The first volume in Tim Robinson's phenomenal Connemara Trilogy - which Robert Macfarlane has called 'One of the most remarkable non-fiction projects undertaken in English'. In its landscape, history and folklore, Connemara is a singular region: ill-defined geographically, and yet unmistakably a place apart from the rest of Ireland. Tim Robinson, who established himself as Ireland's most brilliant living non-fiction writer with the two-volume Stones of Aran, moved from Aran to Connemara nearly twenty years ago. This book is the result of his extraordinary engagement with the mountains, bogs and shorelines of the region, and with its folklore and its often terrible history: a work as beautiful and surprising as the place it attempts to describe. Chosen as a book of the year by Iain Sinclair, Robert Macfarlane and Colm Toibin 'One of the greatest writers of lands ... No one has disentangled the tales the stones of Ireland have to tell so deftly and retold them so beautifully' Fintan O'Toole 'Dazzling ... an indubitable classic' Giles Foden, Conde Nast Traveller 'He is that rarest of phenomena, a scientist and an artist, and his method is to combine scientific rigour with artistic reverie in a seamless blend that both informs and delights' John Banville 'One of contemporary Ireland's finest literary stylists' Joseph O'Connor, Guardian

In the second volume of his beloved Connemara trilogy, cartographer Tim Robinson continues to unearth the stories of this rich landscape--weaving placelore, etymology, geology, and the meeting of sea and shore into the region's mythologies.From the northern fiord waters of Killary Harbour to the southern sea-washed islands of Slyne Head, western Connemara awes with a rugged landscape: sloping cliffs, towering mountains, and the ever-present thudding of the Atlantic. And here, within the earth, resides the record of the past; stones with ash-grey centers reveal volcanic episodes, a series of mysteriously arranged quartz boulders reminds us of the ancient secrets held in the soil, and a long-disappeared lake filled in by sand lies beneath a golf course, waiting to be rediscovered.Mapping more than geography, Tim Robinson charts Connemara's deep relationship to those who have inhabited its surface. The Last Pool of Darkness brims with tales of ghosts, centuries-old land disputes, periods of religious and political upheavals, philosophers entranced by the isolating landscape, poets, mathematicians, artists, fantastical smugglers, the discovery of botanical rarities, trickster fairies, and the delicate balance between humans and nature. Not merely a "certain tract of the Earth's surface" but "an accumulation of connotations," Robinson's Connemara offers readers an opportunity to travel across space and time.A work of great precision and tenderness, The Last Pool of Darkness is an enchanting addition to the Seedbank series and next chapter in "one of the most remarkable non-fiction projects undertaken in English" (Robert Macfarlane).

Here is Connemara, experienced at a walker's pace. From cartographer Tim Robinson comes the second title in the Seedbank series, a breathtakingly intimate exploration of one beloved place's geography, ecology, and history. We begin with the earth right in front of his boots, as Robinson unveils swaths of fiontarnach--fall leaf decay. We peer from the edge of the cliff where Robinson's house stands on rickety stilts. We closely examine an overgrown patch of heather, a flush of sphagnum moss. And so, footstep by footstep, moment by moment, Robinson takes readers deep into this storied Irish landscape, from the "quibbling, contentious terrain" of Bogland to the shorelines of Inis Ni to the towering peaks of Twelve Pins. Just as wild and essential as the countryside itself are its colorful characters, friends and legends and neighbors alike: a skeletal, story-filled sheep farmer; an engineer who builds bridges, both physical and metaphorical; a playboy prince and cricket champion; and an enterprising botanist who meets an unexpected demise. Within a landscape lie all other things, and Robinson rejoices in the universal magic of becoming one with such a place, joining with "[t]he sound of the past, the language we breathe, and our frontage onto the natural world." Situated at the intersection of mapmaking and mythmaking, Listening to the Wind is at once learned and intimate, elegiac and magnificent--an exceptionally rich "book about one place which is also about the whole world" (Robert Macfarlane).

The second volume in Tim Robinson's phenomenal Connemara Trilogy - which Robert Macfarlane has called 'One of the most remarkable non-fiction projects undertaken in English'. The first volume of Tim Robinson's Connemara trilogy, Listening to the Wind, covered Robinson's home territory of Roundstone and environs. The Last Pool of Darkness moves into wilder territory: the fjords, cliffs, hills and islands of north-west Connemara, a place that Wittgenstein, who lived on his own in a cottage there for a time, called 'the last pool of darkness in Europe'. Again combining his polymathic knowledge of Connemara's natural history, human history, folklore and topography with his own unsurpassable artistry as a writer, Tim Robinson has produced another classic. A native of Yorkshire, Tim Robinson moved to the Aran Islands in 1972. His books include the celebrated two-volume Stones of Aran. Since 1984 he has lived in Roundstone, Connemara. 'The Proust & Ruskin of modern place-writing, deep-mapper of Irish landscapes, visionary thinker, and human of exceptional intellectual generosity & kindness. He was an immense inspiration to & encourager of me & my work' Robert Macfarlane 'A masterpiece of travel and topographical writing and a miraculous, vivid and engrossing meditation on landscape and history and the sacred mood of places' Colm Toibin, Irish Times 'One of the greatest writers of lands ... No one has disentangled the tales the stones of Ireland have to tell so deftly and retold them so beautifully' Fintan O'Toole

