In the second volume of his beloved Connemara trilogy, cartographer Tim Robinson continues to unearth the stories of this rich landscape--weaving placelore, etymology, geology, and the meeting of sea and shore into the region's mythologies.From the northern fiord waters of Killary Harbour to the southern sea-washed islands of Slyne Head, western Connemara awes with a rugged landscape: sloping cliffs, towering mountains, and the ever-present thudding of the Atlantic. And here, within the earth, resides the record of the past; stones with ash-grey centers reveal volcanic episodes, a series of mysteriously arranged quartz boulders reminds us of the ancient secrets held in the soil, and a long-disappeared lake filled in by sand lies beneath a golf course, waiting to be rediscovered.Mapping more than geography, Tim Robinson charts Connemara's deep relationship to those who have inhabited its surface. The Last Pool of Darkness brims with tales of ghosts, centuries-old land disputes, periods of religious and political upheavals, philosophers entranced by the isolating landscape, poets, mathematicians, artists, fantastical smugglers, the discovery of botanical rarities, trickster fairies, and the delicate balance between humans and nature. Not merely a "certain tract of the Earth's surface" but "an accumulation of connotations," Robinson's Connemara offers readers an opportunity to travel across space and time.A work of great precision and tenderness, The Last Pool of Darkness is an enchanting addition to the Seedbank series and next chapter in "one of the most remarkable non-fiction projects undertaken in English" (Robert Macfarlane).

The first volume in Tim Robinson's phenomenal Connemara Trilogy - which Robert Macfarlane has called 'One of the most remarkable non-fiction projects undertaken in English'. In its landscape, history and folklore, Connemara is a singular region: ill-defined geographically, and yet unmistakably a place apart from the rest of Ireland. Tim Robinson, who established himself as Ireland's most brilliant living non-fiction writer with the two-volume Stones of Aran, moved from Aran to Connemara nearly twenty years ago. This book is the result of his extraordinary engagement with the mountains, bogs and shorelines of the region, and with its folklore and its often terrible history: a work as beautiful and surprising as the place it attempts to describe. Chosen as a book of the year by Iain Sinclair, Robert Macfarlane and Colm Toibin 'One of the greatest writers of lands ... No one has disentangled the tales the stones of Ireland have to tell so deftly and retold them so beautifully' Fintan O'Toole 'Dazzling ... an indubitable classic' Giles Foden, Conde Nast Traveller 'He is that rarest of phenomena, a scientist and an artist, and his method is to combine scientific rigour with artistic reverie in a seamless blend that both informs and delights' John Banville 'One of contemporary Ireland's finest literary stylists' Joseph O'Connor, Guardian

"I find him to be a kindred spirit, a sympathetic but shrewd enquirer, a companionable stroller, and a lover of anecdotes gathered by the wayside."   So Tim Robinson described folklorist, revolutionary, and district justice Seán Mac Giollarnáth, whose 1941 book Annála Beaga ó Iorras Aithneach revealed his sheer delight in the rich language and stories of the people he encountered in Conamara, the Irish-speaking region in the south of Connemara. From tales of smugglers, saints, and scholars to memories of food, work, and family, the stories gathered here provide invaluable insights into the lives and culture of the community. This faithful and lovingly crafted translation, complete with annotations, a biography, and thoughtful chapters that explore the importance of the language and region, is the final work of both Robinson and his collaborator, the renowned writer and Irish language expert Liam Mac Con Iomaire. Translated into English for the first time, Conamara Chronicles: Tales from Iorras Aithneach preserves the art of storytellers in the West of Ireland and honors the inspiration they kindle even still. 

This significant book explains how work-life balance is being destroyed because individuals fail to link their work effort with its adverse environmental effects and the personal costs they impose. The burgeoning literature dealing with work-life balance suggests that the developed world is more interested in this issue today than at any other time in the recent past. Provocative and insightful, Work, Leisure and the Environment presents a rigorous explanation based on economic theory as to why contemporary societies suffer from over-work and work-life imbalance, asserting that they are both the cause and effect of environmental degradation. The author focuses upon a fundamental flaw in contemporary market economies that causes individuals to unknowingly reduce their well-being by working and consuming excessively, while enjoying inadequate leisure time. It is argued that this inability to correctly assess the benefits derived from their work effort causes individuals to place unreasonable and unsustainable demands on the environment. By ignoring the environmental destruction that accompanies work effort, its benefits are overestimated and, as a consequence, individuals voluntarily choose to work longer hours than they should. This engaging volume will have widespread appeal amongst researchers and policymakers interested in the environment, consumerism and labour markets and will also be an invaluable reference tool for studies into leisure and work-life balance.

