This book (hardcover) is part of the TREDITION CLASSICS. It contains classical literature works from over two thousand years. Most of these titles have been out of print and off the bookstore shelves for decades. The book series is intended to preserve the cultural legacy and to promote the timeless works of classical literature. Readers of a TREDITION CLASSICS book support the mission to save many of the amazing works of world literature from oblivion. With this series, tredition intends to make thousands of international literature classics available in printed format again - worldwide.

Body of State offers a translation of Marco Baliani's acclaimed dramatic monologue, Corpo di stato, concerning the 1978 kidnapping and assassination of Italian Prime Minister Aldo Moro by the terrorist Red Brigades. Corpo di stato was commissioned by Italian state television in 1998 to commemorate the twentieth anniversary of the "Moro Affair." Baliani's monologue, refracted through the prism of the intervening twenty years, consists of a merciless self-examination, alternately anguished and affectionate, in an effort to confront his generation's complicity in the dissolution of Italian politics in the wake of the national trauma of Moro's murder. Through over a hundred performances since its 1998 debut, the piece has evolved in response to the forceful reactions of Italian audiences. The first draft of this English translation offered the supertitles for performances in Baliani's 2009 U.S. tour, and was subsequently expanded to reflect the most recent version of the text. This unique volume features a translation of the dramatic monologue, embedding it in a context that richly documents the events. The volume includes a preface by translator and performance studies scholar Ron Jenkins, a critical introduction, Baliani's thoughts about the 1998 production for Italian television, an interview with Baliani and his artistic collaborator, Maria Maglietta, and the afterword they wrote in light of the 2009 tour. In addition, Body of State provides precious documentation in the form of reviews, contributed by scholars, students, and spectators, of Baliani's 2009 North American tour. A celebrated author and performer, Marco Baliani is well known as one of the originators of the "theater of narration." Starting in 1978, his first performances grew directly from his engagement in radical politics. In 1989 he adapted Heinrich von Kleist's novella, Kohlhaas (1989), into a riveting monologue which he performed on a bare stage, sitting on a chair for ninety minutes. Kohlhaas marked his passage to a "pure" theater of narration and is today a classic of the genre. Since Kohlhaas, Baliani has shown interest in social, political, and literary themes. Recurring in his work are the psychological and ethical tensions that arise when the search for justice clashes with power or social injustice.

Trust is central to our social lives. We know by trusting what others tell us. We act on that basis, and on the basis of trust in their promises and implicit commitments. So trust underpins both epistemic and practical cooperation and is key to philosophical debates on the conditions of its possibility. It is difficult to overstate the significance of these issues. On the practical side, discussions of cooperation address what makes society possible-of how it is that life is not a Hobbesian war of all against all. On the epistemic side, discussions of cooperation address what makes the pooling of knowledge possible-and so the edifice that is science. But trust is not merely central to our lives instrumentally; trusting relations are themselves of great value, and in trusting others, we realise distinctive forms of value. What are these forms of value, and how is trust central to our lives? These questions are explored and developed in this volume, which collects fifteen new essays on the philosophy of trust. They develop and extend existing philosophical discussion of trust and will provide a reference point for future work on trust.

Isaac Asimov’s Foundation is the most influential science-fiction epic of all time. Published as a series of books and short stories from the 1940s to the 1980s, the series has impacted most subsequent science fiction, and influenced sciences like sociology, statistics, and psychology. The story has now been made into a highly acclaimed TV serial (Foundation), on Apple TV, the second season now shooting in Prague. The story begins 45,000 years in the future, and spans centuries in which a vast and successful interstellar human empire is unknowingly headed for total collapse. Using an advanced mathematical technique called psycho-history, a brilliant scientist, Hari Seldon, predicts the collapse and establishes a “foundation” to bring about the resurrection of human civilization many generations in the future. Asimov’s Foundation and Philosophy is a collection of twenty-four chapter by philosophers exploring the philosophical issues and puzzles raised by this epic story. Topics include whether one individual can make a big difference in history, the ethics of manipulating large populations of people to bring about a desirable future result, the Dao of non-action, the impact of education on future generations, whether human affairs are governed by predictable cycles, whether attempts to plan for the future must be thwarted by free will, the futility of empire-building, the ethics of cloning human beings, and the use of logic in analyzing human behavior. Joshua Heter teaches philosophy at Jefferson College, Missouri, and is co-editor of Better Call Saul and Philosophy: I Think Therefore I Scam (2022). Josef Thomas Simpson is an academic coach and part-time lecturer. He contributed chapters to Westworld and Philosophy: Mind Equals Blown (2019) and Orphan Black and Philosophy: Grand Theft DNA (2016).

Thomas Simpson provides an innovative account of how distinctive forms of colonial power and knowledge developed at the territorial fringes of colonial India during the nineteenth century. Through critical interventions in a wide range of theoretical and historiographical fields, he speaks to historians of empire and science, anthropologists, and geographers alike. The Frontier in British India provides the first connected and comparative analysis of frontiers in northwest and northeast India and draws on visual and written materials from an array of archives across the subcontinent and the UK. Colonial interventions in frontier spaces and populations were, it shows, enormously destructive but also prone to confusion and failure on their own terms. British frontier administrators did not merely suffer 'turbulent' frontiers, but actively worked to generate and uphold these regions as spaces of governmental and scientific exception. Accordingly, India's frontiers became crucial spaces of imperial practice and imagination throughout the nineteenth century.

Thomas Simpson provides an innovative account of how distinctive forms of colonial power and knowledge developed at the territorial fringes of colonial India during the nineteenth century. Through critical interventions in a wide range of theoretical and historiographical fields, he speaks to historians of empire and science, anthropologists, and geographers alike. The Frontier in British India provides the first connected and comparative analysis of frontiers in northwest and northeast India and draws on visual and written materials from an array of archives across the subcontinent and the UK. Colonial interventions in frontier spaces and populations were, it shows, enormously destructive but also prone to confusion and failure on their own terms. British frontier administrators did not merely suffer 'turbulent' frontiers, but actively worked to generate and uphold these regions as spaces of governmental and scientific exception. Accordingly, India's frontiers became crucial spaces of imperial practice and imagination throughout the nineteenth century.

In 1829, Thomas Simpson (1808 1840), born in Dingwall, Scotland, joined the fur-trading Hudson's Bay Company. Under its auspices, he was the junior officer of a successful survey expedition along the North-West Passage, beyond the limits of Franklin's disastrous 1819 22 attempt. The Royal Geographical Society awarded Simpson their Founder's Medal; however the Company refused his request immediately to lead an expedition further east along the coast. Simpson, ambitious and furious, set out for London, hoping to secure approval there, but before he reached the Atlantic, he was shot in the head. The men who had accompanied him alleged that he went mad, and killed two of them before committing suicide. Simpson's own account of his explorations was edited by his brother, Alexander, and published in 1843 in an attempt to restore his reputation. It sheds light on Simpson's difficult character and also on the contribution of trade interests to exploration.