With a Probability of Being Seen. Dorothee and Konrad Fischer: Archives of an Attitude focuses primarily on the personality of Konrad Fischer - as a painter, as an exhibition maker and as a gallery owner. The influence of this key figure in the development of contemporary art from the 1960s to the 1990s is presented in the exhibition in three ways: through his own works, through archived documents and through the works of his artists, which he collected together with his wife Dorothee. Numerous documents and photographs, shown in public for the first time, convey a richly faceted picture of Konrad Fischer's activities and a captivating panorama of this great period of contemporary art in the Rhineland. This collection, too, testifies to the consistent attitude that characterised Konrad Fischer, an attitude that cannot be readily explained or quantified in material terms.

The American poet Robert Lax belongs to the generation of Thomas Merton, Beat poetry, Abstract Expressionism, and the compositions of John Cage. Yet he stands out as this era's most intriguing minimalist poet, gaining this reputation through a constant questioning of the universe and our idea about it. His poetry varies from fables and parables to clear-cut columns of words, from his account of a day at the circus as a vision of creation to his own insistent and mystical search for truth. 33 Poems presents the quintessential gathering of Lax's work, including Sea & Sky and The Circus of the Sun, "perhaps the greatest English-language poem of this century" (The New York Times).