"I don't think we'll get to Mars... not really...not normal people. Scientists might... it'll end up a scientific outpost like Antarctica... but it won't be for people like you and me." Maggie has found a warm patch of ground on Horsell Common. She believes something is buried in the dirt. This is the site of the Martian invasion in H G Wells' The War of the Worlds and she sneaks out of the house in the dead of night and dances on the warm spot. Here she meets Behrooz, an amateur astronomer who spends his nights mapping the surface of Mars. Cartographer John is remapping the streets of Woking. He's about to become a father and is terrified by the thought. He finds an ally in Corinne, Maggie's mother - a woman struggling to keep her sex life separate and secret from her daughter. Kiph, who everyone thinks is gay, is madly in love with Maggie, his best-friend. He attends a book signing to meet his hero, Richard Bleakman - star of cult 80s sci-fi show John Carter of Mars. Richard has problems of his own. A stunning new play about fantasy and sexuality, and about the blurry and indistinct linesbetween reality and desire.

1939: fascism spreads across Europe, Franco marches on Barcelona and two German chemists discover the processes of atomic fission. In Berkeley, California, theoretical physicists recognise the horrendous potential of this new science: a weapon that draws its power from the very building blocks of the universe. Struggling to cast off his radical past and thrust into a position of power and authority, the charismatic J Robert Oppenheimer races to win the 'battle of the laboratories' and create a weapon so devastating that it would bring about an end not just to the Second World War but to all war. Tom Morton-Smith's new play takes us into the heart of the Manhattan Project, revealing the personal cost of making history.

"You know when a song gets stuck in your head? Round and round ... over and over. I've got that right now ... only it's not a piece of music ... it's not a tune ... it's a phrase: home is where the heart is ... home is where the heart is." A coastline erodes, a house falls into the sea. A mysterious brother and sister arrive looking for answers. Marnie clings to her camera, taking photographs of strangers and places. She has come to say goodbye to a life she never knew whilst her brother Linus is keen to make a fresh start. But when they find Simon and daughter Kelly, reeling in the wake of tragedy, all four lives are to become inextricably linked under the weight of the past.

Reykjavik, 1972. All eyes are on Iceland ahead of ‘the Match of the Century’: Boris Spassky vs. Bobby Fischer. For the two contenders, the stakes have never been higher – the world title, unprecedented prize money, and stratospheric fame are all on the table.