for SATB and piano In this poignant ballad Toby Young has set an adaptation of Emily Dickinson's poem My Letter to the World to heartfelt melodies with a pop-style piano accompaniment. The song reflects on the pain of being separated from loved ones during the COVID-19 pandemic and the power that music has to unite us. A version for SSA and piano (ISBN 978-0-19-356721-4) is also available.

for SSA and piano In this poignant ballad Toby Young has set an adaptation of Emily Dickinson's poem My Letter to the World to heartfelt melodies with a pop-style piano accompaniment. The song reflects on the pain of being separated from loved ones during the COVID-19 pandemic and the power that music has to unite us. A version for SATB and piano (ISBN 978-0-19-356693-4) is also available.

for TTBarBB unaccompanied Skilfully set to tender words by the poet e e cummings, 'I carry your heart', this piece was commissioned by the acclaimed close-harmony group, The King's Men, and was recorded on their album Love from King's. Also available for SSATBB.

for SATB and organ This energetic setting of words by St Ambrose of Milan is a real showstopper. With pop-influences and a sparkling organ part, Young effortlessly fuses modern and traditional sound worlds, while changes in key and metre build up to an invigorating finish. Perfect for accomplished choirs looking for something different.

for SATB and piano This upbeat Christmas song sets the traditional and well-known wassailing text to thrilling effect. To be performed 'with inebriated joy', Young's original setting is fast, spritely, and increasingly raucous, with a pleasing array of textures and an exhilarating key change to herald the start of the final climax.

for SATB unaccompanied This is an energetic setting of a text by Jennifer Thorp that celebrates and encourages festivities during Christmas time. With a fast tempo, Young's lively melodies are full of syncopated rhythms and supported by colourful harmonies in the accompanying voices. A rhythmic ostinato throughout reinforces an alternative Christmas message from the poet: 'oh come and dance'!

for TBarB and piano Originally published as part of the upper-voice collection As you sing and now re-arranged for TB voices, this is a thrilling and high-energy piece setting a text by Jennifer Thorp. Young uses body-percussion, sound effects, repeating themes, and strong rhythms to capture the characteristics of a river, creating a fun and dynamic piece suitable for concert performance.

for SA and piano Originally published as part of the Songbird collection As you sing, this is a thrilling and high-energy piece setting a text by Jennifer Thorp. Young uses body-percussion, sound effects, repeating themes, and strong rhythms to capture the characteristics of a river, creating a fun and dynamic piece suitable for upper-voice adult and youth choirs.

for SSATBB unaccompanied Skilfully set to the tender words of the poet E. E. Cummings, 'I carry your heart' is an unaccompanied secular work originally for men's voices, but rescored by the composer in this version for women and men. The piece was commissioned by the acclaimed close-harmony group, The King's Men, and was recorded on their album Love from King's.

for SATB unaccompanied This short sacred work for unaccompanied mixed choir is a highly atmospheric setting of the poet Henry Vaughan's mystical and enigmatic poem of the same name. Written for the choir of St Peter's College, Oxford, the work has a sonorous quality and uses extended harmonies to great effect.

Music represents one of humanity's most vivid contemplations on the nature of time itself. The ways that music can modify, intensify, and even dismantle our understanding of time's passing is at the foundation of musical experience, and is common to listeners, composers, and performers alike. The Oxford Handbook of Time in Music provides a range of compelling new scholarship that examines the making of musical time, its effects and structures. Bringing together philosophical, psychological, and socio-cultural understandings of time in music, the chapters highlight the act of 'making' not just as cultural construction but also in terms of the perceptual, cognitive underpinnings that allow us to 'make' sense of time in music. Thus, the Handbook is a unique synthesis of divergent perspectives on the nature of time in music. With its focus on contemporary music (while paying attention to some of the generative temporalities of the nineteenth century), the volume establishes the richness and complexity of so much current music-making and in the process overcomes historic demarcations between art and popular musics.

This volume of essays examines the empirical evidence on school choice in different countries across Europe, North America, sub-Saharan Africa and South Asia. It demonstrates the advantages which choice offers in different institutional contexts, whether it be Free Schools in the UK, voucher systems in Sweden or private-proprietor schools for low-income families in Liberia. Everywhere experience suggests that parents are `active choosers': they make rational and considered decisions, drawing on available evidence and responding to incentives which vary from context to context. Government educators frequently downplay the importance of choice and try to constrain the options parents have. But they face increasing resistance: the evidence is that informed parents drive improvements in school quality. Where state education in some developing countries is particularly bad, private bottom-up provision is preferred even though it costs parents money which they can ill-afford. This book is both a collection of inspiring case studies and a call to action.

In 1995, high-flying British journalist Toby Young left London for New York to become a contributing editor at Vanity Fair. Other Brits had taken Manhattan - Alistair Cooke, Tina Brown, Anna Wintour - so why couldn't he? Surely, it would only be a matter of time before the Big Apple was in the palm of his hand. But things did not go according to plan. Within the space of two years he was fired from Vanity Fair, banned from the most fashionable bar in the city and couldn't get a date for love or money. Even the local AA group wanted nothing to do with him. How To Lose Friends & Alienate People is Toby Young's hilarious account of the five years he spent steadily working his way down the New York food chain, from glossy magazine editor to crash-test dummy for interactive sex toys. But it's not just a collection of self-deprecating anecdotes. It's also a seditious attack on the culture of celebrity from inside the belly of the beast. Not since Bonfire of the Vanities has the New York A-list been so mercilessly lampooned - and it all really happened!