Tim Robinson's "Stones of Aran" is one of the most striking and original literary undertakings of our time. Robinson's ambition is to find out both what it is to know a landscape, know it as extensively and intimately as possible, and what it takes to make that knowledge, the sense of the landscape itself, come alive in writing. It is a project that draws on the legacies of Thoreau and Joyce, to which Robinson brings his own polymathic gifts as cartographer, mathematician, historian, and, above all, shaper of words.
In "Pilgrimage" Robinson walked the entire coast of Airann, largest of the Aran islands. In "Labyrinth" he turns in to the island's interior. These two books--parts of an inseparable whole that can, for all that, be read quite separately from each other--constitute a vast polyphonic composition, at once encyclopedic and lyrical, scientific and surprisingly personal. Exploring the illimitable complexity and bounty contained in the seemingly limited confines of a single island, Robinson invites us to look without and within and to see the wonder of the world.

The Aran Islands, in Galway Bay off the west coast of Ireland, are a unique geological and cultural landscape, and for centuries their stark beauty and their inhabitants' traditional way of life have attracted pilgrims from abroad. The Aran Islands, in Galway Bay off the west coast of Ireland, are a unique geological and cultural landscape, and for centuries their stark beauty and their inhabitants' traditional way of life have attracted pilgrims from abroad. After a visit with his wife in 1972, Tim Robinson moved to the islands, where he started making maps and gathering stories, eventually developing the idea for a cosmic history of Arainn, the largest of the three islands. "Pilgrimage" is the first of two volumes that make up "Stones of Aran," in which Robinson maps the length and breadth of Arainn. Here he circles the entire island, following a clockwise, sunwise path in quest of the "good step," in which walking itself becomes a form of attention and contemplation.
Like Annie Dillard's "Pilgrim at Tinker Creek" and Bruce Chatwin's "In Patagonia," "Stones of Aran" is not only a meticulous and mesmerizing study of place but an entrancing and altogether unclassifiable work of literature. Robinson explores Aran in both its elemental and mythical dimensions, taking us deep into the island's folklore, wildlife, names, habitations, and natural and human histories. Bringing to life the ongoing, forever unpredictable encounter between one man and a given landscape, "Stones of Aran" discovers worlds.
Robinson's voyage continues in "Stones of Aran: Labyrinth"

A brilliant new translation of O Cadhain's modern Irish literature masterpiece, meant to spark debate and comparison with Alan Titley's Dirty Dust, now with bonus materials on its history, reception, interpretations, adaptations, and more "Gloriously attuned to the energy, copiousness, invective and ribaldry of the original Cre na Cille."-Patricia Craig, Times Literary Supplement "Corrosively satirical and darkly comic. . . . A tour de force of a gabfest."-Mark Harman, Los Angeles Review of Books In critical opinion and popular polls, Mairtin O Cadhain's Graveyard Clay is invariably ranked the most important prose work in modern Irish. This bold new translation of his radically original Cre na Cille is the shared project of two fluent speakers of the Irish of O Cadhain's native region, Liam Mac Con Iomaire and Tim Robinson. They have achieved a lofty goal: to convey O Cadhain's meaning accurately and to meet his towering literary standards. Graveyard Clay is a novel of black humor, reminiscent of the work of Synge and Beckett. The story unfolds entirely in dialogue as the newly dead arrive in the graveyard, bringing news of recent local happenings to those already confined in their coffins. Avalanches of gossip, backbiting, flirting, feuds, and scandal-mongering ensue, while the absurdity of human nature becomes ever clearer. This edition of O Cadhain's masterpiece is enriched with footnotes, bibliography, publication and reception history, and other materials that invite further study and deeper enjoyment of his most engaging and challenging work.

Considered by his 18th-century contemporaries to be the greatest botanist since Linnaeus', this is the first full biography of The Founding Father of Indian Botany', William Roxburgh. Born in the mid 18th-century, William Roxburgh was brought up in the centre of the Edinburgh Enlightenment, with all the patronage and intellectual curiosity that this entailed. After joining the East India Company as an Assistant Surgeon on one of their ships, he joined the staff of the General Hospital at Madras. Soon, he was Company Naturalist, describing many species for the first time which inspired some beautiful watercolour drawings by Indian artists, copies of which were sent to Sir Joseph Banks at Kew. Arising from his scientific work, he was appointed the first paid Superintendent of the Calcutta Botanic Garden in 1793, where he continued his previous experimental work as well as looking into the introduction of a wide range of crops.

