Groentjiejoernalis Anna is twee-en-twintig en woon saam met haar twee pa's en onheilige horde honde en katte op 'n klein plekkie in KwaZulu-Natal. Sy onthou hoe haar ouers se huwelik op die rotse beland het toe haar pa uit die kas geneuk het - ten aanskoue van konserwatiewe familielede en nuuskierige agies vir bure en haar boheemse ma, 'n skrywer wat nou op goeie voet met Anna's se pa's verkeer.

Dis wel nie aldag maklik om kop of stert uit te maak van wat aangaan in so 'n huishouding nie, veral nie nou dat haar een pa met ernstige gesondheidsprobleme sukkel nie. Anna se werk by die koerant is ook nie sonder uitdagings nie. Maar hoe maak jy tyd vir jou eie lewe as jy die spil raak waarom die hele spulletjie tol?

In Huisies Van Papier, vier Dalena Theron die liefde en familie in al sy kleurryke gedaantes.

Hancock
John Hancock (Smith) is a conflicted, alcoholic superhero whose heroics have saved many lives. Unfortunately, the damage he always leaves in his wake has caused him to lose the support of the public. When Hancock saves the life of PR executive, Ray Embrey (Jason Bateman), Ray makes it his mission to change Hancock's image and help him regain the support of the people. Hancock grudgingly accepts and Ray convinces him to turn himself into the authorities who subsequently imprison him for his lawless behaviour. As the crime rate begins to increase, the people of Los Angeles realise just how important Hancock was to the safety of the city. With his reputation restored, everything seems right again... until Hancock meets Ray's wife (Charlize Theron), a woman with similar powers to his own, who may hold the key to his secret past.

Men In Black
After chasing a fugitive with an advanced alien weapon, New York cop James Edwards (Will Smith) finds himself recruited to the MiB, a top secret agency in charge of alien immigration on Earth. He is partnered with K (Tommy Lee Jones), and sent to investigate an alien prediction of the end of the world. They have to track down a hostile alien life form currently wearing the human skin of a country hick named Edgar.

Men In Black 2
Some four years after the Men in Black averted a major intergalactic disaster, K (Tommy Lee Jones) has returned to a civilian life, working as a postman and quite unaware of his former heroics alongside Agent J (Will Smith). But when J uncovers a secret alien plot organised by the seemingly seductive Serleena (Lara Flynn Boyle) he has to call on K again. Unfortunately K has no memory of his former role as 'Saver-of-the-World', but somewhere in his head is the expertise that can save the Earth, if only J can get him onside in time.

Die skrywer Erika Murray-Theron wou weet waar die vroue in haar familie vandaan kom. Wat kry ’n mens van wie? Waar kom alles wat jý is vandaan? Hoe is die vroue in haar familie se lewe geraak deur trauma en groot wêreldgebeurtenisse waaroor hulle geen beheer gehad het nie? Theron se ouma Issie is op 3 Mei 1885 gebore; 133 jaar gelede. In hierdie verhaalbiografie gaan soek Theron in ou kookboeke, aantekeninge, foto’s, herinneringe, albums, briewe en geslagsregisters na haar ouma Issie se storie. ’n Lewe ontvou wat geraak is deur die verlies van ouers, die Anglo-Boereoorlog, die Rebellie van 1914 en daarna die energie wat dit verg om ’n groot huisgesin te behartig. ’n Skerfie glas wys hoe die verlede, selfs die verre verlede, spore op latere geslagte laat.

Instagram, Facebook, perfeksie. Die beeld wat op sosiale media van ouerskap voorgehou word is lieflik, maar o só ver van die werklikheid af. En moenie vergeet van die mommy wars nie: keiser of normaal, bors of bottel, om te sleep train of nie...

Lente, Juanli en Suzanne, drie doodgewone ma’s, het genoeg gehad van die mededinging en oordeel – ma’s behoort eerder vir mekaar 'n village te wees. En só is Die Naguilklub gebore: ’n oordeelvrye digitale ruimte waar ma’s mekaar inspireer en ondersteun deur die brutale fase van slapelose nagte, snotneuse en tantrums.

In dié boek deel die stigterlede hul persoonlike ouerskapervarings – sonder filters of voorgee – en gee raad sodat ander ma's kan sê: Ek ook! Meer As Net ’n Ma is eerlik, hartroerend, dikwels skreeusnaaks en gevul met die soet en swaarkry van ouerskap.

