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Life had been looking up - she's dating a new man and finally getting praise at work. But after the accident everything seems to plummet downhill. In the space of a few days her flat is burgled and her flatmate assaulted - she loses her phone and then her job. Are these events linked? Perhaps what she had seen was something more sinister?
A sweeping narrative of the greatest craftsman that ever lived and what became of the insturments he made. This is the remarkable tale of Antonio Stradivari, the greatest instrument maker of all time, and what happened to the violins he created. Everyone has some idea of the legendary quality and unbelieveable price tag of a Stradivarius violin, but much of the life of this genius remains obscure; his motivations and techniques hitherto unexplored. In this, the first popular account of the Stradivari phenomena, Toby Faber explores the life and methods of this unsurpassed craftsmans. Following the life of his insturments as they pass through the hands of many of the greatest musicians that have ever lived, we learn how and why they have become objects of such veneration and desire. It is a dramatic tale of grand artistry, fantastic music, shady dealers, forgery and science.
Morning rush hour on the London tube. Laurie Bateman witnesses a terrible accident. Life had been looking up - she's dating a new man and finally getting praise at work. But after the accident everything seems to plummet downhill. In the space of a few days her flat is burgled and her flatmate assaulted - she loses her phone and then her job. Are these events linked? Perhaps what she had seen was something more sinister?Compelled to investigate, Laurie finds herself in serious danger and is soon fleeing for her life through tube tunnels in the dead of night - the hunter has become the hunted.
First published to celebrate Faber's 90th anniversary, this is the story of one of the world's greatest publishing houses - a delight for all readers who are curious about the business of writing. 'A striking drama.' SUNDAY TIMES 'Never less than fascinating.' DAILY TELEGRAPH 'This book will fascinate anyone with an interest in twentieth-century literature . . . a treasure trove.' SCOTSMAN 'The details here do consistently shine.' NEW YORK TIMES 'Ingeniously compiled . . . charming and quirky' EVENING STANDARD Told in its own words, this is the story of one of the world's greatest publishers, capturing the excitement, hopes and fears of the people who published and wrote the books that line our shelves today. Including archive material from T. S. Eliot, Samuel Beckett, Seamus Heaney, P. D. James, Kazuo Ishiguro and Philip Larkin, this is both a vibrant history and a hymn to the role of literature in all our lives.
This is the story of Faberge's Imperial Easter eggs - of their maker, of the tsars who commissioned them, of the middlemen who sold them and of the collectors who fell in love with them. It's a story of meticulous craftsmanship and unimaginable wealth, of lucky escapes and mysterious disappearances, and ultimately of greed, tragedy and devotion. Moreover, it is a story that mirrors the history of twentieth-century Russia - a satisfying arc that sees eggs made for the tsars, sold by Stalin, bought by Americans and now, finally, returned to post-communist Russia. There is also an intriguing element of mystery surrounding the masterpieces. Of the fifty 'Tsar Imperial' eggs known to have been made, eight are currently unaccounted for, providing endless scope for speculation and forgeries. This is the first book to tell the complete history of the eggs, encompassing the love and opulence in which they were conceived, the war and revolution that scattered them, and the collectors who preserved them.
"'Tis God gives skill, but not without men's hands: He could not
make Antonio Stradivari's violins without Antonio." "From the Hardcover edition.
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