Explores British director Steve McQueen's diverse output, from video installations to independent cinema to Hollywood to the BBC The first full book-length study of McQueen to be published in English Investigates the landmark television series Small Axe, in addition to his Hollywood films (Widows, 12 Years A Slave), independent titles (Shame, Hunger) and gallery installations Draws on multiple methods to explore this wide body of work, including political contextualisation, textual analysis, institutional studies and intertextual comparisons Working across a range of formats, from video art and gallery installations to independent cinema to Hollywood to the BBC, Steve McQueen's prodigious output has been marked by formal ambition and political urgency. This vital collection interrogates his body of work, its political, aesthetic and institutional dimensions, and the interfaces between them. It offers critical insights into McQueen's engagements with race, gender, the body, love and pain, and his abiding self-reflexive interest in the potential of multiple audio-visual forms. The first director to win both the Turner Prize and an Oscar for best picture, McQueen is probably the most important working British film maker. This book explores the controversies as well as the achievements in his stellar career so far.

This special issue asks what role society can play in the regulation of transnational risks, as an alternative to or at least significant addition to reliance on state regulatory activity and the myth of the self-regulatory capacity of markets (Stiglitz, 2001, p. xiii). How can a social sphere contribute to the prevention and management of risks, often transnational in nature, posed by economic activity? Leading socio-legal scholars explore whether and how the idea of harnessing the regulatory capacity of a social sphere provides a new analytical lens that can provide fresh insights into transnational risk regulation, and whether this idea helps to identify innovative approaches to regulating transnational risks.

Cinema of Crisis: Film and Contemporary Europe explores the politics and aesthetics of filmmaking across a continent in flux. This urgent and necessary collection brings together scholars from Spain to Estonia, Hungary to Britain, in order to trace European filmmakers' diverse responses to the interlinked upheavals and emergencies of the past three decades. Covering topics such as the collapse of the eastern bloc; deindustrialisation; the 2008 crash and the eurozone debt crisis; austerity and neoliberalism, as well as 'Fortress Europe' and the 'refugee crisis', this book investigates a range of audiovisual forms, including documentaries, the work of arthouse auteurs, and videos posted on YouTube. It engages in highly topical debates in political and aesthetic spheres, and explores key interfaces between the two.

This open access book constitutes refereed proceedings of the Third Conference on Silicon Valley Cybersecurity Conference, SVCC 2022, held as virtual event, in August 17-19, 2022. The 8 full papers included in this book were carefully reviewed and selected from 10 submissions. The contributions are divided into the following thematic blocks: Malware Analysis; Blockchain and Smart Contracts; Remote Device Assessment.This is an open access book.

This book constitutes selected and revised papers from the First Silicon Valley Cybersecurity Conference, held in San Jose, USA, in December 2020. Due to the COVID-19 pandemic the conference was held in a virtual format. The 9 full papers and 6 short papers presented in this volume were thoroughly reviewed and selected from 30 submissions. They present most recent research on dependability, reliability, and security to address cyber-attacks, vulnerabilities,faults, and errors in networks and systems.

Screen documentary has experienced a marked rise in visibility and popularity in recent years. What are the reasons for the so-called 'boom' in documentaries at the cinema? How has television documentary met the challenge of new formats? And how do audiences engage with documentaries on screen? Watching the world extends the reach of documentary studies by investigating recent instances of screen documentary and the uses made of them by audiences. The book focuses on the interfaces between textual mechanisms, promotional tactics, and audiences' viewing strategies. Key topics of inquiry are: film and televisual form, truth claims and issues of trust, the pleasures, politics and the ethics of documentary. Case studies include Capturing the Friedmans, Etre et Avoir, Paradise Lost, Touching the Void, and wildlife documentaries on television. This compelling and accessible book will be of interest to both students and fans of documentary. -- .

Now more than ever, the idea of Europe as grounded in a shared cultural heritage cannot be taken for granted. For all its diversity, complexity and internal tensions, Europe remains a powerful economic and political superstate. But it is one in crisis, where the postwar social democratic consensus has collapsed, the failings of neoliberalism have led to widespread austerity, and extremism, xenophobia and racism are on the rise. This collection of original essays considers filmmakers' engagements with pressing issues of the moment. Taking a long view of the crisis and considering geopolitical changes that took place towards the end of the 20th century, this book examines European cinema's response to the economic, political and social crises that afflict Europe in the present.

From a boom in theatrical features to footage posted on websites such as "YouTube" and "Google Video," the early years of the 21st century have witnessed significant changes in the technological, commercial, aesthetic, political, and social dimensions of documentaries on film, television and the web. . .

In response to these rapid developments, this book rethinks the notion of documentary, in terms of theory, practice and object/s of study. Drawing together 26 original essays from scholars and practitioners, it critically assesses ideas and constructions of documentary and, where necessary, proposes new tools and arguments with which to examine this complex and shifting terrain. . .

Covering a range of media output, the book is divided into four sections: . . . Critical perspectives on documentary forms and concepts . The changing faces of documentary production. Contemporary documentary: borders, neighbours and disputed territories . Digital and online documentaries: opportunities and limitations . . . "Rethinking Documentary" is valuable reading for scholars and students working in documentary theory and practice, film studies, and media studies.. .

A fascinating multi-dimensional investigation of popular film as a commercial, cultural and social phenomenon, focusing on well known and controversial films, and on important - and marketable - issues such as sex and violence. Traces the circulation in Britain of three Hollywood films - Basic Instinct, Bram Stoker's Dracula and Natural Born Killers - from marketing and critical reception to consumption. Draws on economic and discursive contexts and original audience research to trace how meanings, pleasures and uses are derived from popular film. First in the field to look at how Hollywood blockbusters are marketed in Britain. Combining detailed case studies with a clear and up-to-date overview of audience research and the political economy of contemporary cinema this will be essential reading for students of film, popular culture and the media. -- .

Despite creating an extensive and innovative body of work over the last 30 years, Aki Kaurismaki remains relatively neglected in Anglophone scholarship. This international collection of original essays aims to redress such neglect by assembling diverse critical inquiries into Kaurismaki's oeuvre. The first anthology on Kaurismaki to be published in English, it offers a range of voices responding to his politically and aesthetically compelling cinema. Deploying various methodologies to explore multiple facets of his work, The Films of Aki Kaurismaki will come to be seen as the definitive book on Kaurismaki.