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"She, a woman of high beauty, created like no other to be Medea,
Madonna, Iphigenia, Aspasia, decided one sunny winter day to escape
her loneliness and to leave La Rotonda. She bought a ticket 'Aller
jamais retour. Berlin Tegel'." This is the opening scene of Ulrike
Ottinger's momentous 1979 film Ticket of No Return-the woman of
high beauty was Tabea Blumenschein. Unconcerned by all conventions,
Blumenschein adored transformation: in a distinctive, avant-garde
aesthetic, the two women embraced various different identities and
challenged many norms, in the process revealing the performativity
of gender. Initiating a dialog between the two artists'
perspectives, these books bring together for the first time
Blumenschein's drawings with Ottinger's photographs from their
joint performance sessions.
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