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Dieses Buch bietet einen umfassenden Ăberblick ĂŒber die
RĂ€umlichkeit in der Musiktheorie, von der Abmischung und
AuffĂŒhrungspraxis bis hin zur Raumakustik, Psychoakustik und
Tontechnik, und stellt die Ableitung, Implementierung und
experimentelle Validierung eines neuartigen rÀumlichen
Audiosystems vor. Durch die Erörterung der Physik von
Musikinstrumenten und der Natur der auditiven Wahrnehmung
ermöglicht das Buch den Lesern, synthetische Musikinstrumente
prÀzise zu lokalisieren und gleichzeitig ihre klangliche Varianz
und rÀumliche Weite zu erleben. Dieses Buch bietet
interdisziplinĂ€re Einblicke fĂŒr Musikneulinge und Experten auf
dem Gebiet der rĂ€umlichen Audiotechnik. Es eignet sich fĂŒr alle,
die sich fĂŒr das Studium von Musik und Musikwissenschaft und die
Anwendung von rÀumlichen Audiomischungen interessieren oder einen
Ăberblick ĂŒber den Stand der Technik in der angewandten
Psychoakustik fĂŒr rĂ€umliches Audio suchen.
This book provides a broad overview of spaciousness in music
theory, from mixing and performance practice, to room acoustics,
psychoacoustics and audio engineering, and presents the derivation,
implementation and experimental validation of a novel type of
spatial audio system. Discussing the physics of musical instruments
and the nature of auditory perception, the book enables readers to
precisely localize synthesized musical instruments while
experiencing their timbral variance and spatial breadth. Offering
interdisciplinary insights for novice music enthusiasts and experts
in the field of spatial audio, this book is suitable for anyone
interested in the study of music and musicology and the application
of spatial audio mixing, or those seeking an overview of the state
of the art in applied psychoacoustics for spatial audio.
This book provides a broad overview of spaciousness in music
theory, from mixing and performance practice, to room acoustics,
psychoacoustics and audio engineering, and presents the derivation,
implementation and experimental validation of a novel type of
spatial audio system. Discussing the physics of musical instruments
and the nature of auditory perception, the book enables readers to
precisely localize synthesized musical instruments while
experiencing their timbral variance and spatial breadth. Offering
interdisciplinary insights for novice music enthusiasts and experts
in the field of spatial audio, this book is suitable for anyone
interested in the study of music and musicology and the application
of spatial audio mixing, or those seeking an overview of the state
of the art in applied psychoacoustics for spatial audio.
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