"The Historiography of Genocide" is an indispensable guide to the development of the emerging discipline of genocide studies and the only available assessment of the historical literature pertaining to genocides.

This work is an indispensable guide to the development of the emerging discipline of genocide studies and the only available assessment of the historical literature pertaining to genocides.It is the only historiographical assessment of genocide studies available, written by experts in the field. It brings together comparative analyses of the development of the discipline and examinations of the historiography of particular cases (or contested cases) of genocide. It includes thematic, comparative essays (e.g., on religion, gender, law, modernity) side by side with historiographical case studies.It deals not only with the few unambiguous and widely recognized cases of genocide but also with cases whose status is more contested (e.g., India, China, Guatemala) through analyses of the historiography relating to those cases. It is also an incomparable guide to a massive and complex literature, in newly-commissioned and up-to-date essays.

Film and television have been accepted as having a pervasive influence on how people understand the world. An important aspect of this is the relationship of history and film. The different views of the past created by film, television, and video are only now attracting closer attention from historians, cultural critics, and filmmakers. This volume seeks to advance the critical exploration scholars have recently begun. Barta begins by addressing the various ways the past is "screened" for our understanding and relates the art of film to other media. The essays that follow deal primarily with the changing perspectives of political and social developments--and changing concepts of ideology, gender, or culture--in films and television programs made for historically shaped reasons. Chapters by filmmakers explore issues of context and intent in their own projects. Scholars and general readers interested in film and cultural studies will find this an important volume.