Returning to the map of the island of utopia, this book provides a contemporary, inventive, addition to the long history of legal fictions and juristic phantasms. Progressive legal and political thinking has for long lacked a positive, let alone a bold imaginary project, an account of what improved institutions and an ameliorated environment would look like. And where better to start than with the non-laws or imaginary legislations of a realm yet to come. The Cabinet of Imaginary Laws is a collection of fictive contributions to the theme of conceiving imaginary laws in the vivid vein of jurisliterary invention. Disparate in style and diverse in genres of writing and performative expression, the celebrated and unknown, venerable and youthful authors write new laws. Thirty-five dissolute scholars, impecunious authors and dyspeptic artists from a variety of fields including law, film, science, history, philosophy, political science, aesthetics, architecture and the classics become, for a brief and inspiring instance, legislators of impossible norms. The collection provides an extra-ordinary range of inspired imaginings of other laws. This momentary community of radial thought conceives of a wild variety of novel critical perspectives. The contributions aim to inspire reflection on the role of imagination in the study and writing of law. Verse, collage, artworks, short stories, harangues, lists, and other pleas, reports and pronouncements revivify the sense of law as the vehicle of poetic justice and as an art that instructs and constructs life. Aimed at an intellectual audience disgruntled with the negativity of critique and the narrowness of the disciplines, this book will appeal especially to theorists, lawyers, scholars and a general public concerned with the future of decaying laws and an increasingly derelict legal system.

Returning to the map of the island of utopia, this book provides a contemporary, inventive, addition to the long history of legal fictions and juristic phantasms. Progressive legal and political thinking has for long lacked a positive, let alone a bold imaginary project, an account of what improved institutions and an ameliorated environment would look like. And where better to start than with the non-laws or imaginary legislations of a realm yet to come. The Cabinet of Imaginary Laws is a collection of fictive contributions to the theme of conceiving imaginary laws in the vivid vein of jurisliterary invention. Disparate in style and diverse in genres of writing and performative expression, the celebrated and unknown, venerable and youthful authors write new laws. Thirty-five dissolute scholars, impecunious authors and dyspeptic artists from a variety of fields including law, film, science, history, philosophy, political science, aesthetics, architecture and the classics become, for a brief and inspiring instance, legislators of impossible norms. The collection provides an extra-ordinary range of inspired imaginings of other laws. This momentary community of radial thought conceives of a wild variety of novel critical perspectives. The contributions aim to inspire reflection on the role of imagination in the study and writing of law. Verse, collage, artworks, short stories, harangues, lists, and other pleas, reports and pronouncements revivify the sense of law as the vehicle of poetic justice and as an art that instructs and constructs life. Aimed at an intellectual audience disgruntled with the negativity of critique and the narrowness of the disciplines, this book will appeal especially to theorists, lawyers, scholars and a general public concerned with the future of decaying laws and an increasingly derelict legal system.

Giorgio Agamben: Power, Law and the Uses of Criticism is a thorough engagement with the thought of the influential Italian philosopher Giorgio Agamben. It explores Agamben's work on language, ontology, power, law and criticism from the 1970s to his most recent publications. Introducing Agamben's work to a readership in legal theory, as well as in the humanities and social sciences more generally, Thanos Zartaloudis argues that an adequate understanding of Agamben's Homo Sacer project requires an attention to his earlier philosophical writings on language, ontology, power and time. It is through this attentive and creative analysis of Agamben's work that Zartaloudis here presents a rethinking of the ideas of justice and criticism.

Giorgio Agamben: Power, Law and the Uses of Criticism is a thorough engagement with the thought of the influential Italian philosopher Giorgio Agamben. It explores Agambena (TM)s work on language, ontology, power, law and criticism from the 1970s to his most recent publications.

Introducing Agamben's work to a readership in legal theory, as well as in the humanities and social sciences more generally, Thanos Zartaloudis argues that an adequate understanding of Agamben's Homo Sacer project requires an attention to his earlier philosophical writings on language, ontology, power and time. It is through this attentive and creative analysis of Agamben's work that Zartaloudis here presents a rethinking of the ideas of justice and criticism.

This book is a collection of essays honouring and engaging with the work of the late Professor Patrick McAuslan. It is a collection that narrates, analyses and critiques McAuslan's contributions, as well as offering substantive perspectives on how his work has impacted the legal fields in which he was involved: including those of land law, urban planning law and policy, land use and participation in developing countries, democratic constitutionalism, and legal education. The essays present McAuslan's contributions in the contexts in which they emerged, and according to both the circumstances and motivations that shaped them, as well as the challenges they encountered. It thus provides an ideal point of engagement for scholars, students and policy makers that have already interacted with McAuslan's ideas and work, or who have yet to do so.

