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"Feminist Film Studies" provides an introduction to feminist film
theory as a discourse from the early seventies to the present.
Janet McCabe traces the broad-ranging theories produced by feminist
film scholarship, from formalist readings and psychoanalytical
approaches to debates initiated by cultural studies, race, and
queer theory. This book thus documents a dynamic critical field,
charting the numerous feminist interventions to critically think
about how the social, political, and cultural contexts informed
debates and shaped the writing of a feminist film theory.
A tribute to living Irish folk sheroes and heroes, this small
format book is a guide to 14 of the most colourful people of Irish
heritage alive today. Each of them has made an outstanding
contribution not just to Irish culture but to public life -
producing art, argument, performance, cinema, literature, theology
or political positions that have changed the world and the way we
view it. This book is a launch pad from which readers can pursue
further the amazing contributions of these fearlessly refreshing
characters who have left an indelible mark on their generation.
Red Snapper is an explosive political thriller set on the Caribbean
island of Jamaica in the run up to the violent election of 1980 -
an election in which nearly 900 people were murdered. The story is
set against a background of political change sweeping the
Caribbean. Fidel Castro is the catalyst for this change and has
inspired leaders such as Maurice Bishop Grenada], Forbes Burnham
Guyana] and Michael Manley Jamaica] to reject the imperialists such
as the USA and Britain and embrace the socialist ideology. America
appears unwilling to confront this change as it is still convulsed
by the anti-Vietnam war sentiment sweeping the country. The
President, Jimmy Carter, is more committed to dialogue than
military action. The CIA is more committed to covert action to
destabilise these regimes than dialogue. The Story The story starts
with the CIA field agent, Carlton Davies, witnessing the violent
revolution in Grenada and is one of the last foreigners to leave
before Maurice Bishop and his revolutionaries take over the
country. Carlton Davies, his cover provided by the US Department of
Commerce, gathers evidence that Michael Manley, Prime Minister of
Jamaica, is planning to take Jamaica down a similar route to
Grenada. Manley and Castro are closely aligned and when Castro is
appointed Chairman of the Non Aligned Movement the CIA decides it
is time to put a stop to any further Cuban inspired change. Jamaica
is the battleground. So worried are the CIA about the situation in
Jamaica they appoint Wynton McKenna, Carlton Davies's boss, as the
man to put a stop to Cuban influence in Jamaica. An election is
approaching and there is mounting evidence the Cuban's are
destabilising the country - undermining the police, the defence
force, infiltrating key government departments, issuing propaganda
to discredit the opposition Jamaican Labour Party, perpetrating
violent acts against activists and so on. Tactics designed to
frighten the electorate into voting for the PNP. All the classic
tactics normally used by the CIA. McKenna, hands tied by Carter's
conciliatory mentality, engages the anti-Castro brigades operating
out of Miami. These are the men who fled the country after the
revolution in Cuba, veterans of the Bay of Pigs fiasco and
dedicated to overthrowing Castro. They have also been classified as
terrorists by Carter. But McKenna needs them because he is
operating outside of official government policy. Both the CIA and
the anti-Castro brigade have links to the Mafia. All have designs
on Jamaica, all need each other, all have different agendas and Red
Snapper is about how these different relationships play out. The
story is further complicated by a love affair between Carlton
Davies and the married daughter of the leader of the anti-Castro
brigade Roberto Santos. The story builds to a climax when on 30th
October 1980 the Jamaicans go to the polls to vote in their next
government. An election that resulted in over 900 murders - many at
the hands of Cuban and CIA backed activists. No one knows the true
scale of these external influences but Red Snapper is a story of
what might have happened.
The Transformational Entrepreneur provides a step-by-step,
pragmatic approach for creating breakthrough, sustainable business
success. The methods shared reflect the best-practices developed
over twenty-five years of real-world, executive experience in both
corporate and start-up environments. The book examines, in detail,
the underlying principles of the human element in driving business
success. Going beyond proven business processes, it explores how
the entire human continuum; the mind, heart, and spirit help drive
growth, profits, and sustainability. Reflecting back on a career
that created more than $1 billion in market valuation growth, the
author draws evidence-based correlations between traditional
business methods and how the human spirit was a consistent,
contributing factor in successful endeavors. The book also explores
the symbiotic relationship between leadership, strategy, and
culture and how the accretive nature of these elements can be
leveraged to deliver breakthrough performance.
This study explores the nature of relationship and power in college
online course work, and the mediating effect of electronic
technology on these human dynamics. Though many educational
researchers have explored relationship and power in the
face-to-face classroom, there has been little exploration of these
dynamic in the virtual classroom. Findings of this study suggest
that the majority of people participate in online courses for
practical reasons, particularly convenience and flexibility. But
they also have expectations of relationship. Given these
expectations of human connection, the relational presence of
instructors and students was a major factor in productive course
engagement. The findings also suggest that the electronic
technology that mediates interaction in online course work has a
significant impact on participants ability to form effective
relationships and to exert influence. This study should be useful
for instructors and online course designers, as well as students
considering online coursework in pursuit of their degrees. It will
challenge the reader to consider the importance of human dynamics
in the electronically-mediated teaching and learning.
This book is aimed at helping media and film studies teachers
introduce the basics of feminist film theory. No prior knowledge of
feminist theory is required, the intended readers being university
undergraduate teachers and students of film and media studies.
Areas of emphasis include spectatorship, narrative, and ideology.
Many illustrative case studies from popular cinema are used to
offer students an opportunity to consider the connotations of
visual and aural elements of film, narrative conflicts and
oppositions, the implications of spectator “positioning” and
viewer identification, and an ideological critical approach to
film. Explanations of key terminology are included, along with
classroom exercises and practice questions. Each chapter begins
with key definitions and explanations of the concepts to be
studied, including some historical background where relevant. Case
studies include film noir, Kathryn Bigelow’s Strange Days and the
work of directors Spike Lee, Claire Denis, and Paul Verhoeven.
Studying Feminist Film Theory is a revised and expanded version of
Feminist Film Studies: A Teacher’s Guide, published by Auteur in
2007.
This book is aimed at helping media and film studies teachers
introduce the basics of feminist film theory. No prior knowledge of
feminist theory is required, the intended readers being university
undergraduate teachers and students of film and media studies.
Areas of emphasis include spectatorship, narrative, and ideology.
Many illustrative case studies from popular cinema are used to
offer students an opportunity to consider the connotations of
visual and aural elements of film, narrative conflicts and
oppositions, the implications of spectator "positioning" and viewer
identification, and an ideological critical approach to film.
Explanations of key terminology are included, along with classroom
exercises and practice questions. Each chapter begins with key
definitions and explanations of the concepts to be studied,
including some historical background where relevant. Case studies
include film noir, Kathryn Bigelow's Strange Days and the work of
directors Spike Lee, Claire Denis, and Paul Verhoeven. Studying
Feminist Film Theory is a revised and expanded version of Feminist
Film Studies: A Teacher's Guide, published by Auteur in 2007.
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