The Romantic phenomenon of multiple texts has been shaped by the link between revision and authorial intent. However, what has been overlooked are the profound implications of multiple and contradictory versions of the same text for a materialist approach; using the works of Coleridge as a case study and the afterlife of the French Revolution as the main theme, this monograph lays out the methodology for a more detailed multi-layered analysis. Scrutinising four works of Coleridge (two poems, a newspaper article and a play), where every major variant is read as a separate work with its own distinct socio-historical context, Ve-Yin Tee challenges the notion that any one text is representative of its totality. By re-reading Coleridge in the light of alternative textual materials within that time, he opens a wider scope for meaning and the understanding of Coleridge's oeuvre.

Uncovers alternative ways of seeing the environment from the Romantic period Explores how Romantic ideas of nature are shaped by social class Shows how Romantic ideas of nature impacted upon the land both within the UK and overseas Argues current approaches to conservation and animal rights continue to be influenced by a class-bound Romantic environmental sensibility Offers alternative ways of seeing the environment from the Romantic period Romantic Environmental Sensibility employs a class-based analysis in global studies. The chapters here reveal the extent to which our representations of the land, as well as of the plants, animals and people who live on the land, are imposed upon by habits of thought that are profoundly class-based. It shows how Green Romanticism has simplified Romantic period discourse by bringing to light the multiplicity of perspectives and long-standing inequalities that have been occluded and how current approaches to conservation and animal rights continue to be influenced by a class-bound Romantic environmental sensibility.

Romantic Environmental Sensibility employs a class-based analysis in global studies. The chapters here reveal the extent to which our representations of the land, as well as of the plants, animals and people who live on the land, are imposed upon by habits of thought that are profoundly class-based. It shows how Green Romanticism has simplified Romantic period discourse by bringing to light the multiplicity of perspectives and long-standing inequalities that have been occluded and how current approaches to conservation and animal rights continue to be influenced by a class-bound Romantic environmental sensibility.

The Romantic phenomenon of multiple texts has been shaped by the link between revision and authorial intent. However, what has been overlooked are the profound implications of multiple and contradictory versions of the same text for a materialist approach; using the works of Coleridge as a case study and the afterlife of the French Revolution as the main theme, this monograph lays out the methodology for a more detailed multi-layered analysis. Scrutinising four works of Coleridge (two poems, a newspaper article and a play), where every major variant is read as a separate work with its own distinct socio-historical context, Ve-Yin Tee challenges the notion that any one text is representative of its totality. By re-reading Coleridge in the light of alternative textual materials within that time, he opens a wider scope for meaning and the understanding of Coleridge's oeuvre.