The Chicago lakefront is one of America's urban wonders. The ribbon of high rise luxury apartment buildings along the Lake Michigan shore has few, if any, rivals nationwide for sustained architectural significance. This historic confluence of site, money, style, and development lies at the heart of the updated edition of Neil Harris's Chicago Apartments: A Century and Beyond of Lakefront Luxury. The book features more than 100 buildings, stretching from south to north and across more than a century, each with its own special combination of design choice, floor plans, and background story. Harris, with the assistance of Teri J. Edelstein, proves to be an affable and knowledgeable tour guide, guiding us through dozens of buildings, detailing a host of inimitable development histories, design choices, floor plans, and more along the way. Of particular note are recent structures on the Chicago River and south of the Loop that are proposing new definitions of comfort and extravagance. Featuring nearly 350 stunning images and a foreword by renowned Chicago author Sara Paretsky, this new edition of Chicago Apartments offers a wide-ranging look inside some of the Windy City's most magnificent abodes.

While browsing the stacks of the Regenstein Library at the University of Chicago some years ago, noted historian Neil Harris made a surprising discovery: a group of nine plainly bound volumes whose unassuming spines bore the name "The Chicagoan". Pulling one down and leafing through its pages, Harris was startled to find it brimming with striking covers, fanciful art, witty cartoons, profiles of local personalities, and a whole range of incisive articles. He quickly realized that he had stumbled upon a Chicago counterpart to the New Yorker that mysteriously had slipped through the cracks of history and memory.Here Harris brings this lost magazine of the Jazz Age back to life. In its own words, the "Chicagoan" claimed to represent 'a cultural, civilized, and vibrant' city 'which needs make no obeisance to Park Avenue, Mayfair, or the Champs-Elysees.' Urbane in aspiration and first published just sixteen months after the 1925 appearance of the "New Yorker", it sought passionately to redeem the Windy City's unhappy reputation for organized crime, political mayhem, and industrial squalor by demonstrating the presence of style and sophistication in the Midwest. Harris' substantial introductory essay here sets the stage, exploring the ambitions, tastes, and prejudices of Chicagoans during the 1920s and '30s. The author then lets the "Chicagoan" speak for itself in lavish full-color segments that reproduce its many elements: from covers, cartoons, and editorials to reviews, features, and even one issue reprinted in its entirety.Recalling a vivid moment in the life of the Second City, the "Chicagoan" is a forgotten treasure, offered here for a whole new age to enjoy.