The second volume in Tim Robinson's phenomenal Connemara Trilogy - which Robert Macfarlane has called 'One of the most remarkable non-fiction projects undertaken in English'. The first volume of Tim Robinson's Connemara trilogy, Listening to the Wind, covered Robinson's home territory of Roundstone and environs. The Last Pool of Darkness moves into wilder territory: the fjords, cliffs, hills and islands of north-west Connemara, a place that Wittgenstein, who lived on his own in a cottage there for a time, called 'the last pool of darkness in Europe'. Again combining his polymathic knowledge of Connemara's natural history, human history, folklore and topography with his own unsurpassable artistry as a writer, Tim Robinson has produced another classic. A native of Yorkshire, Tim Robinson moved to the Aran Islands in 1972. His books include the celebrated two-volume Stones of Aran. Since 1984 he has lived in Roundstone, Connemara. 'The Proust & Ruskin of modern place-writing, deep-mapper of Irish landscapes, visionary thinker, and human of exceptional intellectual generosity & kindness. He was an immense inspiration to & encourager of me & my work' Robert Macfarlane 'A masterpiece of travel and topographical writing and a miraculous, vivid and engrossing meditation on landscape and history and the sacred mood of places' Colm Toibin, Irish Times 'One of the greatest writers of lands ... No one has disentangled the tales the stones of Ireland have to tell so deftly and retold them so beautifully' Fintan O'Toole

Considered by his 18th-century contemporaries to be the greatest botanist since Linnaeus', this is the first full biography of The Founding Father of Indian Botany', William Roxburgh. Born in the mid 18th-century, William Roxburgh was brought up in the centre of the Edinburgh Enlightenment, with all the patronage and intellectual curiosity that this entailed. After joining the East India Company as an Assistant Surgeon on one of their ships, he joined the staff of the General Hospital at Madras. Soon, he was Company Naturalist, describing many species for the first time which inspired some beautiful watercolour drawings by Indian artists, copies of which were sent to Sir Joseph Banks at Kew. Arising from his scientific work, he was appointed the first paid Superintendent of the Calcutta Botanic Garden in 1793, where he continued his previous experimental work as well as looking into the introduction of a wide range of crops.

"I find him to be a kindred spirit, a sympathetic but shrewd enquirer, a companionable stroller, and a lover of anecdotes gathered by the wayside." So Tim Robinson described folklorist, revolutionary, and district justice Sean Mac Giollarnath, whose 1941 book Annala Beaga o Iorras Aithneach revealed his sheer delight in the rich language and stories of the people he encountered in Conamara, the Irish-speaking region in the south of Connemara. From tales of smugglers, saints, and scholars to memories of food, work, and family, the stories gathered here provide invaluable insights into the lives and culture of the community. This faithful and lovingly crafted translation, complete with annotations, a biography, and thoughtful chapters that explore the importance of the language and region, is the final work of both Robinson and his collaborator, the renowned writer and Irish language expert Liam Mac Con Iomaire. Translated into English for the first time, Conamara Chronicles: Tales from Iorras Aithneach preserves the art of storytellers in the West of Ireland and honors the inspiration they kindle even still.

A brilliant new translation of O Cadhain's modern Irish literature masterpiece, meant to spark debate and comparison with Alan Titley's Dirty Dust, now with bonus materials on its history, reception, interpretations, adaptations, and more "Gloriously attuned to the energy, copiousness, invective and ribaldry of the original Cre na Cille."-Patricia Craig, Times Literary Supplement "Corrosively satirical and darkly comic. . . . A tour de force of a gabfest."-Mark Harman, Los Angeles Review of Books In critical opinion and popular polls, Mairtin O Cadhain's Graveyard Clay is invariably ranked the most important prose work in modern Irish. This bold new translation of his radically original Cre na Cille is the shared project of two fluent speakers of the Irish of O Cadhain's native region, Liam Mac Con Iomaire and Tim Robinson. They have achieved a lofty goal: to convey O Cadhain's meaning accurately and to meet his towering literary standards. Graveyard Clay is a novel of black humor, reminiscent of the work of Synge and Beckett. The story unfolds entirely in dialogue as the newly dead arrive in the graveyard, bringing news of recent local happenings to those already confined in their coffins. Avalanches of gossip, backbiting, flirting, feuds, and scandal-mongering ensue, while the absurdity of human nature becomes ever clearer. This edition of O Cadhain's masterpiece is enriched with footnotes, bibliography, publication and reception history, and other materials that invite further study and deeper enjoyment of his most engaging and challenging work.

The Southern Frontier: A road-less, watery wilderness, uninviting and intimidating to all but the most stouthearted and adventurous. As great cities were springing up in places with names such as St. Louis, Denver, and San Francisco, the lower peninsula of Florida endured. Here, the panther, the alligator, and the bald eagle remained safe from the restless, meddlesome hands of civilization, continuing as they had for eons past. Renegade Indians, pirates, hurricanes, and man-eating animals - not to mention poisonous snakes and bloodthirsty hordes of mosquitoes - reigned supreme. It took a certain kind of person to boldly venture into such an inhospitable environment where a man had only himself and his family upon which to depend. It took men and women with not only vision, but backbone and grit, people like the MacLeods, Dawsons, and Hackensaws, true pioneers who confronted whatever came their way, together, as a family. From shipwrecks, to Indian uprisings, to buried treasure; blockade runners, to murderous beach tramps, and the sad, lonely life of the solitary beachcomber, Tales of Old Florida takes the reader back to a singular time and place that will never be seen again. Above all, Tales of Old Florida is an epic saga of survival and prosperity, love and love lost, and most importantly, the power of the human spirit to prevail.