A wave of protest is in the air and on the walls! A new generation of politicized artists, designers and communicators the world over are using stencil art as an accessible yet powerful means of giving voice to their ideas. The Stencil Graffiti Handbook sees Tristan Manco back on the streets. Through an incomparable network of street-art contacts, gained through over two decades of immersion in the scene, Manco has scoured the globe to find the most interesting street artists working today - those operating outside of the mainstream market of 'Urban Art' and beneath the radar of everyone but the true cognoscenti. Exploring the medium's applications within grassroots activism as well as the contemporary craft scene, Manco brings this thriving artform to light. Showing both process and results, The Stencil Graffiti Handbook dives into street art's essential elements - place, space, technique and subject - before taking to the streets to see how, where and why stencil graffiti is king. Also featuring studio visits with artists and practical, step-by-step guidance via artist-led projects, with specially commissioned instructional illustrations by the renowned Colombian collective Instituto Bogotano de Corte, The Stencil Graffiti Handbook is an unmissable education and inspiration for anyone with an open mind and a rebellious spirit.

At the end of 2020, the concrete factory in Ghent, popularly called 'the Betoncentrale', was demolished. With this book, Cultuur Gent, the cultural department of the City of Ghent, aims to keep the memory of this graffiti paradise alive. A team of experts selected the 10 most important street artists who were active onsite: ROA, Klaas van der Linden, and Bue the Warrior, among others. This book showcases the most beautiful work that adorned the walls of the factory. Street art expert Tristan Manco frames the local scene in its international context and Giulia Riva, a street art blogger, spoke to the artists about their memories of that unique place. Text in English and Dutch.

Make your Mark is divided into three: 'Draw', 'Paint', 'Make'. It celebrates and discusses the work of forty-five urban artists, extraordinarily diverse but united by one basic principle: their work is completely fresh, original and the epitome of creativity - the perfect antidote to the jaded imagery that fills our streets and our media. The names - 44 Flavours from Germany, Bault from France, Morcky from Italy, Ricardo Cavolo from Spain, Zio Ziegler from the USA, Fuco Ueda from Japan, Raymond Lemstra from the Netherlands, Joao Ruas from Brazil and many others - will be unfamiliar to most; the talent they display, indisputable, courageous, always distinctive, is a joy.

From the startingly distinctive achievements of the internationally renowned twin-brother painters Os Gemeos to the visual powers of the ubiquitous daredevil pichadores, Brazil's graffiti captivates with entirely fresh ideas, techniques and messages. Whether one's taste is for the extraordinary creative extremes generated amid urban deprivation or for crafted murals at their most elaborate, Graffiti Brasil offers both stunning photography and in-depth history and insight. With graffiti worldwide becoming more homogenized, this book is a reminder of the strengths of creative independence and the rich fruits of cultural diversity.

Scale is being taken to new extremes in art: from Luke Jerram s microbiological clear-glass sculptures and Klari Reis s petri dish paintings, to Lilian Bourgeat s oversized furniture and stemware and Janet Echelman s 230-foot-long aerial sculpture that was installed over the Amstel River in Amsterdam. Art lovers are forced to examine these massive or tiny works through a new perspective. Featured here are forty-five cutting-edge artists from around the world who are revolutionizing our approach to scale in art, using crafted or found objects, unusual materials, texture, color, and patina to create a sense of wonder in which we think afresh about function, appearance, beauty, and aesthetics. The book is divided into two sections: Big art and Small art. The artists showcased are innovative in their choice of materials, which include plastic bags (Pascale Marthine Tayou) crayons and pencils (Diem Chau), leaves (Lorenzo Manuel Duran), inflatables (Choi Jeong Hwa), and digital media (Yang Yongliang). Stylishly designed and highly accessible, this is the first book to bring together in one volume the very best examples of Big art and Small art of the twenty-first century."