'A people who do not preserve their memory are a people who have forfeited their history.' So argues Wole Soyinka, in his book The Burden of Memory, the Muse of Forgiveness, and this provides the overarching thematic concept for African pasts as a whole. Colonialism for Africans is not an event encapsulated in the past, but is a history whose repercussions and traumatic consequences are still actively evolving in today's political, historical, cultural and artistic scenes. African pasts examines African literatures in English since the end of colonialism, investigating how they represent African history through the twin matrices of memory and trauma. Inextricably tied up with the historical conditions of Africa's colonisation, charting the emergence of its independence, and scrutinising Africa's contemporary neo-colonial and postcolonial states as a legacy of the colonial past, African literatures are continually preoccupied with exploring modes of representation to 'work through' their different traumatic colonial pasts. Among other issues, this book deals with literature in the era of apartheid, the post-apartheid aftermath, metafictional experiments in African fiction, gender representation in reaction to the trauma of colonialism and 'imprisonment narratives'. African pasts covers a wide range of African literatures (drawn from West, East and Southern Africa) and a cross-section of genres - fiction, poetry, prison-narratives, postcolonial theory - and embraces such well-known writers as Soyinka, Coetzee, Ngugi and Achebe, and more recent writers such as Nuruddin Farah, Tsitsi Dangarembga, Achmat Dangor, Etienne van Heerden, Zakes Mda, Gillian Slovo and Calixthe Beyala.

This book situates Louis Zukofsky’s poetics, and the lineage of Objectivist poetics more broadly, within a set of fundamental ethical concerns in American poetic modernism. Tim Woods makes a strong case for Zukofsky as a missing key figure within this ethical matrix, viewing Zukofsky’s poetry through the lens of the work of Theodor Adorno and Emmanuel Levinas. Building an ethical genealogy of American poetics leading from Zukofsky through the contemporary school of L•A•N•G•U•A•G•E poetry, Woods brings together modernism and postmodernism, ethics and aesthetics, to shed new light on our understanding of this neglected strain of modernist poetics.

Tim Strode - Tim Wood
"The Hip Hop Reader"

LONGMAN TOPICS are brief, thought-provoking readers, each on a single complex, but compelling, topic. Featuring about 30 full-length selections, these volumes are generally half the size and half the cost of standard composition readers.

Hip hop and composition may seem unrelated, but the connection isn't hard to make: Hip hop and rap rely on a complex of narrative practices that have clear ties to some of the best American essay writing. "The Hip Hop Reader" brings together work by important writers about this cultural phenomenon and provides lively selections that represent a variety of styles and interests.

Notable Features of "The Hip Hop Reader" Examples of writing in a range of genres--scholarly essays, journalistic pieces, album reviews, student writing, and more-illustrate various rhetorical models in each chapter. Chapters are organized around compelling issues such as race, gender, hip hop's global roots, and hip hop's political implications. A diverse array of writers, including mainstream critics like Sasha Frere Jones, Jon Pareles, and Kelefa Sanneh and scholars like bell hooks and Tricia Rose, explore a range of experiences and opinions

Visit us at www.ablongman.com

Twisted Mountains is a collection of short stories set among the summits of England, Scotland and Wales, from Ben Hope to the South Downs. Each tells the story of someone who has their own reasons to be in the mountains. From a vengeful student to obsessive hostel owner, the wannabe biker to the Wainwright expert with a secret. While the stories are varied in their subjects, all have mountains at their heart and a dark humour running through them. Authored by Tim Woods, Twisted Mountains provides a different take on the characters you find in and around the mountains. Tim tells their stories in the characters' varied voices, in ways that are shocking, dark, funny and sad, sometimes all at once.

Ladybird Histories: British History is the ideal first reference book for primary school children. Full of fascinating facts and detailed drawings, this handy book will form an invaluable part of any child's first reference library. It is packed with information about topics children will learn at school, including the Romans, the Tudors, and Victorian Britain. The book also includes a weblink to a downloadable timeline of British history. If your children enjoyed this title why not try British History: Kings and Queens.

