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This collection of original essays examines innovations in both the
theory and practice of classical philology. The chapters address
interdisciplinary methods in a variety of ways. Some apply
theoretical insights derived from other disciplines, such as
folklore studies, performance theory, feminist criticism, and the
like, to classical texts. Others examine the relationships between
classics and cultural studies, popular literature, film, art
history, and other related disciplines. Others, again, look to the
evolution of theoretical methods within the discipline of classics.
Taken together, the essays offer a spectrum of new approaches in
the classics and their place within the profession.
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