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From the interviews:"My [pregnant] wife once asked me, 'How is it
possible you are not thinking of your child?' I told her, 'It is
precisely because of that child and the two others I have here that
I am going. I plan to return to my fatherland, and I don't want a
Communist homeland.'"-- Jorge Marquet "One of the sad things that
has happened over this period in the history of Cuba is that
historians have not given credit to the idealism of those who
turned against the revolution. We were really full of good will and
wanted to make Cuba better."--Eduardo Zayas-Bazan "[A] feeling of
duty to defend our faith was what motivated my husband . . . . What
made me give my blessing to his activities were my own feelings of
duty."-- Myrna Pardo Millan (widowed by the invasion) This is the
story of the Bay of Pigs invasion, told for the first time in the
words of the idealistic participants who came together in April
1961 to overthrow Fidel Castro's dictatorship. Most of the
approximately 1,500 men of Brigade 2506 were captured by Castro's
forces in Cuban swamps and jailed until December 1962. About 114
died. Combining oral history and traditional narrative form, Victor
Triay tells us who individual members of the brigade were and what
they fought for. As one veteran, only eighteen at the time of the
invasion, recalls, "It was my turn to do something for Cuba.
Probably the purest thing I have ever done in my life was to make
the decision to go." Triay describes the volunteers' recruitment,
training, combat experience, and the wretched months of their
imprisonment. He also presents the women they left behind,
including three who were widowed by the invasion. Among the nearly
2 million people in the U.S. Cuban community today, the freedom
fighters who made up Brigade 2506 have always been accorded the
highest level of respect. Bay of Pigs tells the personal stories of
the invasion in an account that restores the human dimension to a
pivotal moment in the history of the Cold War.
Havana, Cuba, 1960. The euphoria following the nation's successful
Revolution the previous year has waned among large sectors of the
population. Cuba's new leader, Fidel Castro, after having promised
to restore democracy to the troubled island, is forcibly dragging
the country down the road to Communist dictatorship. As an ominous,
Stalinist cloud begins to envelop the country, democratic forces
launch an anti-government insurgency with the hope of saving Cuba
from the totalitarian darkness that threatens her. The Unbroken
Circle series is the story of the fictional Leon family, whose
peaceful, middle class existence is swept suddenly into a tempest
of warfare, betrayal, and separation during the early years of the
Cuban Revolution. Told with the heart-pounding suspense of a Cold
War saga and the poignancy of a family drama, The Struggle Begins
sets the stage for The Unbroken Circle series with electrifying
power. From Reader Reviews: "The Struggle Begins" is a thrilling
historical novel that cannot be put down . . ." "The characters are
so real that you can almost touch them." "The Struggle Begins" is
presented to the readers in a scenario that combines the reality of
Cuba in 1960 with fictional characters to make a fascinating
novel." "Caught right away in the drama of a Cuban family in the
midst of their struggles with Castro's revolution."
"The first complete and comprehensive work on these important,
unique programs. . . . An interesting, humane, yet tragic component
of the post-1959 Cuban experience and the Cold War in
general."--Antonio Benitez-Rojo, Amherst College "The ordeal began
[for the children] when their parents told them they had to travel
alone and that they had to keep the upcoming trip a secret. The
most powerful parts of the book are their accounts. . . . Through
interviews with many of the participants-the children and their
parents, the coordinators of the airlift, those in the underground
in Cuba and the Catholic sponsors in the United States-Triay
attempts to answer many of the questions the exodus raised."--Miami
Herald A stirring account of the covert effort to smuggle Cuban
children into the United States in the aftermath of Fidel Castro's
rise to power, Fleeing Castro brings to light the humanitarian
program designed to care for the children once they arrived and the
hardship and suffering endured by the families who took part in
Operation Pedro Pan. From late 1960 until the October 1962 missile
crisis, 14,048 unaccompanied Cuban children left their homeland,
the small island suddenly at the center of the Cold War struggle.
Their parents, unable to obtain visas to leave Cuba, believed a
short separation would be preferable to subjecting their offspring
to Castro's totalitarian Marxist state. For the children, the
exodus began a prolonged and tragic ordeal--some didn't see their
parents again for years; a few never did. Until now, this chapter
of the Cuban Revolution has been relatively obscure. Initially the
result of an effort by James Baker, headmaster of an American
school in Cuba who worked closely with the anti-Castro underground,
Pedro Pan quickly came to involve the Catholic Church in Miami and,
in particular, Father Bryan Walsh, who established the Cuban
Children's Program, the nationwide organization that cared for
those children without relatives or friends in the United
States--almost half of them. The latter program, in effect until
1981, was the first to allot federal money to private agencies for
child care, an action with far-reaching repercussions for U.S.
social policy. Victor Andres Triay traces this story from its
political and social origins in Cuba, setting it in the context of
the Cold War and describing the roles of the organizations involved
in Cuba and in the United States. Making use of extensive
interviews with Baker, Walsh, and influential underground figures,
as well as personal letters that document the fears and dreams of
both the parents and the children, Triay presents this history of
Pedro Pan--the largest child refugee movement ever in the Western
Hemisphere--with the drama of an international thriller and the
pathos of a heartbreaking family drama.
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