1939: fascism spreads across Europe, Franco marches on Barcelona and two German chemists discover the processes of atomic fission. In Berkeley, California, theoretical physicists recognise the horrendous potential of this new science: a weapon that draws its power from the very building blocks of the universe. Struggling to cast off his radical past and thrust into a position of power and authority, the charismatic J Robert Oppenheimer races to win the 'battle of the laboratories' and create a weapon so devastating that it would bring about an end not just to the Second World War but to all war. Tom Morton-Smith's new play takes us into the heart of the Manhattan Project, revealing the personal cost of making history.

"You know when a song gets stuck in your head? Round and round ... over and over. I've got that right now ... only it's not a piece of music ... it's not a tune ... it's a phrase: home is where the heart is ... home is where the heart is." A coastline erodes, a house falls into the sea. A mysterious brother and sister arrive looking for answers. Marnie clings to her camera, taking photographs of strangers and places. She has come to say goodbye to a life she never knew whilst her brother Linus is keen to make a fresh start. But when they find Simon and daughter Kelly, reeling in the wake of tragedy, all four lives are to become inextricably linked under the weight of the past.