Thomas Mann and RJ Cyler star in this coming-of-age drama directed by Alfonso Gomez-Rejon. Greg and Earl (Mann and Cyler) are high school students who spend their time making their own versions of classic movies. Greg makes it his high school purpose to not belong to any one group, but to have a small role to play in each and every clique. When Greg's mother (Connie Britton) tells him that a girl from his class, Rachel (Olivia Cook), has been diagnosed with leukemia, she convinces her son to pay her a friendly visit. As Greg tries to get to know Rachel and provide her with a comforting shoulder to cry on, the two end up forming a unique bond of friendship and provide each other with much-needed love and affection.

Supernatural teenage drama directed by Richard LaGravenese and adapted from the novel by Kami Garcia and Margaret Stohl. A mysterious young girl, Lena (Alice Englert), moves to a new school in Gatlin, South Carolina, quickly grabbing the attention of local boy Ethan (Alden Ehrenreich). When it is revealed that Lena is in fact a Caster with magic powers and only has a short time before she faces 'claiming' by either the light or dark side, the pair set out to find a way to prevent her from going evil, as her mother did. As they do, they unlock the secrets of their past and discover they share a connection through history.

A towering figure in the pantheon of twentieth-century literature, Thomas Mann has often been perceived as a dry and forbidding writer—“the starched collar,” as Bertolt Brecht once called him. But in fact, his fiction is lively, humane, sometimes hilarious. In these fresh renderings of his best short work, award-winning translator Damion Searls casts new light on this underappreciated aspect of Mann’s genius. The headliner of this volume, “Chaotic World and Childhood Sorrow” (in its first new translation since 1936)—a subtle masterpiece that reveals the profound emotional significance of everyday life—is Mann’s tender but sharp-eyed portrait of the “Bigs” and “Littles” of the bourgeois Cornelius family as they adjust to straitened circumstances in hyperinflationary Weimar Germany. Here, too, is a free-standing excerpt from Mann’s first novel, Buddenbrooks—a sensation when it was first published. “Death in Venice” (also included in this volume) is Mann’s most famous story, but less well known is that he intended it to be a diptych with another, comic story—included here as “Confessions of a Con Artist, by Felix Krull.” “Louisey”—a tale of sexual humiliation that gives a first glimpse of Mann’s lifelong ambivalence about the power of art—rounds out this revelatory, transformative collection.

Jeremy Renner and Gemma Arterton star in this action comedy inspired by the Grimm Brothers fairytale. The film is set 15 years after the young Hansel and Gretel were abandoned by their parents in the forest and taken prisoner in a gingerbread house by a child-eating witch. The siblings managed to escape, and in the intervening years have taken advantage of their subsequent immunity to bad spells and curses to set themselves up as expert bounty hunters, becoming world-famous for their skill in tracking down and killing evil-doers around the globe. The film follows the brother and sister on their latest assignment - a campaign against evil sorceress Muriel (Famke Janssen) - which they begin to realise may be their golden opportunity for revenge of a more personal nature.

Introduction by T. J. Reed; Translation by John E. Woods

With this dizzyingly rich novel of ideas, Thomas Mann rose to the front ranks of the great modern novelists, winning the Nobel Prize for Literature in 1929. The Magic Mountain takes place in an exclusive tuberculosis sanatorium in the Swiss Alps-a community devoted to sickness that serves as a fictional microcosm for Europe in the days before the First World War. To this hermetic and otherworldly realm comes Hans Castorp, an "ordinary young man" who arrives for a short visit and ends up staying for seven years, during which he succumbs both to the lure of eros and to the intoxication of ideas.

This European masterpiece from the Nobel prizewinner explores the lure and degeneracy of ideas in an introverted community on the eve of World War I.

,P> Hans Castorp is 'a perfectly ordinary, if engaging young man' when he goes to visit his cousin in an exclusive sanatorium in the Swiss Alps. What should have been a three week trip turns into a seven year stay.

Hans falls in love and becomes intoxicated with the ideas he hears at the clinic - ideas which will strain and crack apart in a world on the verge of the First World War.

