A beautiful new edition of The Iron Man, the bestselling classic by Ted Hughes. The Iron Man came to the top of the cliff. Where had he come from? Nobody knows. How was he made? Nobody knows. Mankind must put a stop to the dreadful destruction by the Iron Man and set a trap for him, but he cannot be kept down. Then, when a terrible monster from outer space threatens to lay waste to the planet, it is the Iron Man who finds a way to save the world. 'Gripping . . a classic.' Phillip Pullman 'A visionary tale.' Michael Morpurgo 'One of the greatest of modern fairy tales.' Observer

Lupercal was Ted Hughes's second collection, containing some of his most brilliant animal poetry. It confirmed his reputation as a major talent in British poetry. 'Hughes has found his own voice, created his own artistic world and has emerged as a poet of the first importance . . . What Ted Hughes has done is to take a limited, personal theme and, by an act of immensely assured poetic skill, has broadened it until it seems to touch upon nearly everything that concerns us.' Al Alvarez, Observer, 27 March, 1960 In language that is by now utterly distinctive, the poems both describe and deliver a kind of psychic shock. Hughes's singularity of vision provides a ready symbiosis between theme and subject - the brute survival instinct of 'Hawk Roosting' or 'Pike', for instance; the rapturous attention bestowed upon 'An Otter' or 'The Bull Moses'; the pervasive legacy of human history that can be seen to saturate a Hughesian landscape. Lupercal is as vital and urgent today as it was when it was first published, its edict, implicit in every poem: to wake up, to pay attention.

This comprehensive volume contains all Sylvia Plath's mature poetry written from 1956 up to her death in 1963. The poems are drawn from the only collection Plath published while alive, The Colossus, as well as from posthumous collections Ariel, Crossing the Water and Winter Trees. The text is preceded by an introduction by Ted Hughes and followed by notes and comments on individual poems. There is also an appendix containing fifty poems from Sylvia Plath's juvenilia. This collection was awarded the 1981 Pulitzer Prize for poetry. 'For me, the most important literary event of 1981 has been the publication, eighteen years after her death, of Sylvia Plath's Collected Poems, confirming her as one of the most powerful and lavishly gifted poets of our time.' A. Alvarez in the Observer

A beautiful 50th Anniversary edition of The Iron Man, the bestselling classic by Ted Hughes, with the stunning original wood engravings from Andrew Davidson and an introduction by Michael Morpurgo. The Iron Man came to the top of the cliff. Where had he come from? Nobody knows. How was he made? Nobody knows. Mankind must put a stop to the dreadful destruction by the Iron Man and set a trap for him, but he cannot be kept down. Then, when a terrible monster from outer space threatens to lay waste to the planet, it is the Iron Man who finds a way to save the world. 'Gripping . . a classic.' Phillip Pullman 'A visionary tale.' Michael Morpurgo 'One of the greatest of modern fairy tales.' Observer

Sylvia Plath is one of the defining voices in twentieth-century poetry. This classic selection of her work, made by her former husband Ted Hughes, provides the perfect introduction to this most influential of poets. The poems are taken from Sylvia Plath's four collections Ariel, The Colossus, Crossing the Water and Winter Trees, and include many of her most celebrated works, such as 'Daddy', 'Lady Lazarus' and 'Wuthering Heights'.

A very ordinary boy. Nobody noticed him, he was just like everyone else. But Fred knew he was different. He just didn't know quite how different. And when he did.... Well, what then?

Right from the start he is dressed in his best - his blacks and his whites.

Little Fauntleroy - quiffed and glossy,

A Sunday suit, a wedding natty get-up,

Standing in dunged straw

For older readers than the first two volumes of Collected Animal Poems, animal life is seen afresh through the diversity and imaginative energy of this collected volume.

A powerful version of the Latin classic by England's late Poet Laureate, now in paperback.When it was published in 1997, Tales from Ovid was immediately recognized as a classic in its own right, as the best rering of Ovid in generations, and as a major book in Ted Hughes's oeuvre. The Metamorphoses of Ovid stands with the works of Homer, Virgil, Dante, and Milton as a classic of world poetry; Hughes translated twenty-four of its stories with great power and directness. The result is the liveliest twentieth-century version of the classic, at once a delight for the Latinist and an appealing introduction to Ovid for the general reader.

The award-winning illustrated edition of Ted Hughes' classic tale in paperback. Part modern fairy tale, part science fiction myth, The Iron Man describes the unexpected arrival in England of a mysterious giant "metal man" who wreaks havoc on the countryside by attacking the neighbouring farms and eating all their machinery. A young boy called Hogarth befriends him and Hogarth and the extraordinary being end up defending and saving the earth when it is attacked by a fearsome "space-bat-angel-dragon" from outer space. This children's classic, with its message of peace and hope, is known and loved all over the UK and is part of an exciting collaboration between Walker Books and Faber and Faber.

