make Nora Ephron proud' Kirkus Reviews *Mismatched in Manhattan is alternatively titled Ghosting: A Love Story in the US

John Hughes meets Comic Con in this novel about a teenager who is trying to get his best friend to fall in love with him that's an "unabashed love letter and delightful inside joke for comic enthusiasts" (Kirkus Reviews). Peter Parker and Gwen Stacy... Archie and Veronica... Althena and Noth... ...Graham and Roxy? Graham met his best friend, Roxana, when he moved into her neighborhood eight years ago, and she asked him which Hogwarts house he'd be sorted into. Graham has been in love with her ever since. But now they're sixteen, still neighbors, still best friends. And Graham and Roxy share more than ever-moving on from their Harry Potter obsession to a serious love of comic books. When Graham learns that the creator of their favorite comic, The Chronicles of Althena, is making a rare appearance at this year's New York Comic Con, he knows he must score tickets. And the event inspires Graham to come up with the perfect plan to tell Roxy how he really feels about her. He's got three days to woo his best friend at the coolest, kookiest con full of superheroes and supervillains. But no one at a comic book convention is who they appear to be...even Roxy. And Graham is starting to realize fictional love stories are way less complicated than real-life ones.