Taking in novelists from all over the globe, from the beginning of the century to the present day, this is the most comprehensive survey of the leading lights of twentieth century fiction. Superb breadth of coverage and over 800 entries by an international team of contributors ensures that this fascinating and wide-ranging work of reference will be invaluable to anyone with an interest in modern fiction. Authors included range from Joseph Conrad to Albert Camus and Franz Kafka to Chinua Achebe. Who's Who of Twentieth Century Novelists gives a superb insight into the richness and diversity of the twentieth century novel.

eBook available with sample pages: 0203188020

November 22nd 1963, Dealey Plaza As a seminal event in late twentieth-century American history, the Kennedy assassination has permeated the American and world consciousness in a wide variety of ways. It has long fascinated American writers, filmmakers and artists, and this book offers an authoritative critical introduction to the way the event has been constructed in a range of discourses. It looks at a variety of historical, political and cultural attempts to understand Kennedy's death. Representations include: journalism from the time; historical accounts and memoirs; official investigations, government reports and sociological inquiries; the huge number of conspiracy-minded interpretations; novels, plays and other works of literature; and the Zapruder footage, photography, avant-garde art, and Hollywood films. Considering the continuities and contradictions in how the event has been represented, the author focuses on how it has been seen through the lens of ideas about conspiracy, celebrity and violence. He also explores how the arguments about exactly what happened on 22 November 1963 have come to serve as a substitute way of debating the significance of Kennedy's legacy and the meaning of the 1960s more generally. Key Features: * presents information about the event itself, the cultural context of the period, and the consequences of the event * considers the ways in which the event has been represented in subsequent years in a variety of discourses * includes an annotated bibliography and 10 B&W illustrations.

The question of ethics has dominated recent developments within the humanities. This volume brings together the most recent theories of ethics and reading and applies them to a wide variety of literary texts. Ethical and literary issues explored by the contributors include biography, sensibility, national identity, feminism, postcolonialism, religion, subjectivity and stylistics. Literary authors and philosophers/theorists discussed range from Shakespeare and Mary Shelley to Michele Roberts and Salman Rushdie, and from Kant and Coleridge to Derrida and Levinas.

The question of ethics has dominated recent developments within the humanities. This volume brings together the most recent theories of ethics and reading and applies them to a wide variety of literary texts. Ethical and literary issues explored by the contributors include biography, sensibility, national identity, feminism, postcolonialism, religion, subjectivity and stylistics. Literary authors and philosophers/theorists discussed range from Shakespeare and Mary Shelley to Michele Roberts and Salman Rushdie, and from Kant and Coleridge to Derrida and Levinas.

'Postmodernism' became the buzzword of contemporary society in the 1990s. Yet, even now, it still remains confusing and baffling in its variety of defiinitions, contexts and associations.
"Beginning Postmodernism" aims to offer clear, accessible and step-by-step introductions to postmodernism across a wide range of subjects. It encourages readers to explore how the debates about postmodernism have emerged from basic philosophical and cultural ideas, and to develop comparative connections and ideas from one area to another.
With its emphasis firmly on 'postmodernism in practice', the book contains questions designed to help readers understand and reflect upon a variety of positions within the following areas of contemporary culture: philosophy and cultural theory; architecture and concepts of space; visual art, sculpture and material culture; popular culture and music; film, video and television; and the social sciences

This book situates Louis Zukofsky's poetics (and the lineage of Objectivist poetics more broadly) within a set of ethical concerns in American poetic modernism. The book makes a strong case for perceiving Zukofsky as a missing key figure within this ethical matrix of modernism. Viewing Zukofsy's poetry through the lens of the theoretical work of Theodor Adorno and Emmanuel Levinas, Woods argues for an ethical genealogy of American poetics leading from Zukofsky through the contemporary school of LANGUAGE poetry. Woods brings together modernism and postmodernism, ethics and aesthetics, in interesting and innovative ways which shed new light on our understanding of this neglected strain of modernist poetics.

The current resurgence of ethics in the beleaguered humanities reflects an increasing anxiety about the value and utility of critical/philosophical debate in the wake of poststructuralism. This book addresses this 'return to ethics' in relation to a wide variety of theories and texts. It covers substantial areas of ethical debate, particularly in relation to queer politics, biography, history, postmodernism, atrocity literature, utilitarianism, pedagogy and the philosophy of science. Theorists discussed in the volume include Rorty, Heidegger, Levinas, Mill, Lyotard, Leavis, Kuhn, Davidson, Nussbaum and Freud.

