THE FIRST BOOK IN EDGAR-NOMINATED ANNE HOLT'S INTERNATIONAL BESTSELLING MYSTERY SERIES FEATURING DETECTIVE HANNE WILHELMSEN, LAST SEEN IN "1222"
A small-time drug dealer is found battered to death on the outskirts of the Norwegian capital, Oslo. A young Dutchman, walking aimlessly in central Oslo covered in blood, is taken into custody but refuses to talk. When he is informed that the woman who discovered the body, Karen Borg, is a lawyer, he demands her as his defender, although her specialty is civil, not criminal, law. A couple of days later, Hansa Larsen, a lawyer of the shadiest kind, is found shot to death. Soon police officers Hakon Sand and Hanne Wilhelmsen establish a link between the two killings. They also find a coded message hidden in the murdered lawyer's apartment. Their maverick colleague in the drugs squad, Billy T., reports that a recent rumor in the drug underworld involves drug-dealing lawyers. Now the reason why the young Dutchman insisted on having Karen Borg as a defender slowly dawns on them: since she was the one to find and report the body, she is the only Oslo lawyer that cannot be implicated in the crime. As the officers investigate, they uncover a massive network of corruption leading to the highest levels of government. As their lives are threatened, Hanne and her colleagues must find the killer and, in the process, bring the lies and deception out into the open.

In 18th-century Honfleur, a child is born with a terrifying destiny before him. His name is Latour, and he is incapable of feeling pain. Obsessed by his abnormality and fascinated by the mysteries of pain, Latour loses himself in a spiral of murder, and dissection, trying to fathom the secrets of the human body. Finally he meets the infamous Marquis de Sade, whose faithful servant and accomplice he becomes.

"A classic of our time."--"L'Hebdo Litteraire"

'An atmosphere strongly reminiscent of Suskind's "Perfume." A tour de force in horror from which it is impossible to escape.'-- "Questions de Femmes"

"An atmosphere strongly reminiscent of Suskind's "Perfume." A tour de force in horror from which it is impossible to escape.'-- "Questions de Femmes"

Born in Olso in 1965, Nikolaj Frobenius has worked as a scriptwriter for both the theatre and cinema.

THE FIRST INSTALMENT IN THE HANNE WILHELMSEN SERIES. A superbly chilling story of corruption in the corridors of power. A drug dealer is battered to death in the outskirts of Oslo. A young Dutch student, covered in blood, walks aimlessly through the streets of central Oslo. He is taken into custody, but refuses to speak. Five days later a shady criminal lawyer called Hans Olsen is murdered. The two deaths don't seem related, but Detective Inspector Hanne Wilhelmsen is unconvinced. Soon, she uncovers a link between the bodies: Olsen defended the drug dealer. But there are powerful forces working against Hanne; a conspiracy that reaches far beyond a crooked lawyer and a small-time dealer. The investigation will take her into the offices of the most powerful men in Norway - and even put her own life at risk...

Until the posthumous publication of the Millennium Trilogy, Stieg Larsson was probably best known for his commitment to left-wing causes, and his tireless work as an anti-fascist activist. Horrified by the rise of far-right extremism in Sweden, he threw himself into monitoring and exposing these often shadowy and violent groups and gained an international reputation for the depth of his achievements and knowledge. However his work carried substantial risks and he and his partner Eva Gabrielsson lived in constant fear for their lives. When a friend of theirs was found shot dead in a stairwell, police raided the killers' hideout and found photographs of Stieg and Eva - chillingly, they were the next targets. Jan-Erik Pettersson shows how Stieg's activism and energetic championing of social justice and women's rights characterised his life, as well as demonstrating how these concerns animated his huge-selling Millennium Trilogy, in particular the unforgettable character of Lisbeth Salander. He also persuasively establishes Stieg's place within the explosion of Scandinavian crime with which his novels are so closely associated, showing that in many ways his fiction stands somewhat apart from the work of other authors in this tradition. In Stieg: From Activist to Author Jan-Erik Pettersson portrays a man willing to put his life at risk in order to fight for the things in which he believed, and an author whose inimitable work was energized by the causes to which he was so strongly committed.

In 18th-century Honfleur, a child is born with a terrifying destiny before him. His name is Latour, and he is incapable of feeling pain. Obsessed by his abnormality and fascinated by the mysteries of pain, Latour loses himself in a spiral of murder, and dissection, trying to fathom the secrets of the human body. Finally he meets the infamous Marquis de Sade, whose faithful servant and accomplice he becomes.

"A classic of our time."--"L'Hebdo Litteraire"

'An atmosphere strongly reminiscent of Suskind's "Perfume." A tour de force in horror from which it is impossible to escape.'-- "Questions de Femmes"

"An atmosphere strongly reminiscent of Suskind's "Perfume." A tour de force in horror from which it is impossible to escape.'-- "Questions de Femmes"

Born in Olso in 1965, Nikolaj Frobenius has worked as a scriptwriter for both the theatre and cinema.

Until the posthumous publication of the Millennium Trilogy, Stieg Larsson was probably best known for his commitment to left-wing causes, and his tireless work as an anti-fascist activist. Horrified by the rise of far-right extremism in Sweden, he threw himself into monitoring and exposing these often shadowy and violent groups and gained an international reputation for the depth of his achievements and knowledge. However his work carried substantial risks and he and his partner Eva Gabrielsson lived in constant fear for their lives. Jan Erik-Pettersson shows how Stieg's activism and energetic championing of social justice and women's rights characterised his life, as well as demonstrating how these concerns animated his huge-selling Millennium Trilogy, in particular the unforgettable character of Lisbeth Salander. He also persuasively establishes Stieg's place within the explosion of Scandinavian crime with which his novels are so closely associated, showing that in many ways his fiction stands somewhat apart from the work of other authors in this tradition. In Stieg: From Activist to Author, Jan Erik-Pettersson portrays a man willing to put his life at risk in order to fight for the things in which he believed, and an author whose inimitable work was energized by the causes to which he was so strongly committed.

The midnight sun illumines more than fishing and fjords in this remote northern Norwegian village. In fact, half-baked schemes and hilarity abound. Big Ove Rolandsen, telegraph operator, mad scientist, and local Casanova, trades wits, fists, and kisses with a host of quirky neighbors. He serenades the curate's wife and fights a drunken giant, but taking on Trader Mack, the town's fish-glue magnate, is a more difficult matter. Knut Hamsun, author of the acclaimed Hunger and winner of the 1920 Nobel Prize for Literature, renders the dreams and dramas of these townsfolk with a delightfully light touch. Robert Bly has written that Hamsun "has a magnifying glass on his eye, like a jeweler's," and Dreamers gleams like a perfect, semi-precious stone.

In his newest novel, A Tiler's Afternoon, Lars Gustafsson invites us to share a day's work with Torsten Bergman, an aging, semi-retired tile-layer. On this particular day, Torsten arrives at an empty suburban villa, partially renovated and left unfinished. A master craftsman, he knows what to do and goes about his business, all the while reminiscing over his past, considering what may be left of his future, daydreaming about the mysterious Sophie K., the absent occupant of the villa's upstairs flat. No one checks on the work. With the close of the day comes Torsten's growing unease over hours spent on perhaps futile labor. "But at that moment there was a loud knocking at the door - no, more of a pounding than a knocking. It sounded as if by some strange coincidence the whole world had come to life again and was trying to get in." Like Samuel Beckett, Lars Gustafsson turns the plainest of circumstances into poignant universals. There are yet roads to travel after we say we cannot go on.