Future Folk Horror: Contemporary Anxieties and Possible Futures analyzes folk horror by looking at its recent popularity in novels and films such as The Witch (2015), and Candyman (2021). Countering traditional views of the genre as depictions of the monstrous, rural, and pagan past trying to consume the present, the contributors to this collection posit folk horror as being able to uniquely capture the anxieties of the twenty-first century, caused by an ongoing pandemic and the divisive populist politics that have arisen around it. Further, this book shows how, through its increasing intersections with other genres such as science fiction, the weird, and eco-criticism as seen in films and texts like The Zero Theorum (2013), The Witcher (2007–21), and Annihilation (2018) as well as through its engagement with topics around climate change, racism, and identity politics, folk horror can point to other ways of being in the world and visions of possible futures.

The thrill of the chase, the steely-eyed detective (either gentle or hardboiled), the dark alleys and the double-cross, the unsolvable crime by a masterful criminal mind: this new title in our Gothic Fantasy Short Stories series features chills and double twists, unexpected turns and private investigators with an eye for the unusual, and contains a cunning mix of classic and brand new writing. Great detective thriller writers such as Arthur Conan Doyle, John Buchan, G.K. Chesterton, Arthur Morrison and the Mother of Detective fiction herself, Anna Katharine Green, join rarely seen tales by modern authors, and completely new stories, published here for the first time by, amongst others, T.Y. Euliano, Tracy Fahey, Tom Mead Marie Vibbert. As always our submission windows are packed with great reads so the successful stories are always a joy to publish.