Originating in the collaboration of the international Research Network "Gender in Antisemitism, Orientalism and Occidentalism" (RENGOO), this collection of essays proposes to intervene in current debates about historical constructions of Jewish identity in relation to colonialism and Orientalism. The network 's collaborative research addresses imaginative and aesthetic rather than sociological questions with particular focus on the function of gender and sexuality in literary, scholarly and artistic transformations of Orientalist images. RENGOO's first publication explores the ways in which stereotypes of the external and internal Other intertwine. With its interrogation of the roles assumed in this interplay by gender, processes of sexualization, and aesthetic formations, the volume suggests new directions to the interdisciplinary study of gender, antisemitism, and Orientalism.

With the voyage of the Mayflower in 1620, New England history began as a Puritan foundational experiment within the wilderness. The stirring history of North America s beginnings in the politics of religion are reconstructed here by means of personal testimonies.

In the Hobsbawmian long 19th century, gender and processes of sexualization and feminization have been crucial in the construction of the "Jewish Other". Ulrike Brunotte explores how these processes came about by addressing imaginative, aesthetic, and epistemological questions. She analyzes how literature, psychoanalysis and the performing arts traverse and react to the ambivalence of racialized stereotypes. The "femininity puzzle" presents itself in two ways: first in the role of effeminization of the male Jew in antisemitic discourse, and then in the transgressive forms of femininity connected to Jewish women, especially the allosemitic Orientalization in the figure of the "Beautiful Jewess".