for SATB (with divisions) unaccompanied. A short upbeat setting of words from Psalms 9, 95, and 97, Cantate Domino opens with a triple-metre dance-like section that features optional clapping. Brown juxtaposes a darker, more chromatic middle section that has an optional verse in French, before reprising the joyful opening material.

Anthem for the Feast of any Apostle, for SATB soli, SATB choir, and organ or orchestra Orchestral material is available on hire.

A setting of a melancholy text by Phineas Fletcher for unaccompanied SATB voices.

"The book engages important and intriguing questions about culture and politics and makes a contribution to contemporary history. The essays fit together well, with a nice trajectory that includes a chronological element. The topics engaged are generally "fresh" and new, but I was also impressed by the rich historiography..." . Jonathan Petropoulos, Claremont McKenna College

"This volume presents many new insights into a subject that has not yet been analysed systematically enough. It therefore represents an important contribution to the history of subcultures and will no doubt have a considerable influence on the scholarly debate on this topic." . Detlef Siegfried, University of Copenhagen

The wave of anti-authoritarian political activity associated with the term "1968" can by no means be confined under the rubric of "protest," understood narrowly in terms of street marches and other reactions to state initiatives. Indeed, the actions generated in response to "1968" frequently involved attempts to elaborate resistance within the realm of culture generally, and in the arts in particular. This blurring of the boundary between art and politics was a characteristic development of the political activism of the postwar period. This volume brings together a group of essays concerned with the multifaceted link between culture and politics, highlighting lesser-known case studies and opening new perspectives on the development of anti-authoritarian politics in Europe from the 1950s to the fall of Communism and beyond."

See disorders as they appear in real life with CASEBOOK IN ABNORMAL PSYCHOLOGY! Using authentic cases illustrating every major DSM-5 category, this psychology text portrays the nature of disorders manifested in real people. Each case is followed by a therapy outcome section telling you the rest of the client's treatment story. Three complex cases are included without a diagnosis, so you can develop your own.

for SATB and orchestra This new vocal-score edition was published to mark the 60th anniversary of Queen Elizabeth II's coronation, in June 1953. First performed as the new Queen processed out of Westminster Abbey, Walton's Te Deum is at once regal, celebratory, and restrained, and a beacon among English settings. The new vocal score (with keyboard reduction) draws on research for the complete Walton Edition and is compatible with existing orchestral materials on hire. Orchestral material is available on hire/rental.

A setting of a 15th-century carol, for SATB unaccompanied.

Suitable for soprano and tenor soli, mixed chorus (with divisions) and organ (in the Gloria only).

Suitable for soprano and tenor soli and unaccompanied mixed chorus.

The William Walton edition is a collected edition of the works of one of England's finest and best-loved composers. Each work is newly edited and engraved, and checked against the composer's manuscript, previously published editions, and all other relevant material. The result is a definitive and fully practical edition, based on the form in which the composer ultimately wished it to be performed. Choral music preoccupied Walton throughout his life and developed from his experience as a chorister at Christ Church, Oxford. Alongside Belshazzar's Feast, these four larger-scale works for chorus and orchestra stand testimony to his expertise in the field, and include the orchestral version of The Twelve, commissioned with words by W. H. Auden by his former Oxford college in 1965.