Featuring his world-famous masterpiece, "Death in Venice," this new collection of Nobel laureate Thomas Mann's stories and novellas reveals his artistic evolution. In this new, widely acclaimed translation that restores the controversial passages that were cut out of the original English version, "Death in Venice" tells about a ruinous quest for love and beauty amid degenerating splendor. Gustav von Aschenbach, a successful but lonely author, travels to the Queen of the Adriatic in search of an elusive spiritual fulfillment that turns into his erotic doom. Spellbound by a beautiful Polish boy, he finds himself fettered to this hypnotic city of sun-drenched sensuality and eerie physical decay.
Also included in this volume are eleven other stories by Mann: "Tonio Kroger," "Gladius Dei," "The Blood of the Walsungs," "The Will for Happiness," "Little Herr Friedmann," "Tobias Mindernickel," "Little Lizzy," "Tristan," "The Starvelings," "The Wunderkind," and "Harsh Hour." All of the stories collected here display Mann's inimitable use of irony, his subtle characterizations, and superb, complex plots.

Death in Venice is a story of obsession. Gustave von Aschenbach is a successful but ageing writer who travels to Venice for a holiday. One day, he notices an exceptionally beautiful young boy who is staying with his family in the same hotel. Soon Aschenbach's days begin to revolve around seeing this boy and he is too distracted to pay attention to the ominous rumours of disease spreading through the city.
This volume includes six additional stories: Little Herr Friedemann; The Joker; The Road to the Churchyard; Gladius Dei; Tristan; and Tonio Kroger.

Introduction by T. J. Reed; Translation by H. T. Lowe-Porter

In this dizzyingly rich novel of ideas, Mann uses a sanatorium in the Swiss Alps--a community devoted exclusively to sickness--as a microcosm for Europe, which in the years before 1914 was already exhibiting the first symptoms of its own terminal irrationality. The Magic Mountain is a monumental work of erudition and irony, sexual tension and intellectual ferment, a book that pulses with life in the midst of death.

Fiction. Translated from the German by Isabel F. Cole. From the author of the highly-acclaimed novel The Maimed, the completecollection of his short fiction translated for the first time into English. Admired by Thomas Mann, whose Preface is included in this volume for his analysis of the human psyche, Ungar was a writer of unique talent whose life was prematurely ended by illness. The stories in this volume are in turn grotesque and comical as they explore the depravities of the heart anddelusions of the mind. Taking Prague as well as his hometown of Boskovice for his settings, Ungar can be located in that illustrious tradition of both Prague German writers (he was associated with Franz Kafka in the Prague Circle) and Jewish writers of the Austro-Hungarian Empire, such as Joseph Roth. Long forgotten in German literature, Ungar1s work has experienced a renaissance over the past decade with new editions appearing in German as well as in Dutch, French, Spanish, Portuguese, Czech, and English. "

The information world has undergone drastic changes since the publication of the 3rd edition of The Oxford Guide to Library Research in 2005, and Thomas Mann, a veteran reference librarian at the Library of Congress, has extensively revised his text to reflect those changes. This book will answer two basic questions: First, what is the extent of the significant research resources you will you miss if you confine your research entirely, or even primarily, to sources available on the open Internet? Second, if you are trying to get a reasonably good overview of the literature on a particular topic, rather than just "something quickly" on it, what are the several alternative methods of subject searching--which are not available on the Web--that are usually much more efficient for that purpose than typing keywords into a blank search box, with the results displayed by relevance-ranking computer algorithms?
This book shows researchers how to do comprehensive research on any topic. It explains the variety of search mechanisms available, so that the researcher can have the reasonable confidence that s/he has not overlooked something important. This includes not just lists of resources, but discussions of the ways to search within them: how to find the best search terms, how to combine the terms, and how to make the databases (and other sources) show relevant material even when you don't know how to specify the best search terms in advance. The book's overall structuring by nine methods of searching that are applicable in any subject area, rather than by subjects or by types of literature, is unique among guides to research. Also unique is the range and variety of concrete examples of what to do--and of what not to do.
The book is not "about" the Internet: it is about the best alternatives to the Internet--the sources that are not on the open Web to begin with, that can be found only through research libraries and that are more than ever necessary for any kind of substantive scholarly research. More than any other research guide available, this book directly addresses and provides solutions to the serious problems outlined in recent studies documenting the profound lack of research skills possessed by today's "digital natives."