Despite best intentions, the reality is that "development" is still conceptualised, planned and "delivered" by change agents and their institutions in a top-down manner. This is problematic for both the beneficiaries and government change agents as it amplifies rather than lessens service delivery challenges and does not lead to a grassroots planning partnership. Development, change and the change agent - facilitation at grassroots contextualises the change agent through his or her relationship with the local beneficiaries of development. This updated second edition, previously titled The development change agent - a micro-level approach to development, consists of thirteen chapters contributed by seventeen authors representing nine universities. The key theme is the challenge to establish authentic and empowering participation, and the importance of change agent and local development beneficiary engagement and partnerships in achieving this. It covers an interdisciplinary field of development-related foci using a holistic, people-centred approach which includes grassroots facilitation, capacity building, empowerment and participation, developmental local government and good governance, and national development planning. It also incorporates social capital, indigenous knowledge systems, action research methodology and project management. Scholars, development practitioners, development consultants, those working for NGOs and CBOs, development corporations/agencies, and politicians and government officials, specifically local ones, will find the publication relevant in confronting contemporary developmental challenges. Francois Theron is a senior lecturer at the School of Public Leadership at Stellenbosch University. Trained in anthropology and development studies, he fully supports interdisciplinary research. In 2014, he co-edited Development, the State and Civil Society in South Africa (Van Schaik Publishers) with Ismail Davids. Ntuthuko Mchunu is a project manager for community-based tourism development at the City of Cape Town municipality. In addition to his public and development management qualifications at Stellenbosch University, he has extensive practical experience in the local government sphere as a change agent. Theron and Mchunu have partnered in numerous previous projects, leading to this 2016 publication.

In 2001 verander Erika Murray-Theron se lewe onherroeplik toe haar man, Tom, met parkinsonsiekte gediagnoseer word.

Erika begin haar vertelling eers in 2011, toe Tom in ’n meer gevorderde stadium van die siekte verkeer. Dit is die rou optekening van saamleef met ’n geliefde met parkinsons: die ervaring om die fisieke en intellektuele aftakeling van jou lewensmaat te aanskou, die fisieke eise wat met die versorging van so iemand gepaard gaan, en die emosionele inspanning wat dit kos om jouself te staal teen dramatiese en stadige verlies.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Charlize Theron stars in this comedy drama from director/writer duo Jason Reitman and Diablo Cody, the team behind the 2007 film 'Juno'. Spoiled, self-centred 37-year-old former prom queen Mavis Gray (Theron) returns to her hometown in the deluded hope of rekindling a relationship with her childhood sweetheart, Buddy Slade (Patrick Wilson), who is now married to Beth (Elizabeth Reaser) and has just become a father for the first time. Despite these sizeable obstacles, Mavis refuses to take no for an answer and proceeds to bulldoze her way through town, offending and upsetting pretty much everyone she meets as she obstinately pursues her dream.

Die ware verhaal van 'n ma se stryd om met onvoorwaardelike liefde te aanvaar dat haar kind gay is. Die skrywer se doel met hierdie boek is om ander gesinne in soortgelyke omstandighede hoop te gee. Sy vertel van die skok wat sy en haar man moes verwerk toe hulle lieflingdogter aankondig sy is verlief op 'n vrou. Lidia Theron beskryf die pad wat hulle moes loop om tot volle aanvaarding te kom.

The development change agent contextualises the development change agent through his or her relationship with the local beneficiaries of development. The focus is on change agents as "enablers" or "facilitators" of development at micro or grassroots level, and the key theme is the call for the establishment of a partnership in planning between change agents and the beneficiaries of development. In most chapters the authors challenge conventional thinking on the particular issue under discussion. New options are generated for development change agents, the beneficiaries of development, policy makers and politicians to consider. Popular but contentious development concepts and approaches like holism, a people-centred approach, capacity building, empowerment and participation are explained and applied, and approaches relevant to social capital, indigenous knowledge systems and action research methodology are introduced. This title is relevant to a broad range of potential readers: students at universities (development studies, public and development management, anthropology, sociology, social work, forestry, community health), development practitioners, development consultants, those working for NGOs and CBOs, development corporations/agencies, and politicians and government officials.

Participatory development in South Africa: a development management perspective, follows a holistic, multidisciplinary approach in assessing development management principles and strategies in South Africa. The authors represent a broad teaching, research and management background, which allows them to functionally integrate some of the most important challenges in development management and related practice and policy interventions in this title. The work therefore captures the fundamental basis upon which most development projects and practices are based, namely cooperation, collaboration and public participation.

Die Vuma Leesinstruksieprogram is uniek omdat die skrywers wat dit geskryf en ontwikkel het, Afrikaanssprekend is en begrip het vir die taal se gemeenskap en kultuur. Vuma se karakters en hul omgewing is eg Suid-Afrikaans, iets wat u jong leerders onmiddellik sal aantrek. Die stories word kleurvol en boeiend vertel. So word dit pret en genotvol om te leer lees, en aktiwiteit waarop hulle van meet af aan versot raak. Die Vuma Leesinstruksieprogram is tans beskikbaar in Afrikaans Huistaal, isiZulu Huistaal, Sepedi Huistaal en Engels Eerste Addisionele Taal.