"I find him to be a kindred spirit, a sympathetic but shrewd enquirer, a companionable stroller, and a lover of anecdotes gathered by the wayside."   So Tim Robinson described folklorist, revolutionary, and district justice Seán Mac Giollarnáth, whose 1941 book Annála Beaga ó Iorras Aithneach revealed his sheer delight in the rich language and stories of the people he encountered in Conamara, the Irish-speaking region in the south of Connemara. From tales of smugglers, saints, and scholars to memories of food, work, and family, the stories gathered here provide invaluable insights into the lives and culture of the community. This faithful and lovingly crafted translation, complete with annotations, a biography, and thoughtful chapters that explore the importance of the language and region, is the final work of both Robinson and his collaborator, the renowned writer and Irish language expert Liam Mac Con Iomaire. Translated into English for the first time, Conamara Chronicles: Tales from Iorras Aithneach preserves the art of storytellers in the West of Ireland and honors the inspiration they kindle even still. 

Long recognized as perhaps the greatest non-fiction writer at work in Ireland, for his vast, polymathic accounts of nature and culture in the Aran Islands and Connemara, Tim Robinson is also an essayist of genius whose fascinations range across the globe. In Experiments on Reality, he shines the light of his intelligence on his own life, and on some of the most fascinating questions in science and culture. Robinson brings us to his boyhood in Yorkshire, National Service in Malaya in the 1950s, and his years as a visual artist in Istanbul, Vienna and London. He revisits some of the scenes of his researches for the maps he made of Aran and Connemara, places that continue to throw up remarkable stories and puzzles. And he performs astonishing literary thought-experiments, playing with the boundaries of the essay form, scientific inquiry, and storytelling. Experiments on Reality is a masterpiece from one of the great minds of our time. 'One of the greatest of all landscape writers ... When the material world is brought forth for us so beautifully, with such rapt attention and illuminating insight, we are reminded of how lucky we are to be part of it' Fintan O'Toole, Irish Times PRAISE FOR THE CONNEMARA TRILOGY: 'One of the most remarkable non-fiction projects undertaken in English' Robert MacFarlane, Spectator 'Robinson is a marvel ... the supreme practitioner of geo-graphy, the writing of places' Fintan O'Toole, Observer Books of the Year 'One of contemporary Ireland's finest literary stylists ... This is a book that does justice, in every sense of that phrase, to the frequently betrayed people whose stories it incarnates, and to their strange and beautiful corner of the world' Joseph O'Connor, Guardian 'A masterpiece of travel and topographical writing and a miraculous, vivid and engrossing meditation on landscape and history and the sacred mood of places' Colm Toibin, Irish Times Books of the Year 'One of the finest of contemporary prose stylists' John Burnside, Irish Times 'He is that rarest of phenomena, a scientist and an artist, and his method is to combine scientific rigour with artistic reverie in a seamless blend that both informs and delights.' John Banville, Guardian 'Breathtaking ... the West of Ireland has found its ultimate laureate' Patricia Craig, TLS 'Dazzling ... an indubitable classic' Giles Foden, Conde Nast Traveller

The triumphant conclusion to Tim Robinson's extraordinary Connemara trilogy, which Robert Macfarlane has called 'one of the most remarkable non-fiction projects undertaken in English'. Robinson writes about the people, places and history of south Connemara - one of Ireland's last Gaelic-speaking enclaves - with the encyclopaedic knowledge of a cartographer and the grace of a born writer. From the man who has been praised in the highest terms by Joseph O'Connor ('One of contemporary Ireland's finest literary stylists''), John Burnside ('one of the finest of contemporary prose stylists'), Fintan O'Toole ('Simply one of the best non-fiction prose writers currently at work') and Giles Foden ('an indubitable classic'), among many others, this is one of the publishing events of 2011 and the conclusion of one of the great literary projects of our time. 'One of the greatest writers of lands ... No one has disentangled the tales the stones of Ireland have to tell so deftly and retold them so beautifully' Fintan O'Toole 'He is that rarest of phenomena, a scientist and an artist, and his method is to combine scientific rigour with artistic reverie in a seamless blend that both informs and delights.' John Banville, Guardian 'The Proust & Ruskin of modern place-writing, deep-mapper of Irish landscapes, visionary thinker, and human of exceptional intellectual generosity & kindness. He was an immense inspiration to & encourager of me & my work' Robert Macfarlane 'A masterpiece of travel and topographical writing, and an incomparable and enthralling meditation on times past ... This perfectly pitched work opens readers up to the world around them' Sunday Times 'Will endure into the far future ... He knows this world as no one else does, and writes about it with awe and love, but also with measured grace, an artist's eye and a scientist's sensibility' Colm Toibin, Sunday Business Post Books of the Year 'Anyone willing to get lost in this book will be left with indelible mental images of places they may never have visited but will now never forget' Dermot Bolger, Irish Mail on Sunday