What has happened to the lost art of memorising poems? Why do we no longer feel that it is necessary to know the most enduring, beautiful poems in the English language 'by heart'? In his introduction Ted Hughes explains how we can overcome the problem by using a memory system that becomes easier the more frequently it is practised. The collected 101 poems are both personal favourites and particularly well-suited to the method Hughes demonstrates. Spanning four centuries, ranging from Shakespeare and Keats through to Thomas Hardy and Seamus Heaney, By Heart offers the reader a 'mental gymnasium' in which the memory can be exercised and trained in the most pleasurable way. Some poems will be more of a challenge than others, but all will be treasured once they have become part of the memory bank. This edition is part of a series of anthologies edited by poets such as Don Paterson and Simon Armitage and features an attractive new design to complement an anthology of classic poems.

Stunning illustrations by Chris Mould make this one of the most exciting editions of The Iron Man to be published. The Iron Man came to the top of the cliff. Where had he come from? Nobody knows. How was he made? Nobody knows. Mankind must put a stop to the dreadful destruction by the Iron Man and set a trap for him, but he cannot be kept down. Then, when a terrible monster from outer space threatens to lay waste to the planet, it is the Iron Man who finds a way to save the world. 'Stunning.' WRD Magazine 'Whether you're already a fan of this classic children's story or a new reader, this wonderful new version is a real treat.' BookTrust 'Gripping . . a classic.' Phillip Pullman 'A visionary tale.' Michael Morpurgo 'One of the greatest of modern fairy tales.' Observer

Ted Hughes wrote a series of stories for children from the early 1960s through until 1995 about how the world, and the creatures in it, came into being. They are collected here in one volume for the first time.

These are richly told tales of sparkling intensity about animals finding their form, and God's struggle to understand what he has created. Meet the Polar Bear whose obsession with her snowy white fur is so great that she can only live in a landscape surrounded by her own reflection; the Whale, growing in God's garden beside the carrots; King Leo, who began life because God was hungry for his sausages; poor Parrot's painful defeat in the marriage song contest at the wedding of Man and Woman; and Sparrow's heroic battle against the bird-swallowing Black Hole.

There are stories here to suit children from four to fourteen, whether for reading aloud or alone.

"In a series of chapters built round poems by a number of writers including himself . . . [Ted Hughes] explores, colourfully and intensively, themes such as 'Capturing Animals', 'Wind and Weather' and 'Writing about People'. The purpose throughout is to lead on, via a discussion of the poems (which he does with riveting skill) to some direct encouragement to the children to think and write for themselves. He makes the whole venture seem enjoyable, and somehow urgent . . . ' Times Literary Supplement

Ted Hughes's Birthday Letters are addressed, with just two exceptions, to Sylvia Plath, the American poet to whom he was married. They were written over a period of more than twenty-five years, the first a few years after her suicide in 1963, and represent Ted Hughes's only account of his relationship with Plath and of the psychological drama that led both to the writing of her greatest poems and to her death. The book became an instant bestseller on its publication in 1998 and won the Forward Prize for Poetry in the same year. 'To read [Birthday Letters] is to experience the psychic equivalent of "the bends". It takes you down to levels of pressure where the undertruths of sadness and endurance leave you gasping.' Seamus Heaney 'Even if it were possible to set aside its biographical value . . . its linguistic, technical and imaginative feats would guarantee its future. Hughes is one of the most important poets of the century and this is his greatest book.' Andrew Motion

The Iron Wolf, the Iron Wolf

Stands on the world with jagged fur.

The rusty Moon rolls through the sky.

The iron river cannot stir.

The iron wind leaks out a cry

Animals of air, land and sea are brilliantly imagined in this perfect introduction for young readers to the work of Ted Hughes. Part of Hughes's Collected Animal Poems, The Iron Wolf is for the youngest readers, both to listen to and explore themselves. Chris Riddell's delightful line illustrations add to the journey of discovery.

Why is it

The roustabout Rooster, raging at the dawn

Wakes us so early?

A warrior king is on fire!

His armour is all crooked daggers and scimitars

And it's shivering red-hot - with rage!

First published in 1984, this book of prose-linked animal poems won both the Guardian Children's Fiction Award and the Signal Poetry Award. This new, illustated edition remains 'a very beautiful book: God and his son go to visit mankind and ask a few simple questions . . . the poems are pure enchantment' (The School Librarian).

This multi-award winning collection, the first from Ted Hughes, has at its heart the mixture of beauty and violence in the natural world. Dedicated to Sylvia Plath, The Hawk in the Rain is a stunning collection of poems on the themes of competition and the struggle for survival. Hughes would go on to become Britain's Poet Laureate in 1984 until his death in 1998. Including many of Hughes' best-known poems, such as 'The Jaguar', 'The Thought-Fox' and 'Wind' - now staples of British poetry anthologies - The Hawk in the Rain is the foundation of Hughes' reputation as one of the twentieth-century's greatest poets.

