This volume examines the entire logical and philosophical production of Nicolai A. Vasil'ev, studying his life and activities as a historian and man of letters. Readers will gain a comprehensive understanding of this influential Russian logician, philosopher, psychologist, and poet. The author frames Vasil'ev's work within its historical and cultural context. He takes into consideration both the situation of logic in Russia and the state of logic in Western Europe, from the end of the 19th century to the beginning of the 20th. Following this, the book considers the attempts to develop non-Aristotelian logics or ideas that present affinities with imaginary logic. It then looks at the contribution of traditional logic in elaborating non-classical ideas. This logic allows the author to deal with incomplete objects just as imaginary logic does with contradictory ones. Both logics are objects of interesting analysis by modern researchers. This volume will appeal to graduate students and scholars interested not only in Vasil'ev's work, but also in the history of non-classical logics.

The correspondence between Meinong and Kazimierz Twardowski highlights the relationship between two philosophers who influenced the history of philosophy and psychology in Austria and Poland. The two correspondents discuss, among other things, their epistemological approach and the university politics of their times. In addition, there is an extensive introduction that places the correspondence in its proper historical and philosophical context.

This volume addresses key aspects of the philosophical psychology elaborated by Alexius Meinong and some of his students. It covers a wide range of topics, from the place of psychological investigations in Meinong's unique philosophical program to his thought-provoking views on perception, colors, "Vorstellungsproduktion," assumptions, values, truth, and emotions.

The traditional and lively interest in Meinong s philosophy and related topics among Italian philosophers gives rise to this volume of MEINONG STUDIES. As more than an introduction, Venanzio Raspa presents an enlightening historical presentation of Meinong s reception in Italy from his lifetime to the present day. Riccardo Martinelli offers a reconstruction of the Meinongian theory of musical objects of higher order. Francesca Modenato gives the outlines of Meinong s object theory as a theory of the pure object, separating it from ontology and associating it rather with gnoseology. From a less historical than systematic-analytic perspective, Andrea Bottani deals with incomplete objects, Mario Alai investigates the problem of propositions concerning non-existent objects, and Carola Barbero proposes a realistic theory of the emotions aroused by reading literary texts. As themes related to Meinongian ones, Alberto Voltolini discusses the concept of existence as a property, Francesco Orilia validates an intuition of Meinong by adopting an approach called 'fact infinitism', and Guido Bonino deals with Gustav Bergmann s interpretation of Meinong s ontology. Das traditionelle und lebhafte Interesse italienischer Philosophen an Meinongs Philosophie und damit zusammenhangenden Themen gibt Anlass fur diesen Band der MEINONG STUDIEN. Weit uber die Anforderungen an ein Eineitung hinausgehend, prasentiert Venanzio Raspa eine erhellende Studie der Rezeption Meinongs in Italien von seinen Lebzeiten bis zum heutigen Tag. Riccardo Martinelli rekonstruiert Meinongs Theorie musikalischer Objekte hoherer Ordnung und Francesca Modenato umreisst Meinongs Objekttheorie (als Theorie reiner Objekte), welche sie eher der Gnoseologie denn der Ontologie zuordnet. Aus einer weniger historischen als systematisch-analytischen Perspektive befassen sich Andrea Bottani mit unvollstandigen Objekten, Mario Alai mit der Frage nicht-existierende Objekte betreffender Aussagen, und Carola Barbero prasentiert eine realistische Theorie von Emotionen, die durch die Lekture literarischer Texte erweckt werden. Als Meinong-bezogene Themen diskutiert Alberto Voltolini den Begriff der Existenz als Eigenschaft, Francesco Orilia bestatigt in seinem 'Fakteninfinitismus' genannten Zugang eine Meinongsche Intuition, und Guido Bonino befasst sich mit Gustav Bergmanns Interpretation der Meinongschen Ontologie."

This is the first volume devoted to the aesthetics of the Graz school. V. Raspa s introduction gives an outline of the aesthetic themes and exponents of the school. D. Jacquette argues for a Meinongian subjectivistic aesthetic value theory. B. Langlet deals with aesthetic properties and emotions. Ch.G. Allesch presents Witasek's aesthetics in its historical context. I. Vendrell Ferran investigates the aesthetic experience and quasi-feelings in Meinong, Witasek, Saxinger and Schwarz. R. Martinelli illustrates the musical aesthetics of Ehrenfels, Hofler and Witasek. P. Mahr asks if object-theoretical aesthetics is possible at all. M. Potrc and V. Strahovnik concentrate on Veber's aesthetic judgment. N. Dolcini deals with the migration of ficta, and F. Orilia with words and pictures in fictional stories."

This volume examines the entire logical and philosophical production of Nicolai A. Vasil'ev, studying his life and activities as a historian and man of letters. Readers will gain a comprehensive understanding of this influential Russian logician, philosopher, psychologist, and poet. The author frames Vasil'ev's work within its historical and cultural context. He takes into consideration both the situation of logic in Russia and the state of logic in Western Europe, from the end of the 19th century to the beginning of the 20th. Following this, the book considers the attempts to develop non-Aristotelian logics or ideas that present affinities with imaginary logic. It then looks at the contribution of traditional logic in elaborating non-classical ideas. This logic allows the author to deal with incomplete objects just as imaginary logic does with contradictory ones. Both logics are objects of interesting analysis by modern researchers. This volume will appeal to graduate students and scholars interested not only in Vasil'ev's work, but also in the history of non-classical logics.

This long-awaited critical edition of the 277-page unpublished manuscript of notes oflectures given by Twardowski at the University of Vienna in 1894/95 provides a detailed overview of 19th-century philosophical logic and opens a new line of interpretation of Twardowski s work giving great importance to his Nachlass."