Handy guide is packed with the best plant varieties you'll want for your garden: annula, perennials, trees and shrubs, vines, roses, bulbs, ornamental grasses and herbs.

Dewey Webster is admitted country hick from Tennessee. He has torn up numerous bars, hired a mob lawyer to settle a divorce, acted on off-off-off-Broadway, and has written pulp fiction stories. The large-bodied Dewey's adventures take place in 1947. Previously told in the "Dewey Chronicles" series, these stories are combined in one volume for the first time. Follow Dewey as he becomes a covert operator for the U.S. government; fights evil extra-terrestrial aliens; defends his dog in court; and goes back in time to the medieval ages. While Dewey is hard-headed and is not the sharpest knife in the drawer, he has unusual insight and a straightforward approach to life that serves him well. A good right-hand haymaker punch comes in handy, too. Give Dewey a pickup, a shotgun and a good "dawg," and he'll take on anything or anyone at any time.

Joseph Hinman develops the notion that belief in God, while not absolutely provable, is rationally warranted and that the experience is life-transforming and vital. He utilizes a body of empirical scientific studies that go back fifty years and draws upon sociological experts including Abraham Maslow, Robert Wuthnow, and Andrew Greeley. The huge body of work includes many important advances in this scientific work (such as the M scale) this allow for carefully study of mystical experience and offers a range of evidence that warrants belief. Arguments for God based upon personal religious experience have always been considered weak by both apologists and skeptics. This has been the case due to prejudices and misconceptions about the nature of religious experiences... A vast body of data demonstrates that religious experiences, what some call "mystical" and others refer to as "peak," have positive, long term effects so dramatic it can only be described as "transformative..". Religious experience is the effect of God has upon the human heart, thus, the Trace of God. Hinman establishes that the Trace of God and religious experience -far from being caused by or related to mental or emotional instability- has an impact that is not just positive and life-transforming but vital: that belief in God is rationally warranted.

A father's four year journey out of worldly destruction intertwined with his daughters 12 month battle with cancer. Two amazing stories unfolding at the same time. Only the power of God's discipline and grace could overcome the destruction from worldly living and cancer. A true story, written from inspiration, to encourage others who have fallen into the holds of worldly destruction and to share with cancer patients and their families the story of a hard fought battle with cancer. It's an emotional, sometimes unbelievable story to read.

This interdisciplinary study of how 9/11 and the 'war on terror' were represented during the Bush era, shows how culture often functioned as a vital resource, for citizens attempting to make sense of momentous historical events that frequently seemed beyond their influence or control. Illustrated throughout, the book discusses representation of 9/11 and the war on terror in Hollywood film, the 9/11 novel, mass media, visual art and photography, political discourse, and revisionist historical accounts of American 'empire,' between the September 11 attacks and the Congressional midterm elections in 2006. As well as prompting an international security crisis, and a crisis in international governance and law, David Holloway suggests the culture of the time also points to a 'crisis' unfolding in the institutions and processes of republican democracy in the United States. His book offers a cultural and ideological history of the period, showing how culture was used by contemporaries to debate, legitimise, qualify, contest, or repress discussion, about the causes, consequences and broader meanings of 9/11 and the war on terror.

This interdisciplinary study of how 9/11 and the 'war on terror' were represented during the Bush era, shows how culture often functioned as a vital resource, for citizens attempting to make sense of momentous historical events that frequently seemed beyond their influence or control. Illustrated throughout, the book discusses representation of 9/11 and the war on terror in Hollywood film, the 9/11 novel, mass media, visual art and photography, political discourse, and revisionist historical accounts of American 'empire,' between the September 11 attacks and the Congressional midterm elections in 2006. As well as prompting an international security crisis, and a crisis in international governance and law, David Holloway suggests the culture of the time also points to a 'crisis' unfolding in the institutions and processes of republican democracy in the United States. His book offers a cultural and ideological history of the period, showing how culture was used by contemporaries to debate, legitimise, qualify, contest, or repress discussion, about the causes, consequences and broader meanings of 9/11 and the war on terror.