This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.

This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.

Sister Carrie The Pennsylvania Edition Revised Edition Theodore Dreiser. Edited by Thomas P. Riggio "In restoring Dreiser's masterpiece, the editors of the Pennsylvania Edition have given us more than a literary curiosity; like art historians cleaning a da Vinci fresco, they have uncovered the original glowing with an ancient newness."--Richard Lingeman, "The Nation" "No work of such historical repute . . . has ever been republished with such major change. . . . The 'new' novel . . . will probably become the accepted standard."--Herbert Mitgang, "New York Times" "The 'restored' "Sister Carrie" . . . is in many ways a different book, fuller, less cruel, more recognizably Dreiser's own work."--Alfred Kazin, "New York Review of Books" The University of Pennsylvania Dreiser Edition 1998 544 pages 6 x 9 ISBN 978-0-8122-1638-7 Paper $28.95s 19.00 World Rights Literature

A candid and intimate chapter in the life of a modern woman, Yvette Eastman's vivid narrative also contributes richly to the life story of Theodore Dreiser. Dearest Wilding: A Memoir records the journey that took Yvette Szekely from an upper-middle-class scholar's home in Budapest to the intellectual and artistic centers of urban America in the 1920s and 1930s. In 1929 sixteen-year-old Yvette Szekely met Dreiser, who was fifty-eight at the time, and within a year he became her lover. Dreiser remained central to her life-as lover, father figure, and mentor-until his death in 1945. Her portrait of Dreiser, who is by no means idealized, is of a complex man-often troubled, suspicious, and jealous, but also caring and supportive. The book is much more than an account of a sixteen-year relationship, however. It describes Eastman's attempt to understand her bond with Dreiser, forcing her back to her childhood, to memories of her distinguished but distant father who remained in Hungary, and to the early experiences that made the aging Dreiser so important to her life. In an afterword, the author thoughtfully reflects on the patterns of love and loss that form part of her past. Dearest Wilding is a valuable primary source in literary history and among the last documents from this era. One of the most important figures in the memoir is Max Eastman, whose early relationship with Yvette Szekely resulted in marriage years later. As perhaps the last reminiscence of Dreiser and his circle that will ever appear, Dearest Wilding: A Memoir promises rewarding reading.

Theodore Dreiser's "Russian Diary" is an extended record of the American writer's travels throughout the Soviet Union in 1927-28. Dreiser was initially invited to Moscow for a week-long observance of the tenth anniversary of the October Revolution. He asked, and was granted, permission to make an extended tour of the country.This previously unpublished diary is a firsthand record of life in the USSR during the 1920s as seen by a leading American cultural figure. It is a valuable primary source, surely among the last from this period of modern history.

Dreiser's careful preservation of his papers bears new fruit with the publication of his personal diaries for the years 1902-26. This volume presents all seven of Dreiser's hitherto unpublished American diaries, the intermittent journals he kept during the most productive years of his literary career. Together they constitute a revealing self-portrait as well as a valuable commentary on the American scene during the first quarter of the twentieth century. They offer reflections on turn-of-the-century Philadelphia, the American South and Mid-West, Greenwich Village of the nineteen-teens, and Hollywood of the twenties. The diaries begin in 1902, when Dreiser was at a low point after the "suppression" of Sister Carrie, and continue until 1926, when he was enjoying the greatest success of his career with An American Tragedy. This publication constitutes in its entirety a new source for biographical and critical study. This is particularly true of the diaries covering Dreiser's experience in Philadelphia, Greenwich Village, and with Helen Richardson-all of which were not available to previous biographers. The present Introduction by Professor Riggio is the first biographical narrative to make use of these materials. Future biographers will now be able to speak with more assurance of Dreiser's whereabouts, the people he knew, what he was reading, which writings were in progress, and of his fascinating private affairs in general. In addition, these diaries will be of interest to students of Dreiser's literary art, as they reveal subtle aspects of how Dreiser viewed the external world and transmuted it in his daily creative efforts.

"She was horrified, stunned, like a bird in the grasp of a cat, but somehow through it all was something terrific, inviting, urging, was speaking to her. He released her from his grasp. 'We won't do any more of this here, but you belong to me'." "Jennie Gerhardt" was Theodore Dreiser's second novel and his first commercial success. It is regarded as one of his three best novels, along with "Sister Carrie" and "An American Tragedy." This edition presents the text as it was originally written, restoring the novel to its complete form.