This beautifully designed edition forms part of a series of ten titles celebrating Faber's publishing over the decades.

This collection of eleven evocative, accessible and funny stories for children of 5+ tells how a particular animal came to be as it is now. The Whale grew up in God's vegetable patch but was banished to sea when he became too large and crushed all His carrots; the Polar Bear was lured to the North Pole by the other animals who were jealous that she always won the annual beauty contest; the Hare has asked the moon to marry him but can never stretch his ears high enough to hear her reply; the Bee must sip honey all day long to sweeten the bitter demon that runs through his veins . . . each story is a delight for reading alone or aloud.

This collection brings together the poems Ted Hughes wrote for children throughout his life. They are arranged by volume, beginning with those for reading aloud to the very young, progressing to the poems in Under the North Star and What is the Truth? and ending with Season Songs, which Hughes remarked was written 'within hearing' of children. Raymond Briggs brings to the collection two hundred original drawings that capture the wit, gentleness and humanity of these poems and make this a book any reader - child and adult - will return to again and again.

The Iron Man came to the top of the cliff.
Where had he come from? Nobody knows.
How was he made? Nobody knows.

Mankind must put a stop to the dreadful destruction by the Iron Man and set a trap for him, but he cannot be kept down. Then, when a terrible monster from outer space threatens to lay waste to the planet, it is the Iron Man who finds a way to save the world.

Formerly Poet Laureate to Queen Elizabeth II, the late Ted Hughes (1930-98) is recognized as one of the few contemporary poets whose work has mythic scope and power. And few episodes in postwar literature have the legendary stature of Hughes's romance with, and marriage to, the great American poet Sylvia Plath.

The poems in Birthday Letters are addressed (with just two exceptions) to Plath, and were written over a period of more than twenty-five years, the first a few years after her suicide in 1963. Some are love letters, others haunted recollections and ruminations. In them, Hughes recalls his and Plath's time together, drawing on the powerful imagery of his work--animal, vegetable, mythological--as well as on Plath's famous verse.

Countless books have discussed the subject of this intense relationship from a necessary distance, but this volume--at last--offers us Hughes's own account. Moreover, it is a truly remarkable collection of pems in its own right.

'The Calder valley, west of Halifax, was the last ditch of Elmet, the last British Celtic kingdom to fall to the Angles. For centuries it was considered a more or less uninhabitable wilderness, a notorious refuge for criminals, a hide-out for refugees. Then in the early 1800s it became the cradle for the Industrial Revolution in textiles, and the upper Calder became "the hardest-worked river in England". Throughout my lifetime, since 1930, I have watched the mills of the region and their attendant chapels die. Within the last fifteen years the end has come. They are now virtually dead, and the population of the valley and the hillsides, so rooted for so long, is changing rapidly.' Ted Hughes, Preface to Remains of Elmet (1979) Ted Hughes's remarkable 'pennine sequence' celebrates the area where he spent his early childhood. It mixes social, political, religious and historical matter - a tapestry rich in the personal and poetic investment of a landscape that both creates and is inured to its people, whose moors 'Are a stage for the performance of heaven. / Any audience is incidental.' Remains of Elmet is one of Hughes's most personal and enduring achievements.

'The Forward Prizes have turned a spotlight on contemporary poetry which is both searching and glamorous' Carol Ann Duffy 100 Prized Poems brings together the best of the poems published over a quarter century in twenty-five editions of the Forward books of poetry, a series highlighting the works commended annually for the prestigious Forward Prizes. The roll-call of poets included is a Who's Who of poetry excellence and includes both familiar names - Simon Armitage, Jackie Kay, Derek Walcott - and fresh voices - Kae Tempest, Kei Miller and Emily Berry. This anthology of anthologies is a great way of encountering the richness that new poetry has to offer.

This anniversary edition with a new foreword by Marina Warner celebrates fifty years since original publication of Crow (1970), which marked a pivotal moment in Ted Hughes's writing career. Growing out of an invitation by Leonard Baskin to make a book with him about crows, Hughes found both a structure and a persona that gave his vision a new power and coherence. A deep engagement with history, mythology and the natural world combine to forge a work of impressive and unsettling force.

Coleridge's flawed genius has fascinated people for almost 200 years. His greatest poems have a quality which sets them apart from - and perhaps above - those of even his most admired Romantic contemporaries. Yet they sit oddly, too, with the bulk of his own work, seeming to spring, if not from a different sensibility, then at least from a different state of mind. Here, Ted Hughes describes the psychological ordeal which produced the supreme utterances of 'Kubla Khan', 'The Rime of the Ancient Mariner' and 'Christabel, Part One', and his choice gives us those poems in the company of others related to them. The result is a daring and radical attempt to get to the heart of Coleridge's spiritual and poetic concerns.