The first English-language anthology of Yan Thomas, whose contributions to Roman law revolutionised legal scholarship Collects and translates 10 essays by Yan Thomas (1943 2008), the most renowned French jurist of the 20th century Provides a juridical perspective on the genealogy of the Western subject and the elementary conditions for the exercise of power Builds on the growing interest in Thomas' work generated by recent engagements, such as in Giorgio Agamben's Homo Sacer series Demonstrates the formal continuity of socio-legal techniques that have defined Western legal culture Western legal professionals habitually rely on a version of legal history that bolsters their own sway over the present. The legal mythologies undergirding these self-serving proposals are divided between doctrines of law's immemorial nature, and of its sacred (Roman) origins. Thomas's de-mythicised jurisprudence, presented in this collection of essays, dismisses these sagas. His work sent seismic waves across the humanities and social sciences, with claims including: Law is not a set of rules, but the operation of legal arguments; lawyers are the agents of the legal denaturalisation of the world Rome is misread as an essentially political entity; the effect exercised on Roman society by its jurists ranks before that of its politicians Despite a widely accepted opposition between modern labour law and the Roman renting-out of a slave's workforce, there exist unexpected commonalities 'Legal order' and 'responsibility' are among the inventions of modern law; they are not part of the timeless inventory of the world

This important collection explores contemporary legal thought (and thought about the law more generally) in relation to its interdisciplinary critical engagement with philosophy, in particular continental philosophy. Over the last 25 years, many legal thinkers have increasingly and critically engaged with philosophical thought in ever explorative and innovative interdisciplinary ways. This book represents this rich and continuously developing interdisciplinary tradition within legal thought and legal study more generally. Featuring both established and new voices, the volume explores a range of topics including: the relationship between law, philosophy and political theology; law and ecology; matter and legal technologies; contemporary governmentality; law's relationship to violence; the so-called anti-juradicalism of post-1968 French theory; the normativity of social images; and responses to a time of perpetual crisis management. The approaches represented in this volume pose both long-standing and new questions in a genuinely critical manner in relation to contemporary legal (and associated political, social, economic and ethical) thinking.

This important collection explores contemporary legal thought (and thought about the law more generally) in relation to its interdisciplinary critical engagement with philosophy, in particular continental philosophy. Over the last 25 years, many legal thinkers have increasingly and critically engaged with philosophical thought in ever explorative and innovative interdisciplinary ways. This book represents this rich and continuously developing interdisciplinary tradition within legal thought and legal study more generally. Featuring both established and new voices, the volume explores a range of topics including: the relationship between law, philosophy and political theology; law and ecology; matter and legal technologies; contemporary governmentality; law's relationship to violence; the so-called anti-juradicalism of post-1968 French theory; the normativity of social images; and responses to a time of perpetual crisis management. The approaches represented in this volume pose both long-standing and new questions in a genuinely critical manner in relation to contemporary legal (and associated political, social, economic and ethical) thinking.

Western legal professionals habitually rely on a version of legal history that bolsters their own sway over the present. The legal mythologies undergirding these self-serving proposals are divided between doctrines of law's immemorial nature, and of its sacred (Roman) origins. Thomas's de-mythicized jurisprudence dismisses these sagas.

This is a highly original, interdisciplinary study of the archaic Greek word nomos and its family of words. More recently used to mean simply 'law' or 'law-making', Thanos Zartaloudis draws out the richness of this fundamental term by exploring its many roots and uses over the centuries. The Birth of Nomos includes extracts from ancient sources, in both the original and English translation, including material from legal history, philosophy, philology, linguistics, ancient history, poetry, archaeology, ancient musicology and anthropology. Through a thorough analysis of these extracts, we gain a new and complete understanding of nomos and its foundational place in the Western legal tradition.

This is a highly original, interdisciplinary study of the archaic Greek word nomos and its family of words. More recently used to mean simply 'law' or 'law-making', Thanos Zartaloudis draws out the richness of this fundamental term by exploring its many roots and uses over the centuries. The Birth of Nomos includes extracts from ancient sources, in both the original and English translation, including material from legal history, philosophy, philology, linguistics, ancient history, poetry, archaeology, ancient musicology and anthropology. Through a thorough analysis of these extracts, we gain a new and complete understanding of nomos and its foundational place in the Western legal tradition.